This book describes research on the emotional communication between parents and children and its effect on the children's emotional development. Inspired by the work, and dedicated to the memory of Dr. Haim Ginott, it presents the results of initial exploratory work with meta-emotion--feelings about feelings. The initial study of meta-emotion generated some theory and made it possible to propose a research agenda. Clearly replication is necessary, and experiments are needed to test the path analytic models which have been developed from the authors' correlational data. The authors hope that other researchers will find these ideas interesting and stimulating, and will inspire investigation in this exciting new area of a family's emotional life.

This book describes research on the emotional communication between parents and children and its effect on the children's emotional development. Inspired by the work, and dedicated to the memory of Dr. Haim Ginott, it presents the results of initial exploratory work with meta-emotion--feelings about feelings. The initial study of meta-emotion generated some theory and made it possible to propose a research agenda. Clearly replication is necessary, and experiments are needed to test the path analytic models which have been developed from the authors' correlational data. The authors hope that other researchers will find these ideas interesting and stimulating, and will inspire investigation in this exciting new area of a family's emotional life.

"One of the foremost relationship experts at work today offers creative insight on building trust and avoiding betrayal, helping readers to decode the mysteries of healthy love and relationships"--

The clinical experience of cognitive therapies is adding to the understanding of emotional disorders. Based on clinical experience and evidence, this groundbreaking book represents a development of cognitive therapy through the concept of metacognition. It provides guidelines for innovative treatments of emotional disorders and goes on to offer conceptual arguments for the future development of cognitive therapy. Offers a new concept in cognitive therapy and guidelines for innovative treatment. Clinically grounded, based on a thorough understanding of cognitive therapies in practice. Written by a recognized authority and established author.

Papers and commentary from the 1997 Third Annual Wisconsin Symposium on Emotion delve into the nature of emotional interaction with significant others and its role in illuminating the established ties between social relationships and health. Contributors from the fields of affective science, clinical and social psychology, epidemiology, psychoneuroimmunology, and health address how to observe and evaluate social interactions in clinical, laboratory, or daily life contexts, and link emotional experience to health outcomes. Ryff teaches psychology at the University of Wisconsin. Singer is affiliated with the Office of Population Research. Annotation copyrighted by Book News Inc., Portland, OR

Inhaltsverzeichnis/ Table of Contents*** Abhandlungen/ Articles*** Werner SAUER: Die Einheit der Intentionalitätskonzeption bei Brentano *** Tanja PIHLAR: Zur Th eorie der Vorstellungsproduktion (Grazer Gestalttheorie I: France Weber)*** Thane Martin NABERHAUS: Does Husserl Have an Argument against Representationalism?*** Torsten WILHOLT: Lost on the Way from Frege to Carnap: How the Philosophy of Science Forgot the Applicability Problem*** John PRESTON: Janik on Hertz and the Early Wittgenstein*** Friedrich Christoph DOERGE: Re-Definition and Alston's 'Illocutionary Acts'*** Michael VEBER: N.

Philosophers and students of the arts have wondered since the time of Aristotle about the nature of aesthetic experience, and how this experience can seemingly be evoked by works of art. For more than a century producers and directors of motion pictures have made decisions about how to craft them based upon assumptions about complex stylistic devices and the effects such patterns of organization have on viewers. Over the past few years film scholars have made considerable progress in analyzing the manifold connections that exist between stylistic patterns and aesthetic effects for moving images of all kinds. In doing so, they have increasingly drawn upon insights and methodologies derived from psychology. The international conference from which this volume takes its contributions and its title, was organized to encourage the seeking of descriptive models pertaining to those elements of filmic construction that account for specific aesthetic experience. The focus of the current selection of twenty essays is therefore on the elements of filmic narration and their presumed aesthetic effects. The editors are pleased to strengthen the link between film studies and psychology in the interest of gaining tangible insight into the ancient mystery of the link between art and aesthetic experience.