Kenzie turns her fierce love for the ocean into action, resourcefully cleaning up the beach after her mermaid-tail swimsuit tangles in floating plastic bags. When Kenzie slips on her mermaid tail, she becomes Mermaid Kenzie, protector of the deeps. One day as Kenzie snorkels around a shipwreck, she discovers more plastic bags than fish. Grabbing her spear and mermaid net, she begins to clean up the water and the shore--inspiring other kids to help. Beautifully written in African American Vernacular English, this poetic picture book includes back matter with information about how plastic winds up in our oceans and examples of people--some of them kids, like Kenzie--who have worked to protect the sea. Mermaid Kenzie celebrates the ways that all of us, no matter how small, can make a difference.

Kenzie turns her fierce love for the ocean into action, resourcefully cleaning up the beach after her mermaid-tail swimsuit tangles in floating plastic bags. When Kenzie slips on her mermaid tail, she becomes Mermaid Kenzie, protector of the deeps. One day as Kenzie snorkels around a shipwreck, she discovers more plastic bags than fish. Grabbing her spear and mermaid net, she begins to clean up the water and the shore--inspiring other kids to help. Beautifully written in African American Vernacular English, this poetic picture book includes back matter with information about how plastic winds up in our oceans and examples of people--some of them kids, like Kenzie--who have worked to protect the sea. Mermaid Kenzie celebrates the ways that all of us, no matter how small, can make a difference.

Brown is beautiful. Brown is powerful! Perfect for fans of Hair Love and Antiracist Baby, this lyrically written, stunningly illustrated picture book is a love letter to the beauty of brown skin and a message of love, acceptance, and pride for all brown sugar babes. A classic in the making! When a little girl has doubts about the color of her skin, her mother shows her all the wonderful, beautiful things brown can be! “Brown is precious. Brown is feet marching for human rights…. Brown is an after-bedtime-story kiss goodnight.”

A wealthy widow of a nobleman, daughter of a famous scientist, and skeptic who only trusts what can be proven. Meet Serafina Trent. A woman about to take 19th Century London by storm. It's London, 1857, and everything is at stake for Serafina Trent. A woman of means . . . but not the typical Victorian lady who feels her place is to be seen and not heard. When her brother's most recent female dalliance, a beautiful actress, is found murdered, all evidence points to him. Especially since the actress had just rejected him in a most public manner. Now everyone believes Clive is headed for the gallows. Everyone, that is, but Serafina. Determined to prove her brother's innocence, Serafina finds herself working with unlikely allies—including Dylan Tremayne, a passionate storyteller and actor with a criminal past. This novel will hold fans of mystery and history spellbound until the very last page. Victorian England comes alive in this intriguing new series from one of Christian fiction's favorite authors.

Imagine seeing a dolphin without your eyes. What's it like to walk through a rainforest, fly in a helicopter or swim in the ocean if you cannot see? Join Kenzie-Moo and her mum as they journey around Australia in a caravan where she meets a seal, sails on a boat, flies through the sky, using her cane and her big brave heart to navigate. As she delights in the sounds and sensations around her, Kenzie-Moo invites you to explore the world in ways you've never experienced before. 'Next time you're on an adventure, close your eyes to see. Sense the world a little differently. Maybe you'll see it just like me.'

In this beautiful love story of "forbidden longing" (New York Times bestselling author Penelope Douglas), a sweet young woman and a rough and tough biker are connected in a way they can’t contain—and they’ll do anything they can to be together. When I was five years old, I told Toren Grace we were going to get married someday. He’d been my closest friend, my protector, and my rock since the day I was born. But during my senior year, our relationship slowly changed. Silly conversations morphed into serious heart-to-hearts. Innocent friendship turned to stolen glances. Then one day, an unexpected kiss changed everything. While that kiss was all I’d ever dreamed of, it knocked Tor clear off his axis. His strong moral compass makes it impossible for him to accept our feelings for each other. Because, not only am I eighteen and fifteen years younger than him, I’m the one person he should never, ever want. Tor is my father’s best friend—my pseudo uncle. Neither one of us can stand to betray or hurt my dad, but we can’t keep our relationship hidden forever. Will there be a way for us to find our happily-ever-after? Or will we all be torn apart? Torn is book one in the All Torn Up series but can be read as a standalone novel.

Thirty years after its original publication, this newly imagined edition brings the work and musings of fifteen Black literary luminaries in conversation with a new generation of writers and readers. The first edition of I Know What the Red Clay Looks Like, published in 1994, remains an essential text for readers of Black feminist literature in all genres. Featuring interviews with and excerpts by writers like Rita Dove, Pearl Cleage, Barbara Neely, June Jordan, and others, this indispensable work speaks to the intersections of politics and art-making along the lines of race, gender, sexuality, and class. Now, writer and cultural critic Rebecca Carroll presents the original conversations alongside personalized introductions by some of the brightest voices in today’s literary world, including Donika Kelly, Safiya Sinclair, Diamond Sharp, and Chanda Prescod-Weinstein, among others. This new edition also includes an introductory poem by Morgan Parker, a foreword by Salamishah Tillet, and a new author’s note. The new contributors carry the torch of the original interviewees’ lives and words with heart, rigor, gratitude, and radical imagination, illuminating how these conversations are about more than just writing—they are about life, relationships, joy, gratitude, wellness, and self-preservation. I Know What the Red Clay Looks Like is a book unbound by time, lifting up a chorus of past and present voices. Paying homage to a historic lineage of Black feminist writers and their impact on our current literary landscape, it is a book by and for the storytellers, the poets, the playwrights, the dreamers, and all readers interested in what it means to make art within and from marginalized spaces.