The author of The Book of the Bizarre presents an enchanting collection of classic mermaid stories and historical anecdotes from around the world. From Homer's Odyssey to Pirates of the Caribbean, mermaids have fascinated popular culture for centuries. Varla Ventura explores the wealth of literature about these mythical creatures in this charming anthology. This volume includes turn of the century tales of merfolk from Bret Harte, T. Crofton Croker, and W.B. Yeats, along with tantalizing trivia, facts, first-hand accounts, and speculations about mermaids in popular culture. In these pages, you will discover: · Many people today believe that early explorer sightings of mermaids were actually manatees. · The legendary pirate Blackbeard was afraid of his crew being lured into a watery grave by mermaids, so he ordered his ships to avoid areas where they were said to be. · Since 2009, the town of Kiryat Yam, Israel, has offered a prize of $1 million dollars to anyone who can prove the mermaid off their coast is real. The prize remains unclaimed.

From Ariel to the current craze for Sirens, mermaids have captivated our imaginations. But what's true and what's fairy tale? For centuries, mermaids have appeared in the folklore of cultures from around the world, including the Near East, Europe, Asia, and Africa. And Disney made everyone want to dive under the sea with Ariel when the movie The Little Mermaid hit theaters in 1989. But what are mermaid stories based on? Many myths say these creatures are half human and half fish, while others claim they are simply manatees mistaken for something more magical. Some grant wishes and fall in love, yet others have lured sailors to their doom. Although we can't say for sure where the tales of these elusive figures first originated, author Sarah Laskow separates the fact from the fiction. This full-color, fully illustrated book tells you all you need to know about the myths, science, and history that surround mermaids.

We no longer ascribe the term ’mermaid’ to those we deem sexually or economically threatening; we do not ubiquitously use the mermaid’s image in political propaganda or feature her within our houses of worship; perhaps most notably, we do not entertain the possibility of the mermaid’s existence. This, author Tara Pedersen argues, makes it difficult for contemporary scholars to consider the mermaid as a figure who wields much social significance. During the early modern period, however, this was not the case, and Pedersen illustrates the complicated category distinctions that the mermaid inhabits and challenges in 16th-and 17th-century England. Addressing epistemological questions about embodiment and perception, this study furthers research about early modern theatrical culture by focusing on under-theorized and seldom acknowledged representations of mermaids in English locations and texts. While individuals in early modern England were under pressure to conform to seemingly monolithic ideals about the natural order, there were also significant challenges to this order. Pedersen uses the figure of the mermaid to rethink some of these challenges, for the mermaid often appears in surprising places; she is situated at the nexus of historically specific debates about gender, sexuality, religion, the marketplace, the new science, and the culture of curiosity and travel. Although these topics of inquiry are not new, Pedersen argues that the mermaid provides a new lens through which to look at these subjects and also helps scholars think about the present moment, methodologies of reading, and many category distinctions that are important to contemporary scholarly debates.

From Mouse to Mermaid, an interdisciplinary collection of original essays, is the first comprehensive, critical treatment of Disney cinema. Addressing children's classics as well as the Disney affiliates' more recent attempts to capture adult audiences, the contributors respond to the Disney film legacy from feminist, marxist, poststructuralist, and cultural studies perspectives. The volume contemplates Disney's duality as an American icon and as an industry of cultural production, created in and through fifty years of filmmaking. The contributors treat a range of topics at issue in contemporary cultural studies: the performance of gender, race, and class; the engendered images of science, nature, technology, family, and business. The compilation of voices in From Mouse to Mermaid creates a persuasive cultural critique of Disney's ideology. The contributors are Bryan Attebery, Elizabeth Bell, Claudia Card, Chris Cuomo, Ramona Fernandez, Henry A. Giroux, Robert Haas, Lynda Haas, Susan Jeffords, N. Soyini Madison, Susan Miller, Patrick Murphy, David Payne, Greg Rode, Laura Sells, and Jack Zipes.

Myla Alvarex finds sustenance and meaning in the stories she tells of Old Mermaids who were washed ashore onto the New Desert when the Old Sea dried up. In this mystical new world, they lived, created, and walked in beauty. But Myla worries that Homeland Security may discover the illiegal immigrants she harbors at the Old Mermaid Sancutary. A tale of redemption, love, compassion, and mystery--From cover p. [4.].

A transcendent tale of a woman's self-discovery—the New York Times–bestselling second work of fiction by the author of The Secret Life of Bees and The Book of Longings Inside the church of a Benedictine monastery on Egret Island, just off the coast of South Carolina, resides a beautiful and mysterious chair ornately carved with mermaids and dedicated to a saint who, legend claims, was a mermaid before her conversion. When Jessie Sullivan is summoned home to the island to cope with her eccentric mother’s seemingly inexplicable behavior, she is living a conventional life with her husband, Hugh, a life “molded to the smallest space possible.” Jessie loves Hugh, but once on the island, she finds herself drawn to Brother Thomas, a monk about to take his final vows. Amid a rich community of unforgettable island women and the exotic beauty of marshlands, tidal creeks, and majestic egrets, Jessie grapples with the tension of desire and the struggle to deny it, with a freedom that feels overwhelmingly right, and with the immutable force of home and marriage. Is the power of the mermaid chair only a myth? Or will it alter the course of Jessie’s life? What happens will unlock the roots of her mother’s tormented past, but most of all, it will allow Jessie to discover selfhood and a place of belonging as she explores the thin line between the spiritual and the erotic.