An ideal and welcome reference and reader for students of urbanism, Metropolis 1890-1940 examines perceptions of the city during the dramatic urban growth of this period. Metropolis looks at the policies adopted to deal with the new city and at the views of the city expressed in the art, architecture, literature, cinema, music, and ideology of the time. Internationally known experts discuss case studies of London, Paris, Berlin, the Ruhr, New York, Moscow, and Tokyo, and a postscript brings the reader up to date with a survey of postwar urbanism.

An ideal and welcome reference and reader for students of urbanism, Metropolis 1890-1940 examines perceptions of the city during the dramatic urban growth of this period. Metropolis looks at the policies adopted to deal with the new city and at the views of the city expressed in the art, architecture, literature, cinema, music, and ideology of the time. Internationally known experts discuss case studies of London, Paris, Berlin, the Ruhr, New York, Moscow, and Tokyo, and a postscript brings the reader up to date with a survey of postwar urbanism.

This book follows the evolution of the very large city across the world from its origins in Ancient times to its current dominant position in both the industrialised world and the Third World. In-depth studies are devoted to the key giant cities of human history at decisive points in their growth. The case-studies include Rome, London, Saint-Petersburg, Moscow, Bangkok and Berlin. Additional studies deal with the general characteristics of the megalopolis, stressing its implications for cultural life.

“Metropolis Berlin evokes a kaleidoscopic panorama of impressions, opinions, and utopian hopes that constituted Berlin from the end of Imperial Germany to the rise of National Socialism. Iain Boyd Whyte and the late David Frisby invite the reader to be a flâneur in a truly great city, to marvel at the vitality of its urban spaces, and to listen to the cacophony of its voices and sounds. This extraordinary anthology of hundreds of documents tells the story of metropolitan Berlin by letting its inhabitants, visitors, and critics speak. A must have for every personal bookshelf and library.”—Volker M. Welter, Professor for Architectural History, University of California at Santa Barbara "Metropolis Berlinis not merely a magnificent compendium of sources, but is also an exciting work of scholarship in its own right. It presents this global city, in all its architectural, urbanistic, and discursive richness and complexity, like no other volume before it."—Frederic J. Schwartz, author of Blind Spots: Critical Theory and the History of Art in Twentieth-Century Germany.

The award-winning, field-defining history of gay life in New York City in the early to mid-20th century Gay New York brilliantly shatters the myth that before the 1960s gay life existed only in the closet, where gay men were isolated, invisible, and self-hating. Drawing on a rich trove of diaries, legal records, and other unpublished documents, George Chauncey constructs a fascinating portrait of a vibrant, cohesive gay world that is not supposed to have existed. Called "monumental" (Washington Post), "unassailable" (Boston Globe), "brilliant" (The Nation), and "a first-rate book of history" (The New York Times), Gay New Yorkforever changed how we think about the history of gay life in New York City, and beyond.

The Cinematic City offers an innovative and thought-provoking insight into cityscape and screenscape and their inter-connection. Illustrated throughout with movie stills, a diverse selection of films (from 'Bladerunner' to 'Little Caesar'), genres, cities and historical periods are examined by leading names in the field. The key dimensions of film and urban theory are introduced before detailed analysis of the various cinematic forms which relate most significantly to the city. From early cinema and documentary film, to film noir, 'New Wave' and 'postmodern cinema', the contributors provide a wealth of empirical material and illustration whilst drawing on the theoretical insights of contemporary feminism, Benjamin, Baudrillard, Foucault, Lacan, and others. The Cinematic City shows how the city has been undeniably shaped by the cinematic form, and how cinema owes much of its nature to the historical development of urban space. Engaging with current theoretical debates, this is a book that is set to change the way in which we think about both the nature of the city and film. Contributors: Giuliana Bruno, Iain Chambers, Marcus Doel, David Clarke, Anthony Easthope, Elisabeth Mahoney, Will Straw, Stephen Ward, John Gold, James Hay, Rob Lapsley, Frank Krutnik

‘New York City as Metaphor in Selected American Texts’ tries to capture the picture and meaning of an ever-changing city which has casted and still casts a spell over people all around the world. An uncountable number of authors have dedicated their works to New York City because of their fascination of its diversity and constant change that promises its dwellers a life in wealth and freedom. Surprisingly, all novels that have been analyzed reveal New York as the complete opposite of the American Dream that everyone expects when arriving on Ellis Island. The protagonists have to realize that their dreams will never become fulfilled and, consequently, become disillusioned and corrupted by their unhealthy environment. John Dos Passos describes a City that becomes a modern Babylon; it is fragmented and on its way to greed, capitalism and corruption. The New York of Stephen Crane’s Maggie Johnson and Edith Wharton’s Lily Bart is like a gigantic deterministic cage that denies every attempt of escape. Moreover, the metaphysical novel ‘City of Glass’ by Paul Auster does not show any sign of the promised life in wealth and freedom, but rather a city that is split into pieces, ruled by chance and misunderstandings. The city literally dehumanizes its inhabitants as they are dazzled by its addictive quality.