“Clear medical explanations . . . will bring comfort to those readers and their loved ones facing a cancer diagnosis” (Publishers Weekly). A Finalist for the Lane Anderson Award for Science Writing Alanna Mitchell explores the facts and myths about cancer in this powerful book, as she recounts her family’s experiences with the disease. When her beloved brother-in-law John is diagnosed with malignant melanoma, Alanna throws herself into the latest clinical research, providing us with a clear description of what scientists know of cancer and its treatments. When John enters the world of alternative treatments, Alanna does, too, looking for the science in untested waters. She comes face to face with the misconceptions we share about cancer, which are rooted in blame and anxiety, and opens the door to new ways of looking at our most-feared illness. Beautifully written, Malignant Metaphor is a compassionate and persuasive book that has the power to change the conversation about cancer. “Mitchell’s research is rooted in science, while her writing remains grippingly personal.” ―Quill & Quire

Humiliated and exiled, a poet builds an underground following within the ravenous rock scene through her enlightening poetry. Our hero, Laney Petra, takes a social misstep and offends the man who holds the keys to success in her chosen field of work - poetry. Discovering an unlikely audience in the local rock scene, Laney shows that she can build a sizable following of outsiders that will force the poetic scene to recognize her and her work. All the while, Laney must fend off the people who want to cage her, her friends, and hinder their ambition. One of the series’ most interesting and unique features of Metaphorical HER lies in its literal use of metaphor in the art, taking ideas and actions that would normally be overlooked and presenting them in graphic detail.

Dazzling....She writes with Milton open at her elbow but with the real dirt of a real Utah under her fingertips.--The Yale Review No poet writing today confronts the perplexities of the divine with more pizzazz than Kimberly Johnson. In A Metaphorical God, Johnson showcases her gifts for mining language for its hidden gems and its gospel (my tongue is a fovent choir, / a cloven fire), using what she unearths to delve deep into mysteries both epistemological and holy.

The study of metaphor is now firmly established as a central topic within cognitive science and the humanities. We marvel at the creative dexterity of gifted speakers and writers for their special talents in both thinking about certain ideas in new ways, and communicating these thoughts in vivid, poetic forms. Yet metaphors may not only be special communicative devices, but a fundamental part of everyday cognition in the form of 'conceptual metaphors'. An enormous body of empirical evidence from cognitive linguistics and related disciplines has emerged detailing how conceptual metaphors underlie significant aspects of language, thought, cultural and expressive action. Despite its influence and popularity, there have been major criticisms of conceptual metaphor. This book offers an evaluation of the arguments and empirical evidence for and against conceptual metaphors, much of which scholars on both sides of the wars fail to properly acknowledge.

This book defines and explains, in straightforward language, metaphorical stories using examples from sources such as conversations, speeches, and editorial cartoons.

From the mind of Sid Kotian (Gambit, The Adventures of Apocalypse Al, Dream Police, Dents) comes Beneath an Alien Sky. On an alien planet a mad man releases a deadly monster onto an unsuspecting populace. The creature is the last of its kind. And it comes from the third planet orbiting a yellow sun. The Krimikitan are an alien race who brought themselves to the brink of complete ecological destruction. After a devastating war they refer to as the Realignment their society reformed themselves under the leadership of a god like AI called Control. Having done away with the political class, peace reigned. The new societies were self-contained inside giant domes. The natural world outside was left to heal itself unencumbered by their meddling. However not everyone was happy with this Realignment. Appi, a remnant of the old world, plots to ruin the world by introducing the universe’s most violent and invasive species into the fragile, recovering ecosystem. Standing in his way is Kopa, a cop. Appi and the creature’s destructive ambition and Kopa’s naïve ambition collide with the fate of the domed city and the struggling natural world outside hanging in the balance.

Stories of cancer are full of monster and marvels; the monstrousness of the disease and the treatments, the marvels of the cures and the saved lives. Still one of the most dreaded diseases to haunt our imaginations, cancer is more than an illness - it is a cultural phenomenon. People who have cancer are bombarded with competing explanations of their conditions: it is genetically inherited; it is environmentally produced; it is the result of their personality. Teratologies - A Cultural Study of Cancer investigates how this disease is perceived, experienced and theorised in contemporary society. It explores changing beliefs about the causes of, and the cures for, cancer in both biomedicine and its increasingly popular alternative counterparts. Analysing conventional and alternative medical accounts, self-help manuals and patients' personal stories, Jackie Stacey takes a critical look at the place of heroes, metaphors, the self and the body in these competing bids to produce the authoritative definition of the meaning of cancer today. Interspersed with these detailed textual investigations are discussions of broader issues such as the feminist debates about the history of science, the place of consumer culture in health practices and the status of patients and of health professionals in postmodern society. Combining authobiographical narratives with contemporary theoretical debates, the author carves out a specifically feminist analysis of the cultural dimensions of cancer. She brings accounts of her own illness under the critical lens of academic scrutiny and situates these personal stories within a discussion of contemporary cultural change.