Introduces the theory of metrical phonology, one of the most exciting recent developments in linguistic theory.

Inleiding in de fonologie.

In this account of metrical stress theory, Bruce Hayes builds on the notion that stress constitutes linguistic rhythm—that stress patterns are rhythmically organized, and that formal structures proposed for rhythm can provide a suitable account of stress. Through an extensive typological survey of word stress rules that uncovers widespread asymmetries, he identifies a fundamental distinction between iambic and trochaic rhythm, called the "Iambic/Trochaic law," and argues that it has pervasive effects among the rules and structures responsible for stress. Hayes incorporates the iambic/trochaic opposition into a general theory of word stress assignment, intended to account for all languages in which stress is assigned on phonological as opposed to morphological principles. His theory addresses particularly problematic areas in metrical work, such as ternary stress and unusual weight distinctions, and he proposes new theoretical accounts of them. Attempting to take more seriously the claim of generative grammar to be an account of linguistic universals, Hayes proposes analyses for the stress patterns of over 150 languages. Hayes compares his own innovative views with alternatives from the literature, allowing students to gain an overview of the field. Metrical Stress Theory should interest all who seek to understand the role of stress in language.

Phonology - the study of how the sounds of speech are represented in our minds - is one of the core areas of linguistic theory, and is central to the study of human language. This handbook brings together the world's leading experts in phonology to present the most comprehensive and detailed overview of the field. Focusing on research and the most influential theories, the authors discuss each of the central issues in phonological theory, explore a variety of empirical phenomena, and show how phonology interacts with other aspects of language such as syntax, morphology, phonetics, and language acquisition. Providing a one-stop guide to every aspect of this important field, The Cambridge Handbook of Phonology will serve as an invaluable source of readings for advanced undergraduate and graduate students, an informative overview for linguists and a useful starting point for anyone beginning phonological research.

This second edition presents a completely revised overview of research on intonational phonology since the 1970s, including new material on research developments since the mid 1990s. It contains a new section discussing the research on the alignment of pitch features that has developed since the first edition was published, a substantially rewritten section on ToBI transcription that takes account of the application of ToBI principles to other languages, and new sections on the phonetic research on accent and focus. The substantive chapters on the analysis and transcription of pitch contours, pitch range, sentence stress and prosodic structure have been reorganised and updated. In addition, there is an associated website with sound files of the example sentences discussed in the book. This well-known study will continue to appeal to researchers and graduate students who work on any aspect of intonation.

This is the first full-scale discussion of English phonology since Chomsky and Halle's seminal The Sound Pattern of English (SPE). The book enphasizes the analysis using ordered rules and builds on SPE by incorporating lexical and metrical and prosodic analysis and the insights afforded by Lexical Phonology. It provides clear explanations and logical development throughout, introducing rules individually and then illustrating their interactions. These features make this influential theory accessible to students from a variety of backgrounds in linguistics and phonology. Rule-ordering diagrams summarize the crucial ordering of approximately 85 rules. Many of the interactions result in phonological opacity, where either the effect of a rule is not evident in the output or its conditions of application are not present in the output, due to the operation of later rules. This demonstrates the superiority of a rule-based account over output oriented approaches such as Optimality Theory or pre-Generative structuralist phonology.

An innovative and unified grammar of sentence intonation, applied to six Romance languages (French, Italian, Spanish, Portuguese, Catalan and Romanian).