Shares insights into the iconic rock-and-roll performer's life, from his substance abuse challenges and his bisexual history to his connections to the British royal family and the secret attempt on his life.

James Joyce's book of poems titled Chamber Music was released by Elkin Mathews in May 1907. There were originally thirty-four love poems in the anthology, but two more were added before it was published ("All day I hear the noise of waters" and "I hear an army charging upon the land"). Although it is widely believed that the title refers to the sound of urine tinkling in a chamber pot, this is a later Joycean embellishment that gives an earthiness to a title that was initially proposed by his brother Stanislaus and that Joyce (by the time of publication) had come to dislike: "The reason I dislike Chamber Music as a title is that it is too complacent," he admitted to Arthur Symons in 1906. "I would prefer a title that criticized the work while avoiding outright trashing it." Chamber Music's poetry isn't at all racy or evocative of the sound of tinkling urine, in fact. The poems were well-received by critics despite poor sales (less than half of the original print run of 500 had been sold in the first year).

Art of indigenous peoples.

Positions Revelation within an ancient Jewish context and demonstrates how the author used humor to resist Roman power.

A single dad is determined to persuade the prickly woman of his dreams that they can be more than a fling in this heartwarming romance from New York Times bestselling author RaeAnne Thayne Alexandra McKnight prefers a life of long workdays and short-term relationships, and she’s found it in Hope’s Crossing. She’s just been offered her dream job at an exclusive new restaurant being built in town. But when it comes to designing the kitchen, Alex finds herself getting up close and personal with construction foreman Sam Delgado. At first glance, Sam seems perfect for Alex. He’s big, tough, gorgeous—and only in town for a few weeks. But when Sam suddenly moves into a house down the road, Alex suspects that the devoted single father of a six-year-old boy wants more from her than she’s willing to give. Now it’s up to Sam to help Alex see that, no matter what happened in her past, together they can build something more meaningful in Hope’s Crossing.

More than a century ago, lighthouse keeper Linus Harris left his beloved wife and waded into the ocean with three other men to reunite with their mermaid lovers. The mysterious Mermaid Mutiny of 1888 has become legend for the residents of Cradle Harbor, Maine, honored by the town’s Mermaid Festival every August, when wind chimes are hung from seaside porches to drown out the alluring sound of mermaid song. For thirty-five-year-old Tess Patterson, the legend is more than folklore; it’s proof of life’s magic. A hopeless romantic who is profoundly connected to the ocean in which she lost her mother, Tess ekes out a living as a wood-carver and longs to find a love as mystical as the sea. But when she’s hired to carve the commemorative mermaid sculpture for the coming festival, a chance to win the town’s elusive acceptance might finally be in her grasp. For Tom Grace, life’s magic was lost at eighteen, when the death of his parents left him to care for his reckless brother, Dean. Now thirty-five and the new owner of Cradle Harbor’s prized lightkeeper’s house, Tom hopes the quiet town will calm Dean’s self-destructive ways. But when Tom discovers Tess working on her sculpture, an unlikely and passionate affair ignites between them that just might be the stuff of legend itself—even as it brings to the surface a long-buried secret that could tear everything apart. CONVERSATION GUIDE INCLUDED

This is a comprehensive introduction to the ways in which the Bible has been used and represented in mainstream cinema. Adele Reinhartz considers the pervasive use of the Bible in feature films, and the medium of film as part of the Bible’s reception history. The book examines how films draw on the Old and New Testament and the figure of Jesus Christ in various direct and indirect ways to develop their plots, characters, and themes. As well as movies that set out explicitly to retell biblical stories in their ancient context, it explores the ways in which contemporary, fictional feature films make use of biblical narrative. Topics covered include: how filmmakers make use of scripture to address and reflect their own time and place. the Bible as a vehicle through which films can address social and political issues, reflect human experiences and emotions, explore existential issues such as evil and death, and express themes such as destruction and redemption. the role of the Bible as a source of ethics and morality, and how this connection is both perpetuated and undermined in a range of contemporary Hollywood films. films that create an experience of transcendence, and the ways in which the Bible figures in that experience. Reinhartz offers insightful analysis of numerous films including The Ten Commandments and The Shawshank Redemption, paying attention to visual and aural elements as well as plot, character, and dialogue. Students will find this an invaluable guide to a growing field.