Excerpt from The Correspondence of Henrik Ibsen ON the 3lst of May 1880, Henrik Ibsen wrote to his publisher, Frederik Hegel, that he had begun a little book in which he intended to give some account of the outward and inward conditions under which each one of his works had come into being (letter It was to be called From Simian, to Rome, and was to give descriptions of his life at Skien and Grimstad, Bergen and Christiania, Dresden, Munich, and Rome. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This enhanced eBook features read-along narration. Winner: CLC Seal of Approval 2017 Literary Classics Book Awards, Silver, Preschool/Early Reader Fantasy Finalist: 2017 Literary Classics Book Awards 2017 PNBA Long-List When Ethan looks under the bed for his monster, he finds this note instead: "So long, kid. Gotta go. Someone needs me more than you do. –Gabe" How will Ethan ever get to sleep without his monster's familiar, comforting snorts? And who could need Gabe more than Ethan does? Gabe must have gone to Ethan's little sister's room! She has been climbing out of bed every night to play, and obviously needs a monster to help her get to sleep – but not HIS monster! Ethan tries to help his sister find her own monster, but none are the perfect blend of cute and creepy. Just when it seems that Ethan will lose his monster forever, an uninvited, tutu-toting little monster full of frightening fun appears. Following in the spooky-silly tradition of I Need My Monster, here's another irresistible monster-under-the-bed story with the perfect balance of giggles and shivers.

A treasure trove of vintage Christmas cards, 100 Christmas Wishes is the perfect holiday treat from the New York Public Library. Every year as the days grow shorter, amidst the holly, cookies, and carols there is another timeless holiday tradition—sending and receiving Christmas cards to and from those you love. 100 Christmas Wishes is a collection of vintage holiday cards, all from the archives of the New York Public Library. The Library houses one of the greatest collections of early Christmas postcards from around the world with thousands of cards depicting every imaginable holiday scene. Archivists selected one hundred of the best cards from the extensive collection to share in 100 Christmas Wishes. From the elegant, gilded Santa Clauses and statuesque angels, to yuletide still lifes, tumbling tots and puppies with bows round their necks, each card is a beautiful celebration of the holiday season. The book also includes six perforated postcards with reproductions of the designs so you too can share a vintage Christmas wish with friends and family on your list. As Rosanne Cash, a patron and friend of the Library as well as a devoted fan of Christmas cards, says in her introduction “This collection of early Christmas postcards, housed for a century in the New York Public Library archives, distills those abiding wishes for the holidays from revelers from long ago and faraway, in a wish for peace, joy, magic, bounty, family, and for light to be shone ‘round the world at Christmas, past and future.’”

Set against the legendary background of the lush California vineyards, Vintage is a vibrant family saga with strong characters and swiftly moving action. In this drama of American growth from the late 1800's to 1970, filled with racial strife, political intrigue, social drama and a great love story, the Napa Valley takes on mythic significance. This special land becomes to the men and women who work here either a generous mother or a bitch goddess, and functions as a microcosm of the tensions, frustrations and ambitions of a growing America.

In its expanded third edition, this definitive work on Classics Illustrated explores the enduring series of comic-book adaptations of literary masterpieces in even greater depth, with twice the number of color plates as in the second edition. Drawing on interviews, correspondence, fanzines, and archival research, the book covers in full detail the work of the artists, editors, scriptwriters, and publishers who contributed to the success of the "World's Finest Juvenile Publication." Many previously unpublished reproductions of original art are included, along with new chapters covering editor Meyer Kaplan, art director L.B. Cole, and artist John Parker; additional information on contributions from Black artists and scriptwriters such as Matt Baker, Ezra Jackson, George D. Lipscomb, and Lorenz Graham; and a complete issue-by-issue listing of significant international series.