Men, ideas and tanks reviews the development of British military ideas on armoured forces from 1903 to 1939. Great Britain was the nation which first developed the tank, first used it in action and first gained dramatic results by employment. The British continued to be world leaders in the field of mechanised warfare until the early 1930s. Now available in paperback for the first time, J. P. Harris original work offers new interpretations of the early history of British armoured forces and explains why Great Britain had lost the lead by the outbreak of the Second World War. This work will be of interest to all those concerned with British military history in the first half of the twentieth century, with the history of mechanised warfare and with the history of military thought.

British Tank Production and the War Economy, 1934-1945 explores the under-researched experiences of the British tank industry in the context of the pressures of war. Benjamin Coombs explores the various demands placed on British industry during the Second World War, looking at the political, military and strategy pressures involved. By comparing the British tank programme with the Canadian, American, Russian and Australian equivalents, this study offers an international perspective on this aspect of the war economy. Topics covered include the premature contraction of the tank programme and dependence on American armour, the supply of the Valentine tank to the Russian authorities and the ongoing employment of the tank in the postwar peacetime markets.

This book charts the history of armoured warfare from the first use of the tank in 1916 right through to the 21st century, adopting military, political and global perspectives. Alaric Searle explores the origins of the tank, the part it played in the First World War and its contribution to the outcome of the war. He considers its role as a tool of propaganda, the military controversies of the interwar period and the employment of armoured forces in all the major theatres in the Second World War. Since the First World War, major and medium-sized powers have invested heavily in armoured forces. Searle looks at the conduct of mechanised warfare in Korea, Indo-China and Vietnam, and during conflicts such as the Arab-Israeli Wars and the Gulf Wars. Armoured Warfare adopts a global perspective, providing the most comprehensive survey of the history of the subject currently available. With a detailed bibliography of both primary and secondary sources, it is an ideal companion for those studying armoured warfare, modern military history and war studies.

After bitter debate, South Africa, a dominion of the British Empire at the time, declared war on Germany five days after the invasion of Poland in September 1939. Thrust by the British into the campaign against Erwin Rommel’s German Afrika Korps in North Africa, the South Africans fought a see-saw war of defeats followed by successes, culminating in the Battle of El Alamein, where South African soldiers made a significant contribution to halting the Desert Fox’s advance into Egypt. This is the story of an army committed somewhat reluctantly to a war it didn’t fully support, ill-prepared for the battles it was tasked with fighting, and sent into action on the orders of its senior alliance partner. At its heart, however, this is the story of men at war.

The original version of this text was published in 1984 as a textbook on military history for officers in the U.S. Army. The revised version includes an appendix of terms and acronyms, and concepts are explained in nontechnical terms, making it more comprehensible to the general reader. Also incorporated is a description of combined arms warfare from the late-1970s to the end of the 20th century, which takes into account developments that were not obvious in 1984. The main topics are how the major armies of the world fight on the battlefield; what concepts, weapons, and organizations have developed for this purpose; and how the different armies have influenced each other in these developments. House is a former military officer and analyst for the Joint Chiefs of Staff. c. Book News Inc.

What went wrong for British forces in 1917? Relive the key battles through first-hand accounts and little-known incidents of World War I. This book offers a fresh, critical history of the 1917 campaign in Flanders. Alan Warren traces the three major battles fought by the British Expeditionary Force in the final months of 1917, from the mines of Messines to the mud of Passchendaele and the tanks at Cambrai. Drawing on a rich array of sources, Warren provides a vivid account of two tragically mismanaged battles, showing that Cambrai further underlined what went wrong for British forces at Passchendaele and thus more fully explains the course of events on the Western front. His compelling narrative history features first-hand accounts, little-known dramatic incidents, and portraits and assessments of the main generals. All readers interested in World War I and the tragic mistakes that led, in the words of Winston Churchill, to “a forlorn expenditure of valour and life without equal in futility” will find this an invaluable military history.

Reframing difference is the first major study of two overlapping strands of contemporary French cinema, cinema beur (films by young directors of Maghrebi immigrant origin) and cinema de banlieue (films set in France's disadvantaged outer-city estates). Carrie Tarr's insightful account draws on a wide range of films, from directors such as Mehdi Charef, Mathieu Kassovitz and Djamel Bensalah. Her analyses compare the work of male and female, majority and minority film-makers, and emphasise the significance of authorship in the representation of gender and ethnicity. Foregrounding such issues as the quest for identity, the negotiation of space and the recourse to memory and history, she argues that these films challenge and reframe the symbolic spaces of French culture, addressing issues of ethnicity and difference which are central to today's debates about what it means to be French. This timely book is essential reading for anyone interested in the relationship between cinema and citizenship in a multicultural society.