Mercury; Or, The Secret and Swift Messenger
Title | Mercury; Or, The Secret and Swift Messenger PDF eBook |
Author | John Wilkins |
Publisher | |
Pages | 198 |
Release | 1694 |
Genre | Language Arts & Disciplines |
ISBN |
Mercury, Or, The Secret and Swift Messenger
Title | Mercury, Or, The Secret and Swift Messenger PDF eBook |
Author | John Wilkins |
Publisher | John Benjamins Publishing |
Pages | 235 |
Release | 1984 |
Genre | Language Arts & Disciplines |
ISBN | 9027232768 |
Works of the Right Reverend John Wilkins' (1708). Together with an abstract of Dr. Wilkin's 'Essay towards a Real Character and a Philosophical Languages, ' a sketch of the life of the author and an account of his writings. With an introductory essay on the Universal Language Movement in England, France and Germany in the 17th and 18th century by Brigitte Asbach-Schnitker.
Mercury
Title | Mercury PDF eBook |
Author | John Wilkins |
Publisher | |
Pages | 0 |
Release | 1694 |
Genre | |
ISBN |
The Mathematical and Philosophical Works of the Right Rev. John Wilkins ...
Title | The Mathematical and Philosophical Works of the Right Rev. John Wilkins ... PDF eBook |
Author | John Wilkins |
Publisher | |
Pages | 294 |
Release | 1802 |
Genre | Cryptography |
ISBN |
Mercury
Title | Mercury PDF eBook |
Author | John Wilkins |
Publisher | Literary Licensing, LLC |
Pages | 194 |
Release | 2014-03-29 |
Genre | |
ISBN | 9781497895614 |
This Is A New Release Of The Original 1694 Edition.
Instruments and the Imagination
Title | Instruments and the Imagination PDF eBook |
Author | Thomas L. Hankins |
Publisher | Princeton University Press |
Pages | 358 |
Release | 1999 |
Genre | Mathematics |
ISBN | 9780691005492 |
Thomas Hankins and Robert Silverman investigate an array of instruments from the seventeenth through the nineteenth century that seem at first to be marginal to science--magnetic clocks that were said to operate by the movements of sunflower seeds, magic lanterns, ocular harpsichords (machines that played different colored lights in harmonious mixtures), Aeolian harps (a form of wind chime), and other instruments of "natural magic" designed to produce wondrous effects. By looking at these and the first recording instruments, the stereoscope, and speaking machines, the authors show that "scientific instruments" first made their appearance as devices used to evoke wonder in the beholder, as in works of magic and the theater. The authors also demonstrate that these instruments, even though they were often "tricks," were seen by their inventors as more than trickery. In the view of Athanasius Kircher, for instance, the sunflower clock was not merely a hoax, but an effort to demonstrate, however fraudulently, his truly held belief that the ability of a flower to follow the sun was due to the same cosmic magnetic influence as that which moved the planets and caused the rotation of the earth. The marvels revealed in this work raise and answer questions about the connections between natural science and natural magic, the meaning of demonstration, the role of language and the senses in science, and the connections among art, music, literature, and natural science. Originally published in 1995. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The Rhetoric of the Conscience in Donne, Herbert, and Vaughan
Title | The Rhetoric of the Conscience in Donne, Herbert, and Vaughan PDF eBook |
Author | Ceri Sullivan |
Publisher | OUP Oxford |
Pages | 291 |
Release | 2008-09-11 |
Genre | Literary Criticism |
ISBN | 0191563285 |
There is a kind of conscience some men keepe, Is like a Member that's benumb'd with sleepe; Which, as it gathers Blood, and wakes agen, It shoots, and pricks, and feeles as bigg as ten Donne, Herbert, and Vaughan see the conscience as only partly theirs, only partly under their control. Of course, as theologians said, it ought to be a simple syllogism, comparing actions to God's law, and giving judgement, in a joint procedure of the soul and its maker. Inevitably, though, there are problems. Hearts refuse to confess, or forget the rules, or jumble them up, or refuse to come to the point when delivering a verdict. The three poets are beady-eyed experts on failure. After all, where subjects can only discover their authentic nature in relation to the divine it matters whether the conversation works. Remarkably, each poet - despite their very different devotional backgrounds - uses similar sets of tropes to investigate problems: enigma, aposiopesis (breaking off), chiasmus, subjectio (asking then answering a question), and antanaclasis (repetition with a difference). Structured like a language, the conscience is tortured, rewritten, read, and broken up to engineer a proper response. Considering the faculty as an uncomfortable extrusion of the divine into the everyday, the rhetoric of the conscience transforms Protestant into prosthetic poetics. It moves between early modern theology, rhetoric, and aesthetic theory to give original, scholarly, and committed readings of the great metaphysical poets. Topics covered include boredom, torture, graffiti, tattoos, anthologizing, resentment, tears, dust, casuistry, and opportunism.