With humor, wisdom and tenderness, Ann Packer offers ten short stories about women and men--wives and husbands, sisters and brothers, daughters, sons, mothers, fathers, friends, and lovers--who discover that life's greatest surprises may be found in that which is most familiar. In the title story, on the anniversary of their father's suicide a young woman discovers that her brother may have found a "reason for living" in the love of a good woman. In "Nerves," a young man realizes that the wife he is separated from no longer loves him but that it is his own life he misses, not her. The narrator of "My Mother's Yellow Dress" is a gay man remembering his deceased mother and their vital and troubling intimacy. In "Babies"--which was included in the prestigious O. Henry anthology series --a single woman in her mid-thirties finds that everyone, including her best friend at work, is pregnant, and that their joy can only be observed, not shared. In these and six other stories, Ann Packer exhibits an unerring eye for the small ways in which people reveal themselves and for the moments in which lives may be transformed.

Another collection of true crime stories from the pages of the Anderson Valley Advertiser, Mendocino County's newspaper of record.

Locomotive steam whistles echo no more in the forests of the north California coast. A century ago, Humboldt and Mendocino Counties had more than 40 railroads bringing logs out of the forest to mills at the water's edge. Only one single railroad ever connected to the outside world, and it too is gone. One railroad survives as the Skunk Train in Mendocino County, and it carries tourists today instead of lumber. Redwood and tan oak bark were the two products moved by rail, and very little else was hauled other than lumberjacks and an occasional picnic excursion for loggers' families. Economic depressions and the advent of trucking saw railroads vanish like a puff of steam from the landscape.

To clear his arrest record, Andy Nocera must complete one year of therapy without another arrest, which forces him to deal with his repeated failure to live as an openly gay man, and gives him an opportunity to rescue another lost soul. Original.

How much do we owe the people we love? Is it a sign of strength or weakness to walk away from someone in need? These questions lie at the heart of Ann Packer’s intimate and emotionally thrilling new novel, which has won its author comparisons with Jane Hamilton and Sue Miller. At the age of twenty-three Carrie Bell has spent her entire life in Wisconsin, with the same best friend and the same dependable, easygoing, high school sweetheart. Now to her dismay she has begun to find this life suffocating and is considering leaving it–and Mike–behind. But when Mike is paralyzed in a diving accident, leaving seems unforgivable and yet more necessary than ever. The Dive from Clausen’s Pier animates this dilemma–and Carrie’s startling response to it–with the narrative assurance, exacting realism, and moral complexity we expect from the very best fiction.

From Ann Packer, author of the New York Times best-selling novels The Dive from Clausen’s Pier and Songs Without Words, a collection of burnished, emotionally searing stories, framed by two unforgettable linked narratives that express the transformation of a single family over the course of a lifetime. A wife struggles to make sense of her husband’s sudden disappearance. A mother mourns her teenage son through the music collection he left behind. A woman shepherds her estranged parents through her brother’s wedding and reflects on the year her family collapsed. A young man comes to grips with the joy—and vulnerability—of fatherhood. And, in the masterly opening novella, two teenagers from very different families forge a sustaining friendship, only to discover the disruptive and unsettling power of sex. Ann Packer is one of our most talented archivists of family life, with its hidden crevasses and unforeseeable perils, and in these stories she explores the moral predicaments that define our social and emotional lives, the frailty of ordinary grace, and the ways in which we are shattered and remade by loss. With Swim Back to Me, she delivers shimmering psychological precision, unfailing intelligence, and page-turning drama: her most enticing work yet.