From 1948 to 1952 the lives of Trappist monk Thomas Merton and British novelist Evelyn Waugh were closely intertwined. During these years, Waugh became enthusiastic about American Catholicism, and in particular, monasticism as seen through the eyes of the author of The Seven Storey Mountain. He agreed to edit Merton’s autobiography and the subsequent Waters of Siloe for publication in Britain. In this close examination of their friendship, through their correspondence, we see Waugh’s coaching of a younger writer and Waugh’s brief infatuation with America. Most of all, we witness Merton the writing student and spiritual master and Waugh the master of prose and conflicted penitent. And we see how the two men diverge as the Second Vatican Council takes hold in Catholicism and the church experiences profound change. "This careful study sheds light on Merton the writer with Evelyn Waugh as his tutor. It is also an interesting snapshot of the culture of midtwentieth century Catholic renewal." —Lawrence S. Cunningham, John A. O'Brien Professor of Theology (Emeritus), The University of Notre Dame “An absorbing exchange of letters between Thomas Merton and Evelyn Waugh, focusing principally on Waugh’s editing of the British publication of The Seven Storey Mountain and The Waters of Siloe. Waugh’s sometimes barbed comments caused Merton to reflect deeper on what he was writing and how he should respond, as positively as he could, to this influential Catholic novelist. A wonderful, brief study of both men.” —Patrick Samway, S.J., editor of The Letters of Robert Giroux and Thomas Merton (forthcoming, University of Notre Dame Press, 2015) “Dedicated readers of Evelyn Waugh and Thomas Merton know of the connections between two major Catholic writers, especially of Waugh as editor and writing coach for Merton's work. But in this brief but thoroughly researched book, Coady provides important new details about Merton's role not just as willing student but as spiritual advisor to Waugh and puts those details into the cultural and religious context of the years after World War II in clear and sometimes eloquent fashion.” —Robert Murray Davis, author of Brideshead Revisited: The Past Redeemed

From 1948 (when he first wrote to Evelyn Waugh, who was editing The Seven Storey Mountain for publication in England) until his death in 1968, Thomas Merton corresponded with writers around the world, developing an ever-widening circle of friends in Europe, the Soviet Union, South and North America. Merton wrote, and heard from, many prominent writers of the stature of Waugh, Jacques Maritain, Czeslaw Milosz, Boris Pasternak, James Baldwin, Walker Percy, Henry Miller, and Victoria Ocampo. He also corresponded with and encouraged newer writers in Latin America, like Ernesto Cardenal. Merton sensed in these writers a hope for the future of humanity and believed that the courage for truth was their special gift. Writing to Jose Coronel Urtecho, Merton asserted that poets "remain almost the only ones who have anything to say . . . They have the courage to disbelieve what is shouted with the greatest amount of noise from every loudspeaker". Courage rooted in true freedom is evident in Merton's own life. He shared with his literary friends his concerns about war, violence and repression, racism and injustice, and all forms of human aggression. Forbidden to publish on the subject of war by his superiors, he obeyed but continued to circulate his famous "Cold War Letters". He did not hesitate to criticize his church when he saw there was more concern for the institutional structure than there was for people. Merton especially admired those who had the courage to write under oppression, like Pasternak, Milosz, and Cardenal.

From the best-selling novelist and memoirist: a deeply personal view of her discovery of the celebrated modern monk and thinker through his writings. “If Thomas Merton had been a writer and not a monk, we would never have heard of him. If Thomas Merton had been a monk and not a writer, we would never have heard of him.” So begins acclaimed author Mary Gordon in this probing, candid exploration of the man who became the face and voice of mid-twentieth-century American Catholicism. Approaching Merton “writer to writer,” Gordon illuminates his life and work through his letters, journals, autobiography, and fiction. Pope Francis has celebrated Merton as “a man of dialogue,” and here Gordon shows that the dialogue was as much internal as external—an unending conversation, and at times a heated conflict, between Merton the monk and Merton the writer. Rich with excerpts from Merton’s own writing, On Thomas Merton produces an intimate portrait of a man who “lived life in all its imperfectability, reaching toward it in exaltation, pulling back in anguish, but insisting on the primacy of his praise as a man of God.”

Effervescent Adventures with Britannia is the latest addition to Wm Roger Louis's stimulating and acclaimed series, Adventures with Britannia. It draws upon a distinguished array of writers and scholars - historians, political scientists, journalists, novelists, biographers and English literature specialists - to guide the reader through a fascinating labyrinth of British culture, history and politics. Together, they provide a unique insight into the pivotal themes - political, literary and cultural - which have shaped British state and society. The subjects covered include a new analysis of Jack the Ripper by Richard Davenport-Hines, a new appraisal of Harold Nicholson and Royal Biography by Jane Ridley and a new account of Evelyn Waugh in North America by Martin Stannard. In literature, Patrick French writes on V.S. Naipul; in history Andrew Lownie offers new perspectives on Guy Burgess and in politics Kenneth O. Morgan considers what will become of Britain after Brexit. Collectively, the chapters combine a rich mix of original ideas, historical and literary allusion, personality and anecdote, to provide an intellectual adventure into the mainsprings of modern British and international society.

Explores the wide range of scholarship on revision while bringing new light to bear on enduring questions in composition and rhetoric.