Introduction : art and development : a new framework for postwar art -- The semiperipheral art gallery : Gallery Maya, Istanbul -- Democratic abstractions : Bülent Ecevit on art and politics -- "The first coup in the Turkish art world" : the Developing Turkey competition of 1954 -- The artist as agent of development : Füreya Koral between Turkey and the United States, 1955-1958 -- Conclusion : building Istanbul modern : art and development in a twenty-first-century museum.

Stories about institutions and regimes that have failed us are echoing worldwide. This book critically engages the multiple uprisings in the Middle East and North Africa (MENA) following the self-immolation of Tunisian street vendor Mohamed Bouazizi in December 2010. It brings together authors who critically analyse the unstoppable force unleashed in the streets of Tunisia, Egypt, Bahrain, Syria, Libya and Yemen. This book analyses the roots and trajectory of the recent revolts in the context of the global transformations that have redefined the politics of movement and revolution. For example, some authors engage extensively with the strategies embraced by the younger generation of activists. Others argue that the power of these revolutions lies in the people’s creative orientations including their collaborations. While much of the mobilization efforts in these different parts of the world happen through word of mouth, radio, cartoons, placards, and SMS services; sites such as Facebook helped people meet each other with a click, carrying their claims through stories, songs, poetry and art of protest across international borders quickly enabling them to rapidly bring authoritarian regimes to the brink of collapse and make a qualitatively different expression of uprisings. All authors in this volume address the question of the stakes in these revolts, as through them, spectacular and everyday violence can be challenged, and alternative social projects can emerge. Neither a footnote to the West's history, nor an appendix to neoliberal capitalist global projects, people are actively drawing on their power to disrupt domination and oppression, creatively responding to global problems and calling for democratic institutions with viable ecologies. This book was published as a special issue of Globalizations.

Reveals how changing ideas about gender and race shaped - and were shaped by - London and its literature.

Caterina Bernardini gauges the effects that Walt Whitman’s poetry had in Italy from 1870 to 1945: the reactions it provoked, the aesthetic and political agendas it came to sponsor, and the creative responses it facilitated. Particular attention is given to women writers and noncanonical writers often excluded from previous discussions in this area of study. Bernardini also investigates the contexts and causes of Whitman’s success abroad through the lives, backgrounds, beliefs, and imaginations of the people who encountered his work. Studying Whitman’s reception from a transnational perspective shows how many countries were simultaneously carving out a new modernity in literature and culture. In this sense, Bernardini not only shows the interconnectedness of various international agents in understanding and contributing to the spread of Whitman’s work, but, more largely, illustrates a constellation of similar pre-modernist and modernist sensibilities. This stands in contrast to the notion of sudden innovation: modernity was not easy to achieve, and it did not imply a complete refusal of tradition. Instead, a continuous and fruitful negotiation between tradition and innovation, not a sudden break with the literary past, is at the very heart of the Italian and transnational reception of Whitman. The book is grounded in archival studies and the examination of primary documents of noteworthy discovery.

What would English literary history look like if the unit of measure were not the political reign but the poetic tradition? The earliest poems in English were written in alliterative verse, the meter of Beowulf. Alliterative meter preceded tetrameter, which first appeared in the twelfth century, and tetrameter in turn preceded pentameter, the five-stress line that would become the dominant English verse form of modernity, though it was invented by Chaucer in the 1380s. While this chronology is accurate, Eric Weiskott argues, the traditional periodization of literature in modern scholarship distorts the meaning of meters as they appeared to early poets and readers. In Meter and Modernity in English Verse, 1350-1650, Weiskott examines the uses and misuses of these three meters as markers of literary time, "medieval" or "modern," though all three were in concurrent use both before and after 1500. In each section of the book, he considers two of the traditions through the prism of a third element: alliterative meter and tetrameter in poems of political prophecy; alliterative meter and pentameter in William Langland's Piers Plowman and early blank verse; and tetrameter and pentameter in Chaucer, his predecessors, and his followers. Reversing the historical perspective in which scholars conventionally view these authors, Weiskott reveals Langland to be metrically precocious and Chaucer metrically nostalgic. More than a history of prosody, Weiskott's book challenges the divide between medieval and modern literature. Rejecting the premise that modernity occurred as a specifiable event, he uses metrical history to renegotiate the trajectories of English literary history and advances a narrative of sociocultural change that runs parallel to metrical change, exploring the relationship between literary practice, social placement, and historical time.

This book argues that ideas first take shape in the human body, appearing on stage in new styles of performance.

We live in a world of big cities. Urbanization, globalization and modernization have received considerable attention but rarely are the connections and relations between them the subjects of similar attention. Cities are an integral part of the network of globalization and important sites of modernization. Globalization, Modernity and The City weaves together broad social themes with detailed urban analysis to explore the connections between the rise of big cities, the creation of a global network and the making of the modern world. It explains the growth of big cities, the urban bias of global flows and the creation of metropolitan modernities. The text develops broad theories of the subtle and complex interactions between urbanization, globalization and modernization in a sweep of the urban experience across the globe. Thematic chapters explore the making of the modern city in profiles of the growth of urban spectaculars, the role of flanerie, the traffic issues of the modernist city, recurring issues of urban utopias and the rise of the primate city. Detailed case studies are drawn from cities in Australia, China and the USA. Urban snapshots of cities such as Atlanta, Barcelona, Istanbul, Mumbai and Seoul provide a truly global coverage. The book links together broad social themes with deep urban analysis. This well-written, accessible and illustrated text will appeal to the broad audience of all those interested in the urban present and the metropolitan future.