Are you happy in this modern world? Or do you need more? Is there something else you are searching for? If you are looking for true happiness, then you need to find the path leading to it. The principal aim of this book is to share the value of the middle path propounded by the Buddha many centuries ago, rejecting extremes. Unlike the historical Buddha’s time, in this modern world, lots of undue suffering is inflicted upon people by bad politics and false interpretations of carefully selected wrong views. Buddhism’s pragmatic teachings help clarify, uproot, and eliminate the deep underlying causes of suffering. Narrated through a philosophical background, the book conveys how to relate Buddhist teachings to improve the quality of everyday life and find true happiness. It discusses Buddhist ethical values and Western development, including how wrong views can cause destruction and misery, emphasising the futility of wars, a rare book written to be read by kings, presidents, and ambassadors with a view to change the narratives of armed conflicts in the 21st century. Understanding history is essential to guiding important foreign relationships at times of growing uncertainty threatening world peace. The book highlights the destructive consequences of the most recent Russia's aggression in Ukraine. Destroying lives and livelihoods are the nature of armed conflict. The war also imperils the world's economic recovery from the COVID-19 pandemic: inflation, food security, energy security and further supply-chain pressures driving inflation are among the many challenges policy makers worldwide must tackle. As the global ramifications of the invasion take hold, the book shows the importance of insight wisdom, nonviolence approach on the foreign policy challenges ahead. The book also shows the practical applications of Buddhist teachings through familiar historical literature not inhibited by traditional interpretations. A prime source of both western and eastern philosophies, it constitutes a rational and straightforward understanding of the ethics and psychology of Buddhism, advocating peace and nonviolence, respect for life and individual acceptance of accountability, social responsibility, and welfare of all to improve social cohesion.

All's Well That Ends Well As You Like It The Comedy of Errors Cymbeline Love's Labours Lost Measure for Measure The Merry Wives of Windsor The Merchant of Venice A Midsummer Night's Dream Much Ado About Nothing Pericles, Prince of Tyre Taming of the Shrew The Tempest Troilus and Cressida Twelfth Night Two Gentlemen of Verona Winter's Tale Henry IV Henry V Henry VI Henry VIII King John Richard II Richard IIIAntony and Cleopatra Coriolanus Hamlet Julius Caesar King Lear Macbeth Othello Romeo and Juliet Timon of Athens Titus AndronicusThe Sonnets A Lover's Complaint The Rape of Lucrece Venus and Adonis

Rapacious dykes, self-loathing closet cases, hustlers, ambiguous sophisticates, and sadomasochistic rich kids: most of what America thought it knew about gay people it learned at the movies. A fresh and revelatory look at sexuality in the Great Age of movie making, Screened Out shows how much gay and lesbian lives have shaped the Big Screen. Spanning popular American cinema from the 1900s until today, distinguished film historian Richard Barrios presents a rich, compulsively readable analysis of how Hollywood has used and depicted gays and the mixed signals it has given us: Marlene in a top hat, Cary Grant in a negligee, a pansy cowboy in The Dude Wrangler. Such iconoclastic images, Barrios argues, send powerful messages about tragedy and obsession, but also about freedom and compassion, even empowerment. Mining studio records, scripts, drafts (including cut scenes), censor notes, reviews, and recollections of viewers, Barrios paints our fullest picture yet of how gays and lesbians were portrayed by the dream factory, warning that we shouldn't congratulate ourselves quite so much on the progress movies - and the real world -- have made since Stonewall. Captivating, myth-breaking, and funny, Screened Out is for all film aficionados and for anyone who has sat in a dark movie theater and drawn strength and a sense of identity from what they saw on screen, no matter how fleeting or coded.