On a motorcycle trip from Manitoba to southern Chile, Cameron Dueck seeks out isolated enclaves of Mennonites—and himself. “An engrossing account of an unusual adventure, beautifully written and full of much insight about the nature of identity in our ever-changing world, but also the constants that hold us together."—Adam Shoalts, national best-seller author of Beyond the Trees: A Journey Alone Across Canada's Arctic and A History of Canada in 10 Maps Across Latin America, from the plains of Mexico to the jungles of Paraguay, live a cloistered Germanic people. For nearly a century, they have kept their doors and their minds closed, separating their communities from a secular world they view as sinful. The story of their search for religious and social independence began generations ago in Europe and led them, in the late 1800s, to Canada, where they enjoyed the freedoms they sought under the protection of a nascent government. Yet in the 1920s, when the country many still consider their motherland began to take shape as a nation and their separatism came under scrutiny, groups of Mennonites left for the promises of Latin America: unbroken land and new guarantees of freedom to create autonomous, ethnically pure colonies. There they live as if time stands still—an isolation with dark consequences. In this memoir of an eight-month, 45,000 kilometre motorcycle journey across the Americas, Mennonite writer Cameron Dueck searches for common ground within his cultural diaspora. From skirmishes with secular neighbours over water rights in Mexico, to a mass-rape scandal in Bolivia, to the Green Hell of Paraguay and the wheat fields of Argentina, Dueck follows his ancestors south, finding reasons to both love and loathe his culture—and, in the process, finding himself.

In the 1920s, the most radical Mennonites--fearing a loss of autonomy--moved from Canada to Latin America, where they built colonies, keeping their doors and minds closed for nearly a century against the rest of the sinful world. They live as if time has stood still, with their clothes, farms and their outlook unchanged for centuries, and this isolation bears dark social consequences. Seeking answers in an eight-month, 45,000 km solo motorcycle journey across the Americas, Cameron Dueck finds reasons to both love and loathe the identity he searched for.

A radical revaluation of how contemporary society perceives death—and an argument for how it can make us happy. “He who would teach men to die would teach them to live,” writes Montaigne in Essais, and in How to Die: A Book about Being Alive, Ray Robertson takes up the challenge. Though contemporary society avoids the subject and often values the mere continuation of existence over its quality, Robertson argues that the active and intentional consideration of death is neither morbid nor frivolous, but instead essential to our ability to fully value life. How to Die is both an absorbing excursion through some of Western literature’s most compelling works on the subject of death as well as an anecdote-driven argument for cultivating a better understanding of death in the belief that, if we do, we’ll know more about what it means to live a meaningful life.

When lobbyist Faith Lockhart stumbles upon a corruption scheme at the highest levels of government, she becomes a dangerous witness who the most powerful men in the world will go to any lengths to silence in this #1 New York Times bestselling thriller. In a secluded house not far from Washington, D.C., the FBI is interviewing one of the most important witnesses it has ever had: a young woman named Faith Lockhart. For Faith has done too much, knows too much, and will tell too much. Feared by some of the most powerful men in the world, Faith has been targeted to die. But when a private investigator walks into the middle of the assassination attempt, the shooting suddenly goes wrong, and an FBI agent is killed. Now Faith Lockhart must flee for her life--with her story, her deadly secret, and an unknown man she's forced to trust...

Canadian labour history and working-class struggles are brought to life in this anthology of nine short comics, each one accompanied by an informative preface. Each comic showcases the inspiring efforts and determination of working people who banded together with others to fight to change the world. The history of working-class struggle is a fascinating story of conflict and coercion, of resistance and triumph. It has the drama of defeat mixed with the thrill of victory, though not always in equal measure. But, working-class history is not just interesting and exciting; it also contains important lessons for labour and social justice activists today. Illustrate! Educate! Organize! Contributors include Jo SiMalaya Alcampo, Althea Balmes, Christine Balmes, Sam Bradd, Paul Buhle, Nicole Marie Burton, David Camfield, Sean Carleton, Conely de Leon, Robin Folvik, Ethan Heitner, Greg Kealey, Orion Keresztesi, Mark Leier, David Lester, Andrée Lévesque, Zenee May Maceda, Dale McCartney, Doug Nesbitt, Bryan Palmer, Andrew Parnaby, Joan Sangster, Kara Sievewright, Julia Smith, Ron Verzuh, Tania Willard (Secwepemc Nation).

Winner, Evelyn Richardson Award for Non-Fiction and Democracy 250 Atlantic Book Award for Historical Writing Finalist, Dartmouth Book Award for Non-Fiction, and the Margaret and John Savage Award for Best First Book (Non-fiction) A Hill Times' 100 Best Books in 2020 Selection On Canada's History Bestseller List Growing up on the south shore of Nova Scotia, Tyler LeBlanc wasn't fully aware of his family's Acadian roots -- until a chance encounter with an Acadian historian prompted him to delve into his family history. LeBlanc's discovery that he could trace his family all the way to the time of the Acadian Expulsion and beyond forms the basis of this compelling account of Le Grand Dérangement. Piecing together his family history through archival documents, Tyler LeBlanc tells the story of Joseph LeBlanc (his great-great-great-great-great-great-great-great grandfather), Joseph's ten siblings, and their families. With descendants scattered across modern-day Nova Scotia and Prince Edward Island, the LeBlancs provide a window into the diverse fates that awaited the Acadians when they were expelled from their homeland. Some escaped the deportation and were able to retreat into the wilderness. Others found their way back to Acadie. But many were exiled to Britain, France, or the future United States, where they faced suspicion and prejudice and struggled to settle into new lives. A unique biographical approach to the history of the Expulsion, Acadian Driftwood is a vivid insight into one family's experience of this traumatic event.

In this book the concept of mobility is explored for the archaeology of the Amazonian and Caribbean region. As a result of technological and methodological progress in archaeology, mobility has become increasingly visible on the level of the individual. However, as a concept it does not seem to fit with current approaches in Amazonian archaeology, which favour a move away from viewing small mobile groups as models for the deeper past. Instead of ignoring such ethnographic tyrannies, in this book they are considered to be essential for arriving at a different past. Viewing archaeological mobility as the sum of movements of both people and objects, the empirical part of Amotopoan Trails focuses on Amotopo, a small contemporary Trio village in the interior of Suriname. The movements of the Amotopoans are tracked and positioned in a century of Trio dynamics, ultimately yielding a recent archaeology of Surinamese-Trio movements for the Sipaliwini River basin (1907-2008). Alongside the construction of this archaeology, novel mobility concepts are introduced. They provide the conceptual footholds which enable the envisioning of mobility at various temporal scales, from a decade up to a century, the sequence of which has remained a blind spot in Caribbean and Amazonian archaeology.