Overvejende canadiske kunstnere, men enkelte andre også

H. Patrick Glenn (1940–2014), Professor of Law and former Director of the Institute of Comparative Law at McGill University, was a key figure in the global discourse on comparative law. This collection is intended to honor Professor Glenn's intellectual legacy by engaging critically with his ideas, especially focusing on his visions of a 'cosmopolitan state' and of law conceptualized as 'tradition'. The book explores the intellectual history of comparative law as a discipline, its attempts to push the objects of its study beyond the positive law of the nation-state, and both its potential and the challenges it must confront in the face of the complex phenomena of globalization and the internationalization of law. An international group of leading scholars in comparative law, legal philosophy, legal sociology, and legal history takes stock of the field of comparative law and where it is headed.

The first magazine devoted entirely to do-it-yourself technology projectspresents its 25th quarterly edition for people who like to tweak, disassemble, recreate,and invent cool new uses for technology. MAKE Volume 25 is all about the Arduino Revolution! Give your gadgets a brain! Previously out of reach for the do-it-yourselfer, the tiny computers called microcontrollers are now so cheap and easy to use that anyone can make their stuff smart. With a microcontroller, your gadget can sense the environment, talk to the internet or other hardware, and make things happen in the real world by controlling motors, lights, or any electronic device. The Arduino is an easy-to-use microcontroller board -- it's like an R&D lab on your kitchen table for prototyping any gadget. We show you how to make one, and how to use Arduinos and other microcontrollers to make an automatic yogurt maker, a vintage Skype telephone, a gumball machine that recognizes your secret knock, and more. Plus, make a Helicopter Rocket, gourmet Sous Vide food cooker, Reverse Geocache treasure box, and many more fun DIY projects.

Graffiti made from cake icing, man-made clouds floating indoors, a luminous moon resting on water. Collected here are dozens of jaw-dropping artworks—site-specific installations, extraordinary sculptures, and groundbreaking interventions in public spaces—that reveal the exciting things that happen when contemporary artists play with the idea of place. Unexpected Art showcases the wonderfully experimental work of more than 50 innovative artists from around the world in galleries of their most astonishing artworks. An unusual package with three different-colored page edges complements the art inside and makes this tour of the world's most mind-blowing artwork a beautiful and thoughtprovoking gift for anyone interested in the next cool thing.

"Builders: Canadian Biennial 2012 is the National Gallery of Canada's second exhibition of new Canadian art acquired over the past two years, and features over 100 paintings, sculptures, drawings, videos and multimedia installations created by more than forty artists. In placing emergent practices alongside long-established Canadian artists who have been instrumental in "building" a context for Canadian art today, Builders offers the opportunity to appreciate the range of aesthetic accomplishment in this country."--Publisher description.

The poems in What We Did While We Made More Guns investigate the place where economic failure meets a widening acculturation of violence—a kind of Great Acceleration of soul extinction set in this spectacularly uneasy moment in American history. Cutting, comic, sorrowful, at times terrified, at times resolute, the poems tilt along the high cliff’s edge of identity anxiety and American moral uncertainty, where each of us plays our part in the business of dispossession or resistance. Building themselves out of jazzed-up verbal velocities and wounded (in)sincerity, the poems counsel resilience against all forms of battery, mortal, spiritual, financial. They are pattern-makers in the dark. They talk back to God. They take into themselves what cannot be taken back: the news that forty-six million Americans have “slipped” below the poverty line; that guns discharge monstrously banal virility; that a black woman pulled over for a routine traffic violation dies by strangulation in her jail cell; that we buy and sell the myth of the American Dream as though our lives depended on it.