The Hebrew Bible abounds in metaphors and other figurative speech. The present volume collects fifteen essays on this fascinating aspect of biblical language, written by specialists in the field. Attention is paid both to the recent methodological developments in the study of metaphor and to the importance of metaphor studies for the interpretation of biblical texts.

Sin, often defined as a violation of divine will, remains a crucial idea in contemporary moral and religious discourse. However, the apparent familiarity of the concept obscures its origins within the history of Western religious thought. Joseph Lam examines a watershed moment in the development of sin as an idea-namely, within the language and culture of ancient Israel-by examining the primary metaphors used for sin in the Hebrew Bible. Drawing from contemporary theoretical insights coming out of linguistics and philosophy of language, this book identifies four patterns of metaphor that pervade the biblical texts: sin as burden, sin as an account, sin as path or direction, and sin as stain or impurity. In exploring the permutations of these metaphors and their development within the biblical corpus, Patterns of Sin in the Hebrew Bible offers a compelling account of how a religious and theological concept emerges out of the everyday thought-world of ancient Israel, while breaking new ground in its approach to metaphor in ancient texts. Far from being a timeless, stable concept, sin becomes intelligible only when situated in the matrix of ancient Israelite culture. In other words, sin is not as simple as it might seem.

The Hebrew Bible offers a metaphor of marriage that portrays men and women as complementary, each with their distinct and 'natural' roles. Queer Theory and the Prophetic Marriage Metaphor in the Hebrew Bible draws on contemporary scholarship to critique this hetero-normativity. The book examines the methodological issues involved in the application of queer theory to biblical texts and draws on the concept of gender performativity - the construction of gender through action and behaviour - to argue for the potential of queer theory in political readings of the Bible. The central role of metaphor in reinforcing gender performativity is examined in relation to the books of Jeremiah, Hosea and Ezekiel. The book offers a radical reassessment of the relationship between biblical language and gender identity.

In continuity with the previous BETL volumes on biblical metaphors, namely Metaphor in the Hebrew Bible edited by Pierre Van Hecke (BETL 187; 2005), and Metaphors in the Psalms co-edited by Pierre Van Hecke and Antje Labahn (BETL 231; 2010), this third volume intends to contribute to and foster biblical research on metaphors by focusing on a phenomenon that has only received scant attention thus far, namely the relationship and interplay between different metaphors in the texts of the Hebrew Bible. Biblical metaphors very often come in chains, especially in poetry, in which individual metaphors may interact in a number of ways, e.g. they may modify, reverse, shift, and even contradict or reinforce the previous ones. Biblical metaphors often create families of metaphors that form a genuine repertoire of images to think and talk about a specific target domain from multiple viewpoints. The same source domain often inspires clusters of thoughts about a wide variety of realities. The same "root metaphor" may run throughout an entire book or a section of a book, emerging on the surface level of a text in many ways and interacting with other metaphors along the text continuum. The volume Networks of Metaphors in the Hebrew Bible investigates biblical metaphors not as "isolated events of discourse" but as constantly intertwining and shaping a network of multiple interactions between the figures.

This is the first attempt in biblical studies to apply the tools developed by theoreticians of metaphor to the common biblical metaphor of God as king. The extent to which elements of human kingship are projected onto God is investigated, and several significant conclusions emerge: 1. Royal characteristics that have a diminutive connotation are generally not projected onto God. 2. God's nature as greatest king is emphasized through use of superlatives. For example, his garb is enormous and he has a large number of royal attendants. God is not limited by the metaphor. 3. When the entailments of the metaphor would have conflicted with Israelite proscriptions, such as the iconic prohibition, the metaphor is avoided. 4. The metaphor is predominant enough to influence Israel's depiction of human kingship. For example, the term gadol ('great', 'majestic') is appropriated by God the king and is not used of the Israelite king. 5. There is no single metaphor 'God is king'; as Israelite kingship changes, the metaphor undergoes parallel changes. Also, biblical authors emphasize different aspects of God's kingship in specific contexts. The lack of a complete fit between human kingship (the vehicle) and God as king (the tenor) is consistent with the tensive view of metaphor, which predominates in contemporary scholarship. The literary study has other benefits. By enumerating the parallels between human and heavenly messengers, it finds that 'angels' should be construed as projections of royal officials. The analysis of human enthronement rituals as they are projected onto God suggests that there was no annual 'enthronement festival' which celebrated God becoming king. The systematic study of the metaphor also opens new avenues for exploring a number of issues in the study of Israelite religion.

The metaphor is a hallmark of Classical Hebrew poetry. Some metaphors, such as “Yhwh is king” or “Yhwh is warrior,” play a foundational role. The same does not hold for metaphors from the fishing industry. Because they had access to only two major freshwater sources, archaeological research demonstrates that this industry did not play a major socioeconomic role in ancient Israel. Fishing has nevertheless made a substantial contribution to prophetic and wisdom literature. All metaphors manifest reality, but given the physical circumstances of a largely agrarian, nonmarine society, what does the sustained presentation of fishing metaphors in the Hebrew Bible communicate? Examining the use of fishing images in the Hebrew Bible is a formidable task that demands an open mind and a capacity to mine the gamut of contemporaneous evidence. In Fishers of Fish and Fishers of Men, Tyler Yoder presents the first literary study devoted to the fishing images used in the Hebrew Scriptures as well as in the Mesopotamian textual records. This calls for a penetrating look into cultural contact with Israel’s neighbors to the east (Mesopotamia) and southwest (Egypt). Though nearly all fishing metaphors in the Hebrew Bible carry overt royal or divine connotations that mirror uses well-attested in Mesopotamian literature, this comparative analysis remains a largely untapped area of research. In this study of the diverse literary qualities of fishing images, Yoder offers a holistic understanding of how one integral component of ancient Near Eastern society affected the whole, bringing together the assemblage of disparate materials related to this field of study to enable scholars to integrate these data into related research and move the conversation forward.