Mr. Barnstaple found himself in urgent need of a holiday, and he had no one to go with and nowhere to go. He was overworked. And he was tired of home. He was a man of strong natural affections; he loved his family extremely so that he knew it by heart, and when he was in these jaded moods it bored him acutely. His three sons, who were all growing up, seemed to get leggier and larger every day; they sat down in the chairs he was just going to sit down in; they played him off his own pianola; they filled the house with hoarse, vast laughter at jokes that one couldn't demand to be told; they cut in on the elderly harmless flirtations that had hitherto been one of his chief consolations in this vale; they beat him at tennis; they fought playfully on the landings, and fell downstairs by twos and threes with an enormous racket. Their hats were everywhere. They were late for breakfast. They went to bed every night in a storm of uproar: "Haw, Haw, Haw—bump!" and their mother seemed to like it. They all cost money, with a cheerful disregard of the fact that everything had gone up except Mr. Barnstaple's earning power. And when he said a few plain truths about Mr. Lloyd George at meal-times, or made the slightest attempt to raise the tone of the table-talk above the level of the silliest persiflage, their attention wandered ostentatiously... At any rate it seemed ostentatiously.

Barnstaple, a burnt out journalist, decides to go on holiday and leave the rat race behind. He leaves his family at home and hits the road. His car along with several others are miraculous transported 3,000 years into an alternate future. The world he lands in, a veritable utopia, has a history very much like his own but for small details. Mankind has left behind its governments and religions for good or ill. Each person lives a life of their own choosing. Barnstaple and the occupants of the other cars are quarantined because of the illnesses they have unwittingly transported to this alternate future. During the quarantine his fellow time travelers decide that they can conquer this idyllic world and live like kings. Barnstaple must decide if he will join them or betray his own kind to protect utopia. 'Men Like Gods' was the first novel of it’s kind a blend of science fiction and fantasy. It’s influence forever changed genre fiction creating the sub-genre science fantasy. A classic.

Mr. Barnstaple is a journalist working in London and living in Sydenham. He has grown dispirited at a newspaper called The Liberal and resolves to take a holiday. Quitting wife and family, he finds his plans disrupted when his and two other automobiles are accidentally transported with their passengers into "another world", which the "Earthlings" call Utopia. A sort of advanced Earth, Utopia is some three thousand years ahead of humanity in its development.

Men Like Gods (1923) is a novel, referred to by the author as a "scientific fantasy", by English writer H. G. Wells. It features a utopia located in a parallel universe. Men Like Gods is set in the summer of 1921. Its protagonist is Mr. Barnstaple (his first name is either Alfred or William), a journalist working in London and living in Sydenham. He has grown dispirited at a newspaper called The Liberal and resolves to take a holiday. Taking leave of his wife and family, his plans are disrupted when his and two other automobiles are accidentally transported with their passengers into "another world," which the "Earthlings" call Utopia. A sort of advanced Earth, Utopia is some three thousand years ahead of humanity in its development. For the 200,000,000 Utopians who inhabit this world, the "Days of Confusion" are a distant period studied in history books, but their past resembles humanity's in its essentials, differing only in incidental details: their Christ, for example, died on the wheel, not on the cross. Utopia lacks any world government and functions as a successfully realised anarchy. "Our education is our government," a Utopian named Lion says. Sectarian religion, like politics, has died away, and advanced scientific research flourishes. Life in Utopia is governed by "the Five Principles of Liberty", which are privacy, free movement, unlimited knowledge, truthfulness, and free discussion (allowing criticism). Men Like Gods is divided into three books. Details of life in Utopia are given in Books I and III. In Book II, the Earthlings are quarantined on a rocky crag after infections they have brought cause a brief epidemic in Utopia. There they begin to plot the conquest of Utopia, despite Mr. Barnstaple's protests. He betrays them when his fellows try to take two Utopians hostage, forcing Mr. Barnstaple to escape execution for treason by fleeing perilously. In Book III, Mr. Barnstaple longs to stay, but when he asks how he can best serve Utopia, he is told that he can do this "by returning to your own world". Regretfully he accepts and ends his month-long stay in Utopia. But he brings with him back to Earth a renewed determination to contribute to the effort to make a terrestrial Utopia: "He belonged now soul and body to the Revolution, to the Great Revolution that is afoot on Earth; that marches and will never desist nor rest again until old Earth is one city and Utopia set up therein. He knew clearly that this Revolution is life, and that all other living is a trafficking of life with death." Contemporary reviews of the novel were largely positive, though some found the story weakly plotted. As is often the case in his later fiction, Wells's utopian enthusiasm exceeded his interest in scientific romance or fantasy (his own terms for what is now called science fiction). The novel was yet another vehicle for Wells to propagate ideas of a possible better future society, also attempted in several other works, notably in A Modern Utopia (1905). Men Like Gods and other novels like it provoked Aldous Huxley to write Brave New World (1932), a parody and critique of Wellsian utopian ideas. Wells himself later commented on the novel: "It did not horrify or frighten, was not much of a success, and by that time, I had tired of talking in playful parables to a world engaged in destroying itself." (wikipedia.org)

Since its generic inception in 1516, utopia has produced visions of alterity which renegotiate, subvert, and transcend existing places. Early in the twentieth century, H. G. Wells linked utopia to the World State, whose post-national, post-Westphalian emergence he predicated on English national discourse. This critical study examines how the discursive representations of England’s geography, continuity, and character become foundational to the Wellsian utopia and elicit competing response from Wells’s contemporaries, particularly Robert Hugh Benson and Aldous Huxley, with further ramifications throughout the twentieth century. Contextualized alongside modern theories of nationalism and utopia, as well as read jointly with contemporary projections of England as place, reactions to Wells demonstrate a shift from disavowal to retrieval of England, on the one hand, and from endorsement to rejection of the World State, on the other. Attempts to salvage the residual traces of English culture from their degradation in the World State have taken increasing precedence over the imagination of a post-national order. This trend continues in the work of George Orwell, Anthony Burgess, J. G. Ballard, and Julian Barnes, whose future scenarios warn against a world without England. The Nationality of Utopia investigates utopia’s capacity to deconstruct and redeploy national discourse in ways that surpass fear and nostalgia.