NATIONAL BESTSELLER • A tour de force of love and loneliness, war and art—from one of our greatest writers. • “Exhilarating ... magical.” —The Washington Post When a thirty-something portrait painter is abandoned by his wife, he secludes himself in the mountain home of a world famous artist. One day, the young painter hears a noise from the attic, and upon investigation, he discovers a previously unseen painting. By unearthing this hidden work of art, he unintentionally opens a circle of mysterious circumstances; and to close it, he must undertake a perilous journey into a netherworld that only Haruki Murakami could conjure.

USA Today–bestselling author Amanda Flower returns with the third cozy mystery in her more-charming-than-ever Magical Bookshop series—for fans of Sofie Kelly and Heather Blake. Niagara region booksellers Violet Waverly and Grandma Daisy get a little help from Little Women as they sleuth the slaying of a sommelier whose book signing turned into her sayonara. January means ice wine season in the Niagara Falls region, but the festivities leave Charming Books owner Violet Waverly cold, still reeling from a past heartbreak. A past heartbreak who will be present at the annual midnight grape-harvest festival, and no magic in the world or incantation powerful enough could get Violet to attend. But Grandma Daisy, an omniscient force all on her own, informs Violet that she’s already arranged for the mystical Charming Books to host celebrity sommelier Belinda Perkins’s book signing at the party. Little do either Waverly women know, the ice wine festival will turn colder still when Violet finds Belinda in the middle of the frozen vineyard—with a grape harvest knife protruding from her chest. Belinda grew up in Cascade Springs, but she left town years ago after a huge falling-out with her three sisters. One of those sisters, Violet’s high school friend Lacey Dupont, attends the book signing in the hope of making amends with her sister, but Belinda and Lacey end up disrupting the signing with a very public shouting match and Lacey quickly becomes the prime suspect in the sommelier’s murder. Violet is sure Lacey is innocent, and to keep her friend out of prison, Violet asks for guidance from her magical bookshop. The shop’s ethereal essence points her to Louisa May Alcott’s Little Women, but what have the four March sisters to do with the four Perkins sisters? If she can’t figure it out, Violet, herself, may turn as cold as ice. Violet, Grandma Daisy, Emerson the tuxedo cat, and resident crow Faulkner are back on the case in Murders and Metaphors, USA Today–bestselling author Amanda Flower’s enchanting third Magical Bookshop mystery.

NEW YORK TIMES bestselling author James Swanson delivers a riveting account of the chase for Abraham Lincoln's assassin. Based on rare archival material, obscure trial manuscripts, and interviews with relatives of the conspirators and the manhunters, CHASING LINCOLN'S KILLER is a fast-paced thriller about the pursuit and capture of John Wilkes Booth: a wild twelve-day chase through the streets of Washington, D.C., across the swamps of Maryland, and into the forests of Virginia.

“An intense snapshot of the chain reaction caused by pulling a trigger.” —Booklist (starred review) “Astonishing.” —Kirkus Reviews (starred review) “A tour de force.” —Publishers Weekly (starred review) A Newbery Honor Book A Coretta Scott King Honor Book A Printz Honor Book A Time Best YA Book of All Time (2021) A Los Angeles Times Book Prize Winner for Young Adult Literature Longlisted for the National Book Award for Young People’s Literature Winner of the Walter Dean Myers Award An Edgar Award Winner for Best Young Adult Fiction Parents’ Choice Gold Award Winner An Entertainment Weekly Best YA Book of 2017 A Vulture Best YA Book of 2017 A Buzzfeed Best YA Book of 2017 An ode to Put the Damn Guns Down, this is New York Times bestselling author Jason Reynolds’s electrifying novel that takes place in sixty potent seconds—the time it takes a kid to decide whether or not he’s going to murder the guy who killed his brother. A cannon. A strap. A piece. A biscuit. A burner. A heater. A chopper. A gat. A hammer A tool for RULE Or, you can call it a gun. That’s what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That’s where Will’s now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother’s gun. He gets on the elevator, seventh floor, stoked. He knows who he’s after. Or does he? As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that’s when Will sees that one bullet is missing. And the only one who could have fired Shawn’s gun was Shawn. Huh. Will didn’t know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck’s in the elevator? Just as Will’s trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck’s cigarette. Will doesn’t know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES. And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an END…if Will gets off that elevator. Told in short, fierce staccato narrative verse, Long Way Down is a fast and furious, dazzlingly brilliant look at teenage gun violence, as could only be told by Jason Reynolds.

From "one of South Korea's best and most worldly writers" (NPR): An electric collection that captivates and provokes in equal measure, exploring what it means to be on the edge--between life and death, good and evil

The murder of art. It sounds like the title of a thriller. That is exactly what the history of aesthetics is. Western philosophical tradition begins with a condemnation of art. The Greek philosopher Plato banished artists and poets from his ideal society. All they could produce were false shadow images. In contrast, from the eighteenth century onwards, art was also glorified by numerous thinkers. According to the Romantics, art was the bearer of a truth that escaped the concepts of philosophy. The murder of art, or the glorification of art. In both cases, art functioned as a challenge to philosophy. This book traces the history of aesthetics. At the same time, it provides a cross section of the history of philosophy.

On a school trip to London that includes her ex-boyfriend and his new girlfriend, Kim meets risk-taker Nicki, who proposes a diabolical deal.