The Nay Science offers a new perspective on the problem of scientific method in the human sciences. Taking German Indological scholarship on the Mahabharata and the Bhagavadgita as their example, Adluri and Bagchee develop a critique of the modern valorization of method over truth in the humanities. The authors show how, from its origins in eighteenth-century Neo-Protestantism onwards, the critical method was used as a way of making theological claims against rival philosophical and/or religious traditions. Via discussions of German Romanticism, the pantheism controversy, scientific positivism, and empiricism, they show how theological concerns dominated German scholarship on the Indian texts. Indology functions as a test case for wider concerns: the rise of historicism, the displacement of philosophical concerns from thinking, and the belief in the ability of a technical method to produce truth. Based on the historical evidence of the first part of the book, Adluri and Bagchee make a case in the second part for going beyond both the critical pretensions of modern academic scholarship and the objections of its post-structuralist or post-Orientalist critics. By contrasting German Indology with Plato's concern for virtue and Gandhi's focus on praxis, the authors argue for a conception of the humanities as a dialogue between the ancients and moderns and between eastern and western cultures.

The present work is an anthology of Kumarila Bhatta's works the Slokavarttika and the tantravarttika which deal with such subjects as the nature of the Atman the nature of the Dharma the nature of the Sabda the self Validity of the veda the concept of Sphota the nature of the svarga, generality, Individuality, negation, sunyata, Vijnanavada, Apohavada etc. according to Mimamsa shcool. A reader can derive a fair knowledge of the tenets of the Mimamsakas on different subjects. Besides the author has supplied a short history of the Purvamimamsa in addition to details about Kumarila Bhatta Sabarasvamin Mandana Misra and other important writers of the sastra in the elaborate Introduction.