When Morgana's nightmares spill into waking hours she becomes terrified that she has magic. Gaius is determined to keep her in the dark for her own good but Merlin won't stand by and watch his friend suffer. He knows exactly what she's going through and he knows she needs the truth. Is Merlin about to reveal his secret at last? Willfully disobeying Gaius, Merlin risks everything to help Morgana, little guessing what the far reaching consequences might be. Lives are put in danger, loyalties are tested, and Morgana is reunited with the strange young druid boy Mordred, who the Dragon predicted would one day kill Arthur . . .

The 21st century has seen a resurgence of popular interest in the Middle Ages. Television in particular has presented a wide and diverse array of "medieval" offerings. Yet there exists little scholarship on television medievalism. This collection fills the gap with 10 new essays focusing on the depiction of the Middle Ages in popular culture and questioning the role of television in shaping our ideas about past and present. The contributors emphasize the need for scholars of medievalism to pay attention to its manifestations on the small screen. The essays cover quite a range of topics, including genre, gender and sexuality. The series covered are Game of Thrones, Merlin, Full Metal Jousting, Joan of Arcadia, Tudors, Camelot and Mists of Avalon. Instructors considering this book for use in a course may request an examination copy here.

An anthology of essays that deal with Witchcraft and the figure of the Witch, as they have been presented in motion pictures, television, and popular culture, in order to understand how, why, and when the common anti-Witchcraft/ anti-Witch attitude evolved. Mainstream tales of Witchcraft, including modern movies, novels, TV series, and other examples of our popular culture, more often than not express the traditional notion of a Witch as a wild, dangerous, untamable, “nasty” woman, obsessed with a desire for power to control all around her, in most narratives such a hunger presented as a negative. In truth, The Witch is a symbol of 'threatening evil' only to those men and women who accept a conservative sensibility. For members of either gender who do not, The Witch is perceived as hero and role model. This collection begins with the Biblical figure of Lilith, followed by Morgan le Fey from Arthurian legend/ myth in literature as well as in popular culture, followed by the more contemporary depictions of the Witch that start to appear in the 1960s; for example, in the Bewitched sitcom, the Star Wars franchise, Harry Potter, and even the television show Scooby-Doo. International depictions of the Witch are discussed, including Italy's Dario Argento's films, Suspiria and Inferno. The final section of this collection focuses on the most iconic depictions of the Witch produced during the 21st century, including A Discovery of Witches, Penny Dreadful, Game of Thrones and the history of the Witch in films by the Walt Disney studio, from its origins more than a century ago to the latest releases, arguing that here, if perhaps surprisingly, we discover the most fair and balanced portraits of Witches in the history of film and TV.

Haunted by the past, chased by the present. Fulfilling his destiny may take more than Merlin can give - with Arthur missing and enemies closing in, can Merlin summon the courage to face his worst enemy yet? Arthur is now eighteen, and Merlin, tired of hiding and running from his enemies, wants nothing more than to spend his days with his family and train Arthur for his rightful place as king. But when Arthur goes missing, a desperate Merlin must abandon all other quests to find him before a shadowy pursuer catches Arthur first. Having everything to fight for, and almost nothing to fight with, Merlin and Arthur must rally Britain's warriors against three overwhelming enemies: Saxenow hordes in the south, Picti raiders in the north, and a chilling new enemy that has arisen in the west. At the same time, Mórganabrings Merlin's deepest fear to life and sets a horde of werewolves loose to destroy Britain. But when the secret purpose of this nightmare is finally revealed, will Merlin and Arthur find a way to survive--without unleashing an even greater evil? The thrilling conclusion to The Merlin's Spiral trilogy, Merlin's Nightmare includes: Christian, faith-based retelling of the Arthurian legend map, character guide, and recap of Merlin's Blade and Merlin's Shadow rich historical detail perfect for young fans of Stephen Lawhead Don't miss the other titles in The Merlin Spiral trilogy: Merlin's Blade (Book 1) and Merlin's Shadow (Book 2)

Did you know King Arthur had many other children besides Mordred? Depending on which version of the legend you read, he had both sons and daughters, some of whom even survived him. From the ancient tale of Gwydre, the son who was gored to death by a boar, to Scottish traditions of Mordredas a beloved king, Tyler R. Tichelaar has studied all the references to King Arthur's children to show how they shed light upon a legend that has intrigued us for fifteen centuries. "King Arthur's Children: A Study in Fiction and Tradition" is the first full-length analysis of every known treatment of King Arthur's children, from Welsh legends and French romances, to Scottish genealogies and modern novels by such authors as Parke Godwin, Stephen Lawhead, Debra Kemp, and Elizabeth Wein. "King Arthur's Children" explores an often overlooked theme in Arthurian literature and reveals King Arthur's bloodline may still exist today.ÿ Arthurian Authors Praise "King Arthur's Children" "Author Tyler R. Tichelaar has performed impeccable research into the Arthurian legend, finding neglected details in early sources and reigniting their significance. Great brainstorming fun! I am proud to add this to my personal collection of Arthurian non-fiction." --Debra Kemp, author of The House of Pendragon seriesÿ "Tyler R. Tichelaar's in-depth analysis of the plausibility of King Arthur's children reaffirms the importance the King Arthur legacy continues to have for society and the need of people all over the world to be able to connect to and believe in King Arthur and Camelot." --Cheryl Carpinello, author of Guinevere: On the Eve of Legend

Do you want fries with your hellfire? Sadao Maou, the Devil King, has finally been promoted to store manager! And who should move in next door to his fortress (actually a tiny studio apartment in a dingy walk-up) but a lovely kimono-wearing lass. But the former devil-crushing hero Emi Yusa is none too pleased with this turn of events, to say nothing of high schooler Chiho Sasaki, who's still nursing a terrible crush on the Devil King. Meanwhile a Sentucky Fried Chicken has opened up right across the street from Maou's beloved MgRonald! It's the first real test of his managerial prowess, and he's facing a pay cut unless he can top Sentucky's sales! Between the two new neighbors, the Devil King's troubles are anything but part-time!

Merlin arrives in Camelot full of excitement and eager for adventure. But sorcery is outlawed in Camelot and so he must learn to hide his own unique magical talents. When a mysterious new knight arrives for the sword tournament, Merlin suspects that dark magic is afoot. He's determined to investigate, but soon finds that keeping the magic secret - and Prince Arthur alive - is much harder than he thought...