Before Utopia demonstrates that Thomas More’s Utopia (1516) is not, as is widely accepted, a rhetorical play of spirit but is instead built from a particular philosophy. That philosophy is not Platonism, but classical Stoicism. Deeply disturbed in his youth by the conviction that he needed to decide between a worldly and a monastic path, Thomas More was transformed in 1504 by Erasmus’ De taedio Iesu and Enchiridion. As a consequence, he married in 1505 and wholeheartedly committed himself to worldly affairs. His Lucian (1506), written after working directly with Erasmus, adopts the Stoic mindset; Erasmus’ Praise of Folly (1511) shows from beginning to end the workings of More’s life-changing Stoic outlook. More’s Utopia then goes on to systematically illustrate the Stoic unitary two-dimensional frame of thought within an imaginary New World setting. Before Utopia is not just a book about Thomas More. It is a book about intellectual history and the movement of ideas from the ancient world to the Renaissance. Ross Dealy emphasizes the continuity between Erasmus and More in their religious and philosophical thought, and above all the decisive influence of Erasmus on More.

In 1679 Hadriaan Beverland (1650-1716) was banished from the province of Holland. Why was this humanist scholar exiled from one of the most tolerant parts of Europe in the seventeenth century? To answer this question, this book places Beverland’s writings on sex, sin, and scholarship in their historical context for the first time. Beverland argued that sexual lust was the original sin and highlighted the importance of sex in human nature, ancient history, and his own society. His audacious works hit a raw nerve: Dutch theologians accused him of atheism, he was abandoned by his humanist colleagues, and he was banished by the University of Leiden. By positioning Beverland’s extraordinary scholarship in the context of the seventeenth-century Dutch Republic, this book examines how his radical studies challenged the intellectual, ecclesiastical, and political elite, providing a fresh perspective upon the Dutch Republic in the last decades of its Golden Age.

Christopher Smart and Satire explores the lively and idiosyncratic world of satire in the eighteenth-century periodical, focusing on the way that writers adopted personae to engage with debates taking place during the British Enlightenment. Taking Christopher Smart's audacious and hitherto underexplored Midwife, or Old Woman's Magazine (1750-1753) as her primary source, Min Wild provides a rich examination of the prizewinning Cambridge poet's adoption of the bizarre, sardonic 'Mary Midnight' as his alter-ego. Her analysis provides insights into the difficult position in which eighteenth-century writers were placed, as ideas regarding the nature and functions of authorship were gradually being transformed. At the same time, Wild also demonstrates that Smart's use of 'Mary Midnight' is part of a tradition of learned wit, having an established history and characterized by identifiable satirical and rhetorical techniques. Wild's engagement with her exuberant source materials establishes the skill and ingenuity of Smart's often undervalued, multilayered prose satire. As she explores Smart's use of a peculiarly female voice, Wild offers us a picture of an ingenious and ribald wit whose satirical overview of society explores, overturns, and anatomises questions of gender, politics, and scientific and literary endeavors.

This collection of twenty-nine original essays, surveys satire fromits emergence in Western literature to the present. Tracks satire from its first appearances in the prophetic booksof the Old Testament through the Renaissance and the Englishtradition in satire to Michael Moore’s satirical movieFahrenheit 9/11. Highlights the important influence of the Bible in the literaryand cultural development of Western satire. Focused mainly on major classical and European influences onand works of English satire, but also explores the complex andfertile cultural cross-semination within the tradition of literarysatire.

This book brings together the essay collection "Written in the margins of life (Xie zai ren sheng bian shang)" and the short story collection "Human, beast, ghost (Ren shou gui)."

Volume 51