Step inside Kim St. Jean’s workshop as she teaches advanced beginner to intermediate jewelry makers how to create 30 mixed-metal and mixed-media projects that celebrate the process as well as the finished product. Readers will learn to build color with enameling, add detail with etching, create unique settings for unusual components, and more. St. Jean’s organic, earthy designs belie an amazing attention to detail and professional craftsmanship that inspires her many fans.

Come take the journey with Kay as she shows you how to begin adding soldering, dapping, sawing, and other skills from the metalsmith’s repertoire into your beading. Kay’s projects will also show beginner metalworkers how to incorporate the rich, colorful, sumptuous look that semiprecious beads bring to metal jewelry. These necklaces, earrings, bracelets, and pendants present such a complete range of techniques, all fully and beautifully illustrated with step-by-step photos. You’ll be amazed at the eye candy you can create!

Crystal Jewelry Inspiration from the CREATE YOUR STYLE Ambassadors features projects from 25 of these talented designers from North America. The CREATE YOUR STYLE Ambassadors approach crystals from every conceivable angle in projects as diverse as the Swarovski Elements they’ve used. Wide-ranging techniques, from modern bead stitching and elegant stringing to intricate wire crochet, help beaders polish their favorite skills plus learn something new. Styles range from vintage to funky to show-stopping glam, all sporting the sparkle that only crystals can provide. Jewelry makers will get first-hand information, expertise, and instruction from the most enthusiastic and passionate crystal jewelry designers working today. The gallery will inspire you with projects from Ambassadors around the world.

Organic, expressive, and exciting, the projects in this book reflect a truly original artist’s vision. Mixed Metal Mania makes metal jewelry accessible to a brand-new audience. This book starts by teaching the basic techniques and giving helpful tips, and then moves on to simple projects before building into more challenging work requiring new skills learned. Kim St. Jean also includes the stories of inspiration behind each project, adding to the unique appeal of this book. For jewelry designers who crave something distinctive, Mixed Metal Mania is a dream come true.

Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.

This publication presents cleaning and etching solutions, their applications, and results on inorganic materials. It is a comprehensive collection of etching and cleaning solutions in a single source. Chemical formulas are presented in one of three standard formats - general, electrolytic or ionized gas formats - to insure inclusion of all necessary operational data as shown in references that accompany each numbered formula. The book describes other applications of specific solutions, including their use on other metals or metallic compounds. Physical properties, association of natural and man-made minerals, and materials are shown in relationship to crystal structure, special processing techniques and solid state devices and assemblies fabricated. This publication also presents a number of organic materials which are widely used in handling and general processing...waxes, plastics, and lacquers for example. It is useful to individuals involved in study, development, and processing of metals and metallic compounds. It is invaluable for readers from the college level to industrial R & D and full-scale device fabrication, testing and sales. Scientific disciplines, work areas and individuals with great interest include: chemistry, physics, metallurgy, geology, solid state, ceramic and glass, research libraries, individuals dealing with chemical processing of inorganic materials, societies and schools.

Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.