Free renderings of selections from the works of Chuang-tzŭ, taken from various translations.

In addition to critical essays that explore the harvest of new insights provoked by Merton's encounters with the ancient sages, Merton & the Tao presents the complete and carefully annotated correspondence between Thomas Merton and John C. H. Wu. This study of world religions through the lens of Thomas Merton's inclusive religious interests presents his timeless vision of all persons united in a hidden ground of love.

As a girl growing up in Hong Kong, Eva Wong heard and memorized many tales told to her by Hong Kong's finest professional storytellers, by actors on the radio, and by her grandmother. These popular tales of the Taoist immortals were also often dramatized in Chinese operas. The stories are of famous characters in Chinese history and myth: a hero's battle with the lords of evil, the founder of the Ming dynasty's treacherous betrayal of his friends, a young girl who saves her town by imitating rooster calls. Entertaining and often provocative, these tales usually include a moral. The immortals are role models in Chinese culture, as well as examples of enlightenment. Some of the immortals were healers, some were social activists, some were aristocrats, and some were entrepreneurs. The tales chosen by Eva Wong here are of the best-known immortals among the Chinese. Their names are household words and their stories are told and retold by one generation to the next.

The Eastern religious traditions, especially the varieties of Buddhism, were the last great passion in Thomas Merton's life. His participation in a monastic conference in Asia led to his premature, accidental death. He discoursed on equal terms with the Dalai Lama, and extracts from their interviews appear in this book. The introduction brings together extracts from Merton's "Asian Journal" (Hinduism and varieties of Buddhism), and other short works on Eastern religions written in the last few years of his life. They all combine to demonstrate the breadth of vision that is such an integral part of Merton's lasting appeal, his quest for a deeper unity underlying apparent fragmentation. They might be regarded as steps toward the great book on monasticism that Merton might have written but never did. As they stand, they provide Merton's essential definitions of the religions that so interested him in the last years of his life, and of which he became a skilful Western interpreter.

Divided into three sections, this insightful volume of essays by numerous scholars focuses on Thomas Merton's interest in and transformation through Buddhism. In addition to analysis of how Merton's studies of Buddhism affected his work in the arts, the study also offers information about his Asian journey as well as a complete bibliography of secondary materials. Contributors include Judith Simmer-Brown, Roger J. Corless, Rubin L.F. Habito, John P. Keenan, Roger Lipsey, Paul M. Pearson, and James Wiseman, OSB.

In addition to scholarly articles, this volume includes Merton's own Sufi poems, insightful book reviews, transcriptions from his related lectures, and a selection of works from which he drew particular inspiration, including the work of al-Tirmidhi (d.932), which uses fascinating metaphors to elucidate the difference between the Breast, Heart, Inner Heart, and the Intellect.

Thomas Merton was recognized as one of those rare Western minds that are entirely at home with the Zen experience. In this collection, he discusses diverse religious concepts-early monasticism, Russian Orthodox spirituality, the Shakers, and Zen Buddhism-with characteristic Western directness. Merton not only studied these religions from the outside but grasped them by empathy and living participation from within. "All these studies," wrote Merton, "are united by one central concern: to understand various ways in which men of different traditions have conceived the meaning and method of the 'way' which leads to the highest levels of religious or of metaphysical awareness."