The result of a seven-and-a-half-year undertaking to document Iowa's barns and all they represent, Harker's Barns: Visions of an American Icon featured seventy-five stunning black-and-white photographs by Michael Harker. An impressive and well-received collection, the book helped preserve the glory of one of rural America's most elemental icons. Still Standing, a postcard book of thirty of Harker's barn photographs---some from Harker's Barns, some previously unseen---continues that mission of preservation. Printed on heavy card stock and perforated for easy removal, the cards showcase midwestern barns-from square to round, wood to brick, Dutch to Swedish, occupied or abandoned, all symbolizing a passing way of life that was once the lifeblood of Iowa and the Midwest. As barns continue to disappear, these images will endure. “Barns Again! Celebrating an American Icon,” an exhibit of Harker's barn photos (with text by Loren Horton) sponsored by Humanities Iowa and organized by the Smithsonian Institution's Traveling Exhibition Service and the National Building Museum, with assistance from the National Trust for Historic Preservation, is currently touring Iowa.

"Harker's Icons" is a monograph of the fine art photography of Michael P. Harker, spanning four decades - 1971 to 2010. Many of the images have been published in his other books, but most have been published for the first time with this book. They are succinct B/W photographs with matching tonal quality throughout.

"Complementing Harker's photographs are vignettes by poet and writer Jim Heynen. Both whimsical and endearing, each vignette treats barns as organic and intelligent entities, reflecting the living history that can be found inside each rural structure."--BOOK JACKET.

Now back in print with a new essay, this classic of Iowa history focuses on the Old Order Amish Mennonites, the state’s most distinctive religious minority. Sociologist Elmer Schwieder and historian Dorothy Schwieder began their research with the largest group of Old Order Amish in the state, the community near Kalona in Johnson and Washington counties, in April 1970; they extended their studies and friendships in later years to other Old Order settlements as well as the slightly less conservative Beachy Amish. A Peculiar People explores the origin and growth of the Old Order Amish in Iowa, their religious practices, economic organization, family life, the formation of new communities, and the vital issue of education. Included also are appendixes giving the 1967 “Act Relating to Compulsory School Attendance and Educational Standards”; a sample “Church Organization Financial Agreement,” demonstrating the group’s unusual but advantageous mutual financial system; and the 1632 Dortrecht Confession of Faith, whose eighteen articles cover all the basic religious tenets of the Old Order Amish. Thomas Morain’s new essay describes external and internal issues for the Iowa Amish from the 1970s to today. The growth of utopian Amish communities across the nation, changes in occupation (although The Amish Directory still lists buggy shop operators, wheelwrights, and one lone horse dentist), the current state of education and health care, and the conscious balance between modern and traditional ways are reflected in an essay that describes how the Old Order dedication to Gelassenheit—the yielding of self to the interests of the larger community—has served its members well into the twenty-first century.

Carroll Engelhardt’s parents grew up in homes without electricity on farms without tractors and began farming in the same way. As a farm boy in northeastern Iowa, he thought that history happened only to important people in earlier times and more exotic places. After decades of teaching, he at last perceived that history happens to us all, and he began writing this book. Set within the thoughtfully presented contexts of the technological revolution in American agriculture, the Second World War, the Cold War, and the emerging culture of affluence, The Farm at Holstein Dip is both a loving coming-of-age memoir and an educational glimpse into rural and small-town life of the 1940s and 1950s. Engelhardt writes about growing up in a spacious farmhouse where life was centered in the kitchen and frugality dictated that every purchase be weighed carefully. His chores grew up with him: he fed chickens and gathered eggs at age six, rode a horse on the hayfork at nine or ten, milked cows by hand at eleven, and hired out to other farmers to load bales in the field and work in the haymow at fifteen. The simple pleasures and predictable routines of a Saturday night at the movies in nearby Elkader, Pioneer Days on the 4th of July, Confirmation Sunday, class picnics, and baseball and basketball games play out against a background of rural decline, alternating economic uncertainty and prosperity, and Cold War anxiety—next to polio, he most feared Communist subversion and atomic blasts. The values and contradictions imparted by this evolving mix of international, national, and local cultures shaped his coming of age. Engelhardt brings us into the world of his fourth-generation farm family, who lived by the family- and faith-based work ethic and concern for respectability they had inherited from their German and Norwegian ancestors. His writing has a particularly Iowa flavor, a style that needs no definition to those who live in the state. Readers will discover the appeal of his wry, humorous, and kind observations and appreciate his well-informed perspective on these transformative American decades.