This 2002 book, the second in a three-volume history of Mexico, covers the period 1521 to 1821.

This book is one in a three volume general history of Mexico, comprising (I) the PreConquest period to 1521, (II) the Colonial period from 1521 to 1821, and (III) the National period from 1821-present. These books give a comprehensive narrative and analysis of Mexican history, focusing especially on political, economic, and social organization. Balancing both a 'bottom-up'(popular) and a 'top-down' (elite) perspective, they seek, where possible, to locate Mexico within broader, comparative patterns of historical change and conflict.

The first in a three-volume history, covering the period 25,000 BC to the sixteenth century.

A prominent scholar of Mexican and Latin American history challenges the field’s focus on historical memory to instead examine colonial-era conceptions of the future Going against the grain of most existing scholarship, Matthew D. O’Hara explores the archives of colonial Mexico to uncover a history of "futuremaking." While historians and historical anthropologists of Latin America have long focused on historical memory, O’Hara—a Rockefeller Foundation grantee and the award-winning author of A Flock Divided: Race, Religion, and Politics in Mexico—rejects this approach and its assumptions about time experience. Ranging widely across economic, political, and cultural practices, O’Hara demonstrates how colonial subjects used the resources of tradition and Catholicism to craft new futures. An intriguing, innovative work, this volume will be widely read by scholars of Latin American history, religious studies, and historical methodology.

"A valuable and logical step in the progression of critical studies on convent writing. . . . We have moved from seeing women writers as working at the margins to seeing them as writing subjects."—Latin American Research Review "Consider[s] nuns not as merely secular or religious writers, but through the lens of interdisciplinary study, as multifaceted historical agents. . . . The importance of the kind of innovative theoretical work undertaken by this text . . . cannot be over-emphasized, and will offer a both provocative and illuminating read to scholars in a broad range of disciplines."—Journal of International Women’s Studies "Kirk reconstructs aspects of the lives of colonial nuns through close-up readings of select manuscripts and, additionally, of published primary sources. . . . A lively and provocative addition to the literature on colonial Mexico that offers new insights into the dynamics of religious community."—Bulletin of Latin American Research "A thought-provoking contribution to our understanding of community-building among colonial Latin American women."—A Contracorriente "A timely scholarly contribution to the field of gender and religion. . . . Presents a fresh look at convent literature by specifically analyzing alliances, friendships, and communities."—Colonial Latin American Historical Review "An interesting and ambitious study of the discourses associated with convent life in Mexico."—Catholic Historical Review

From secular and ecclesiastical court records, Bennett reconstructs the lives of slave and free blacks, their regulation by the government and by the Church, the impact of the Inquisition, their legal status in marriage and their rights and obligations as Christian subjects.

Asking readers to imagine a history of Mexico narrated through the experiences of Africans and their descendants, this book offers a radical reconfiguration of Latin American history. Using ecclesiastical and inquisitorial records, Herman L. Bennett frames the history of Mexico around the private lives and liberty that Catholicism engendered among enslaved Africans and free blacks, who became majority populations soon after the Spanish conquest. The resulting history of 17th-century Mexico brings forth tantalizing personal and family dramas, body politics, and stories of lost virtue and sullen honor. By focusing on these phenomena among peoples of African descent, rather than the conventional history of Mexico with the narrative of slavery to freedom figured in, Colonial Blackness presents the colonial drama in all its untidy detail.