Edgar Award Finalist: A Florida crime reporter juggles multiple mysteries in a novel that “pulses with excitement, grit and vérité” (Faye Kellerman, New York Times–bestselling author). On the police beat for her Miami newspaper, Cuban-born Britt Montero has a lot on her hands. She’s investigating a series of bizarre deaths involving sex, electrocution, and freshly poured concrete. As if that isn’t enough, there’s the long-unsolved murder of a young girl that may implicate the frontrunner in the governor’s race. And at the same time, she’s on the trail of a serial rapist—who targets her in retaliation for her stories . . . In this novel, the author of The Corpse Had a Familiar Face offers “crime fiction that matches the high level of her Pulitzer prize–winning crime reporting” (Publishers Weekly). “Buchanan is very good at capturing the flavor of South Florida and Miami, and her experience as a crime reporter makes her characters convincing.” —Library Journal “First-rate mystery fiction.” —Booklist

The English-language debut of one of the most thrilling and accomplished young Mexican writers Winner of the Queen Sofía Spanish Institute's Tanslation Prize Longlisted for the National Book Award Shortlisted for the Booker Prize Winner of the Internationaler Literaturpreis New York Public Library Best Books of 2020 Chicago Public Library Best Book of 2020 The Witch is dead. And the discovery of her corpse has the whole village investigating the murder. As the novel unfolds in a dazzling linguistic torrent, with each unreliable narrator lingering on new details, new acts of depravity or brutality, Melchor extracts some tiny shred of humanity from these characters—inners whom most people would write off as irredeemable—forming a lasting portrait of a damned Mexican village. Like Roberto Bolaño’s 2666 or Faulkner’s novels, Hurricane Season takes place in a world saturated with mythology and violence—real violence, the kind that seeps into the soil, poisoning everything around: it’s a world that becomes more and more terrifying the deeper you explore it.

Establishing individual criminal responsibility for mass atrocities is the foundational principle of international criminal justice, but this process is highly complex, and is accompanied by political and legal dilemmas about its operation. The book examines the drafting, interpretation, and application of the rules for assessing individual criminal responsibility as those rules emerge from the intense contestations among judges, lawyers, and academics within the legal field. Focusing on the International Criminal Court (ICC), the book provides a rich analysis of the international debates around questions of criminal responsibility by interrogating formal legal documents and legal scholarship alongside more candid accounts (interviews, memoirs, minutes). These debates are of key importance for international criminal law and global justice because how criminal responsibility laws are construed in practice determines which conduct merits punishment and, ultimately, demarcates the boundaries of what are considered the 'gravest' acts that 'shock' humanity.

The explosive story of the illegal gold trade from South America, and the three Miami businessmen who got rich on it—until it all came crashing down. In March of 2017, a team of federal agents arrested Juan Pablo Granda, Samer Barrage, and Renato Rodriguez, or as they came to be known, "the three amigos." The trio—first identified publicly by the authors of this book—had built a $3.6 billion dollar business in metals trading, mostly illegal Peruvian gold mined in the rain forest. Their arrest and subsequent prosecution laid bare more than a scheme between a few corrupt traders. Dirty Gold lifts the veil on a massive and very illegal international business that is more lucrative than trafficking cocaine, and often just as dangerous. As this award-winning team of current and former Miami Herald reporters shows, illegal gold mines have become a haven for Latin American drug money. The gold is sold to metals traders, and ultimately to scores of unwitting Americans in their jewelry and phones. By following the trail of these three traders, Dirty Gold leads us into a sprawling criminal underworld that has never before been in full view.

The first extensive survey of individual film genres, this one-of-a-kind reference spans the entire motion picture era and presents detailed information on directors and the films they have produced.The first volume is dedicated to one of the richest and most popular of all genres -- comedy -- and encompasses some 19,000 films and 3,300 directors. Volume 2 examines 3,700 directors of 18,000 crime films.Listed alphabetically, main entries offer a sketch of the individual's family background and education, a description of technique and/or performance characteristics, a summary of achievements, and a chronological filmography that includes year and country of production. All biographies have been subject to years of intensive research and provide important personal and professional dates.Multiple indexes yield a variety of access points to the director profiles, making each handbook an indispensable and convenient research tool for film critics, historians, and enthusiasts.