Originally published in 1960 and long out of print, Mercer's Belles is a classic of Northwest history and even inspired a television series, Here Come the Brides. Roger Conant's 1866 report of his shipboard travels with the Mercer Girls on their three-month voyage from New York to San Francisco and Seattle is here republished in its entirety, including Lenna Deutsch's invaluable reference material and the original photographs. A new foreword by Northwest historian Susan Armitage places the journal in historical perspective. Civil War losses had created a surplus of unattached women on the eastern seaboard. In the new western territories, women were sought as wives and teachers. Asa Mercer, president of the territorial university in Seattle, organized a project for female emigration. To a group of men in the West he promised, for a fee, to bring a suitable wife of good moral character and reputation. To the women of the East he offered free passage to Washington Territory. People greeted Mercer's plans with mixed feelings, and he never recruited the number of women he originally anticipated would make the long journey west. The story of Mercer's Belles came to occupy an important and interesting niche in regional history. Never has the story been told as thoroughly, as entertainingly, or as well as in Roger Conant's journal, accompanied by Lenna Deutsch's insightful reference material. It is fitting that Mercer's Belles now be made available for a new generation of readers.

Originally published in 1960 and long out of print, Mercer's Belles is a classic of Northwest history and even inspired a television series, Here Come the Brides. Roger Conant's 1866 report of his shipboard travels with the Mercer Girls on their three-month voyage from New York to San Francisco and Seattle is here republished in its entirety, including Lenna Deutsch's invaluable reference material and the original photographs. A new foreword by Northwest historian Susan Armitage places the journal in historical perspective. Civil War losses had created a surplus of unattached women on the eastern seaboard. In the new western territories, women were sought as wives and teachers. Asa Mercer, president of the territorial university in Seattle, organized a project for female emigration. To a group of men in the West he promised, for a fee, to bring a suitable wife of good moral character and reputation. To the women of the East he offered free passage to Washington Territory. People greeted Mercer's plans with mixed feelings, and he never recruited the number of women he originally anticipated would make the long journey west. The story of Mercer's Belles came to occupy an important and interesting niche in regional history. Never has the story been told as thoroughly, as entertainingly, or as well as in Roger Conant's journal, accompanied by Lenna Deutsch's insightful reference material. It is fitting that Mercer's Belles now be made available for a new generation of readers.

ONE DANCE: When Harriet Silverman arrives in Seattle for a fresh start and a new teaching position, the last person she expects is to meet is a fisherman who seems to be every place she turns. As she gets to know Caleb Munns, Harriet discovers they are a perfect match--for friendship. They both have solid reasons for not pursuing marriage.

The seventh volume in Knopf’s critically acclaimed Complete Lyrics series, published in Johnny Mercer’s centennial year, contains the texts to more than 1,200 of his lyrics, several hundred of them published here for the first time. Johnny Mercer’s early songs became staples of the big band era and were regularly featured in the musicals of early Hollywood. With his collaborators, who included Richard A. Whiting, Harry Warren, Hoagy Carmichael, Jerome Kern, and Harold Arlen, he wrote the lyrics to some of the most famous standards, among them, “Too Marvelous for Words,” “Jeepers Creepers,” “Skylark,” “I’m Old-Fashioned,” and “That Old Black Magic.” During a career of more than four decades, Mercer was nominated for the Academy Award for Best Song an astonishing eighteen times, and won four: for his lyrics to “On the Atchison, Topeka, and the Santa Fe” (music by Warren), “In the Cool, Cool, Cool of the Evening” (music by Carmichael), and “Moon River” and “Days of Wine and Roses” (music for both by Henry Mancini). You’ve probably fallen in love with more than a few of Mercer’s songs–his words have never gone out of fashion–and with this superb collection, it’s easy to see that his lyrics elevated popular song into art.

Typescript with manuscript corrections and additions.

Cheney faces two enemies—superstition and greed . . . Cheney Duvall has proven herself as a true doctor to those 200 brides with whom she traveled to the West. But arrival in Seattle with a string of medical successes during the voyage does not open any doors for her in this frontier town—she’s “just a woman.” Returning east, she finds an invitation to a remote spot in the Ozark mountains where there are no doctors at all. But she runs into walls of illiteracy, superstition, and immovable distrust of Yankees—most especially focused on an “edjicated female thinks she’s a real doc.” How will she overcome centuries of hate and mistrust?