This is the "Age of the Bullet," Matthew Lippman writes in Mesmerizingly Sadly Beautiful, days in which "bullets sprout other bullets in the bullet garden" and a caricature of a onesie-wearing president sucking on a pacifier appears on the cover of a national magazine. Lippman's poems are wildly inventive yet grounded in the 21st-century dailyness of parenting and dinner parties and Dunkin Donuts, all of which serve as launch pads into perennial questions of mercy and trust. "I don't care what you say about this city," Lippman writes in the title poem whose images recall New York City in the days following 9/11: "We sit down together on the sidewalk / and we hold one another." These are brash, beautiful poems, big-hearted in their tilt toward sentimentality and their yearning for something more, something better.

A National Indie Bestseller An NPR Best Book of the Year A New York Times Best Book of the Year An Amazon Best Book of the Year A Booklist Editors' Choice A BookPage Best Book of the Year A NECBA Windows & Mirrors Selection A Publishers Weekly Best Book of the Year A Wall Street Journal Best Book of the Year A Today.com Best of the Year PRAISE "A modern masterpiece." —The New York Times Book Review "Supple, sparkling and original." —The Wall Street Journal "Mesmerizing." —TODAY.com "This book could change the world." —BookPage "Like nothing else you've read or ever will read." —Linda Sue Park "It hooks you right from the opening line." —NPR SEVEN STARRED REVIEWS ★ "A modern epic." —Kirkus Reviews, starred review ★ "A rare treasure of a book." —Publishers Weekly, starred review ★ "A story that soars." —The Bulletin, starred review ★ "At once beautiful and painful." —School Library Journal, starred review ★ "Raises the literary bar in children's lit." —Booklist, starred review ★ "Poignant and powerful." —Foreword Reviews, starred review ★ "One of the most extraordinary books of the year." —BookPage, starred review A sprawling, evocative, and groundbreaking autobiographical novel told in the unforgettable and hilarious voice of a young Iranian refugee. It is a powerfully layered novel that poses the questions: Who owns the truth? Who speaks it? Who believes it? "A patchwork story is the shame of the refugee," Nayeri writes early in the novel. In an Oklahoman middle school, Khosrou (whom everyone calls Daniel) stands in front of a skeptical audience of classmates, telling the tales of his family's history, stretching back years, decades, and centuries. At the core is Daniel's story of how they became refugees—starting with his mother's vocal embrace of Christianity in a country that made such a thing a capital offense, and continuing through their midnight flight from the secret police, bribing their way onto a plane-to-anywhere. Anywhere becomes the sad, cement refugee camps of Italy, and then finally asylum in the U.S. Implementing a distinct literary style and challenging western narrative structures, Nayeri deftly weaves through stories of the long and beautiful history of his family in Iran, adding a richness of ancient tales and Persian folklore. Like Scheherazade of One Thousand and One Nights in a hostile classroom, Daniel spins a tale to save his own life: to stake his claim to the truth. EVERYTHING SAD IS UNTRUE (a true story) is a tale of heartbreak and resilience and urges readers to speak their truth and be heard.

"'It takes a lot to say I love you, I mean it / and mean it, ' says the speaker in Matthew Daddona's rich and impactful debut, House of Sound. These poems articulate not just love as an act, but also absence, longing, and philosophies, all as a measure of life and its relevance. To stay or to go? This is the central question that haunts the speaker. And when one goes, is one ever really gone? These poems ring with questions: 'I want their wings. I want their answer.' In sound, memory, and the lack thereof. In life, love-and the lack thereof. This collection is an exciting example of language as meditation, mediation, and conciliation, as well as action. To write, to love, to understand, to contemplate-these are all verbs that require action and attention. Attend to the quiet yearning in these poems. 'Because a shadow / wants to leave you / but doesn't know how, ' attend to the way these beautiful poems move through the body as heartsong, as a form of human touch." -Chelsea Dingman, author of Through a Small Ghost and Thaw Academy of American Poets prize-winning poet Matthew Daddona's debut collection, House of Sound, is a rumination on domesticity and modern-living, a playful and earnest attempt to discover truth within silence and hope within noise. In these twenty-eight poems, Daddona combines narrative and lyricism to recreate a home-and thus, a mode of living-that delivers to us a family searching for contact amid society's cacophony. In "Poem for Leaving," a narrator attempts to put together a former friend's reason for deserting him for a more alluring country, while in "Tourist Trap," a husband reckons with trying to protect his wife from verbal and physical assault while pondering the language of violence and appeasement. As the roles of mother, father, sister, brother, daughter, son, are often exchanged, borrowed, interplayed, the collection externalizes their choices by showing the narrator take flight from his hometown in the conclusive "Poem for Returning." Celebrating language, and ultimately the liberty of choice, Daddona writes, "To become love, / dress in idiom." House of Sound is a dynamic and dexterous debut from a bold new writer, a commentary upon the joys and defeats of trying to live most beautifully.

