'A modern philosopher who has never once suspected himself of being a charlatan,' writes Leszek Kolakowski at the start of this endlessly stimulating book, 'must be such a shallow mind that his work is probably not worth reading.' For over a century, philosophers have argued that philosophy is impossible or useless, or both. Although the basic agenda dates back tot he days of Socrates, there is still disagreement about the nature of truth, reality, knowledge, good and God. This may make little practical difference to our lives, but it leaves us with a feeling of radical uncertainty described by Kolakowski as 'metaphysical horror'. Is there any way out of this cul-de-sac? This trenchant analysis confronts these dilemmas head on. Philosophy may not provide definitive answers to the fundamental questions, yet the quest itself transforms our lives. It may undermine most of our certainties, yet it still leaves room for our spiritual yearnings and religious beliefs. Kolakowski has forged a dazzling demonstration of philosophy in action. It is up to readers to take up the challenge of his arguments.

"This book is only for people who like joy, absurdity, passion, genius, dry wit, youthful folly, amusing historical arcana, or telescopes." —Rivka Galchen, author of Little Labors and American Innovations In 1666, an astronomer makes a prediction shared by no one else in the world: at the stroke of noon on June 30 of that year, a solar eclipse will cast all of Europe into total darkness for four seconds. This astronomer is rumored to be using the longest telescope ever built, but he is also known to be blind—and not only blind, but incapable of sight, both his eyes having been plucked out some time before under mysterious circumstances. Is he mad? Or does he, despite this impairment, have an insight denied the other scholars of his day? These questions intrigue the young Gottfried Leibniz—not yet the world-renowned polymath who would go on to discover calculus, but a nineteen-year-old whose faith in reason is shaky at best. Leibniz sets off to investigate the astronomer’s claim, and over the three hours remaining before the eclipse occurs—or fails to occur—the astronomer tells the scholar the haunting and hilarious story behind his strange prediction: a tale that ends up encompassing kings and princes, family squabbles, obsessive pursuits, insanity, philosophy, art, loss, and the horrors of war. Written with a tip of the hat to the works of Thomas Bernhard and Franz Kafka, The Organs of Sense stands as a towering comic fable: a story about the nature of perception, and the ways the heart of a loved one can prove as unfathomable as the stars.

A History of Modern Political Thought in East Central Europe is a synthetic work, authored by an international team of researchers, covering twenty national cultures and 250 years. It goes beyond the conventional nation-centered narratives and presents a novel vision especially sensitive to the cross-cultural entanglement of political ideas and discourses. Its principal aim is to make these cultures available for the global 'market of ideas' and revisit some of the basic assumptions about the history of modern political thought, and modernity as such. The present volume is a sequel to Volume I: Negotiating Modernity in the 'Long Nineteenth Century'. It begins with the end of the Great War, depicting the colorful intellectual landscape of the interwar period and the increasing political and ideological radicalization culminating in the Second World War. Taking the war experience both as a breaking point but in many ways also a transmitter of previous intellectual traditions, it maps the intellectual paradigms and debates of the immediate postwar years, marked by a negotiation between the democratic and communist agendas, as well as the subsequent processes of political and cultural Stalinization. Subsequently, the post-Stalinist period is analyzed with a special focus on the various attempts of de-Stalinization and the rise of revisionist Marxism and other critical projects culminating in the carnivalesque but also extremely dramatic year of 1968. This volume is followed by Volume II: Negotiating Modernity in the 'Short Twentieth Century' and Beyond, Part II: 1968-2018.

This project is a philosophical analysis of the dominant concepts of race that prevail within contemporary American society. It is the claim of this book that four main concepts attempt to answer the question: what is race? The four concepts are racial essentialism, race as a social construct with objective status, racial nihilism, and race as an existential/phenomenological process. Each concept fails, however, in providing the necessary and sufficient conditions for a satisfactory concept of race, and thus, the project calls for a new conceptual framework for answering the question: what is race?

Conservative strands in American literature are often overlooked in university courses. This book focuses on the works of conservative American writers and of others who have written of America from a conservative perspective. Beginning with the work of Edgar Allan Poe, the book explores the traditionalist temper in books by Vachel Lindsay, James Agee, Flannery O'Connor, V.S. Naipaul, and Kent Haruf. Drawing on the theories of Lewis P. Simpson, Leszek Kolakowski, Roger Scruton, and Gertrude Himmelfarb, among others, this text offers a fresh examination of a significant aspect of American literature.

Linda S. Kauffman turns the pornography debate on its head with this audacious analysis of recent taboo-shattering fiction, film, and performance art. Investigating the role of fantasy in art, politics, and popular culture, she shows how technological advances in medicine and science (magnetic resonance imaging, computers, and telecommunications) have profoundly altered our concepts of the human body. Cyberspace is producing new forms of identity and subjectivity. The novelists, filmmakers, and performers in Bad Girls and Sick Boys are the interpreters of these brave new worlds, cartographers who are busy mapping the fin-de-millennium environment that already envelops us. Bad Girls and Sick Boys offers a vital and entertaining tour of the current cultural landscape. Kauffman boldly connects the dots between the radical artists who shatter taboos and challenge legal and aesthetic conventions. She links writers like John Hawkes and Robert Coover to Kathy Acker and William Vollmann; filmmakers like Ngozi Onwurah and Isaac Julien to Brian De Palma and Gus Van Sant; and performers like Carolee Schneemann and Annie Sprinkle to the visual arts. Kauffman's lively interviews with J. G. Ballard, David Cronenberg, Bob Flanagan, and Orlan add an extraordinary dimension to her timely and convincing argument.