The poems in Birthright embody multiple legacies: genetic, historical, religious, and literary. Through the lens of one person's experience of inheritance, the poems suggest ways in which all of us may be influenced by how we perceive and process our lives and times. Here, a poet claims what is hers as a child of her particular parents; as a grandchild of refugees from Nazi Germany; as a Jew, a woman, a Gen Xer, and a New Yorker; as a reader of the Bible and Shakespeare and Flaubert and Lucille Clifton. This poet's birthright is as unique as her DNA. But it resonates far beyond herself. Erika Dreifus's poems in Birthright are about the skull and the heart, the bone, and the muscle. They are poems about holiness and everydayness and, in part, about the convergence of these two movements as a way to embrace and discover mercy, love, and honesty. What they illustrate is the beauty that happens in that space, when both elements are embraced and when forces collide: "I've always remembered the Sabbath day; I just haven't kept it holy." Birthright is a book that explores connectedness and connective tissue. These are poems that embrace faith, family, and the forest of good intention in all of its contradictory forces. It's about the expensive nature of coloring one's hair and the expansive nature, which explodes in the beaming colors of the Diaspora. Every time I come back to Birthright I am born again out of the little pieces in me that have died. This is the magic of Erika Dreifus's poems. They are the flame in the darkness of Deuteronomy; they are the spellbound silence of history that helps to bind you with the people right next to you and to the "ancestral spirits that mingle above." -Matthew Lippman, author of Mesmerizingly Sadly Beautiful and A Little Gut Magic. Full of humor and history, the personal and the painful, Erika Dreifus's Birthright is a thoughtful reflection on life and loss, on inheritance and the individual, collective, and intergenerational nature of Jewish experience. The book's midrashic reflections challenge readers to reconsider ancient texts and their modern resonances. Some of its more political poems, while offering a perspective that is not always easy to hear, add a critical voice to the dissonant chorus that composes today's commentary on Israel-Palestine. At its most moving moments, Birthright relays intimate and familial experiences with an earnest and generous vulnerability. With its honest, accessible language and straightforward storytelling, Erika Dreifus's first full-length collection is a welcome addition to the modern American poetry canon-narrative, Jewish, feminist, or otherwise.-Sivan Butler-Rotholz, Managing Editor, "Saturday Poetry Series," As It Ought to Be Magazine. These clear, unvarnished poems take us deeply into a life engaged with history, family, tradition, politics, and contemporary culture. -Richard Chess, author of Love Nailed to the Doorpost, Third Temple, and other books.

June is physically and emotionally abused by her stepmother, and the only person June feels safe telling is her friend Blister, but when a shocking tragedy occurs June finds herself trapped, potentially forever.

A classic in the making, this heartwarming story about empathy and imagination is one that families will treasure for years to come. Adrian Simcox tells anyone who will listen that he has a horse--the best and most beautiful horse anywhere. But Chloe does NOT believe him. Adrian Simcox lives in a tiny house. Where would he keep a horse? He has holes in his shoes. How would he pay for a horse? The more Adrian talks about his horse, the angrier Chloe gets. But when she calls him out at school and even complains about him to her mom, Chloe doesn't get the vindication she craves. She gets something far more important. Written with tenderness and poignancy and gorgeously illustrated, this book will show readers that kindness is always rewarding, understanding is sweeter than judgment, and friendship is the best gift one can give.

Coming from sunny California, the mist-shrouded Academy was a shock, with its strange customs, ancient curriculum and study of Latin - the language of the dead. Then I discovered that the school has more than one dark secret... I also discovered Dante. Intelligent, elusive and devastatingly gorgeous, most people can't decide whether they love, hate or fear him. All I know is that when we're together, I've never felt more alive - or more afraid. "I really enjoyed this book, it was fast moving, gutsy and engaging. Once I picked it up I found it very hard to put it down. The plot was just fantastic, and original... What I loved most was the use of classic literature to help tell the story... It grabs you, and when it finishes you don't really know what to do with yourself. Superb." - The Book Bag