From the bestselling author of The Queen's Gambit, the landmark science fiction novel that inspired the classic 1976 film starring David Bowie and is the basis for the Showtime series A man wanders into town one day seemingly out of nowhere. He starts by peddling valuables just to get by. But he possesses uncanny scientific knowledge, which he uses to develop technologies of a marvelous nature. In time he builds a corporate empire that propels him to unimaginable wealth—but to what end? His rapid ascent to the highest levels of success is remarkable, but the vision of his enterprise begins to falter as he succumbs to afflictions that feel all-too-human, and the true purpose of his presence here on earth is in grave danger of being abandoned.

Humans are herded like sheep for the slaughter. And their only hope for survival lies with a team who just left the planet. Following their successful mission to destroy the slaver ring in New York City, Wic and the members of Phantom Team pass through the Antarctic's origin ring and find themselves deep in the heart of the Androchidan Empire. But as the scope of the alien specie's operation becomes apparent, Phantom Team realizes they can't standby as humanity is culled into submission. Efforts must be made to slow the enemy's progress, if not stop it altogether. Under Wic's leadership, the team devises a plan to infiltrate and neutralize part of the Androchidan's operation. Allies are made, and resources are acquired. But when enemy spies find evidence of collusion, it is only a matter for time before the Phantoms' hopes of thwarting the enemy are dashed. Will Wic and his elite team of warriors succeed in reversing the tide of the Androchidan invasion? Or will they succumb to the unrelenting power of the most notorious slaver operation in the galaxy? Join bestselling authors Christopher Hopper and J.N. Chaney as the Ruins of the Earth hit series continues with Book 2: Gods and Men. Read what fans call "the best military sci-fi of the year," and "Galaxy's Edge meets Expeditionary Force."

In 1999, Andrew Smith was interviewing Charlie Duke, astronaut and moon walker, for the Sunday Times. During the course of the interview, which took place at Duke's Texan home, the telephone rang and Charlie left the room to answer it. When he returned, some twenty minutes later, he seemed visibly upset. It seemed that he'd just heard that, the previous day, one of his fellow moon walkers, the astronaut Pete Conrad, had died. The more Charlie spoke the more Andrew realised that his grief was something more than the mere fact of losing a friend. 'Now theres only nine of us,' he said. Only nine. Which meant that, one day not long from now, there would be none, and when that day came, no one on earth would have known the giddy thrill of gazing back at us from the surface of the moon. The thought shocked Andrew, and still does. Moondust is his attempt to understand why. The Apollo moon programme has been called the last optimistic act of the 20th Century. Over a strange three year period between 1969 and 1972, twelve men made the longest and most eccentric of all journeys, and all were indelibly marked by it. In Moondust Andrew sets out to interview all the remaining astronauts who walked on the moon, and to find out how their lives were changed for ever by what had happened. 'Where do you go after you've been to the moon?' In addition to this question that would prove hugely troubling to many of the returned astronauts, they also had to deal with the fantasies of faceless millions at their backs, for this was the first truly global media event. The walkers would forever be caught between the gravitational pull of the moon and the earth's collective dreaming.

This book considers issues of social and ecological significance through a masculinities lens. Earth – our home for aeons – is reeling. The atmosphere is heating up, causing reefs to bleach, fisheries to collapse, regions to flood and dry, vast tracts to burn, the polar ice caps to melt, ancient glaciers to retreat, biodiversity to decline exacerbated by the sixth great extinction, and more. Meanwhile, social and economic disparities are widening. Pandemics are cauterising glocal communities and altering our social mores. Nationalism is feeding divisiveness and hate, especially through men’s violence. Politically extreme individuals and groups are exalting freedom while scapegoating the marginalised. Such are the symptoms of an emerging (m)Anthropocene. This anthology contends with these alarming trends, pointing our attention towards their gendered origins. Building on our monograph Ecological Masculinities: Theoretical Foundations and Practical Guidance (2018), this collection of essays is framed as a dinner party conversation grouped into six discursive themes. Their views reflect a growing community of practice, whose combined efforts capture the most recent perspectives on masculine ecologisation. Together, they aim to help create a more caring world for all, moving the ecological masculinities conversation forward as it becomes an established, international, and pluralised field of study.

The instant New York Times Bestseller • Nominated for the 2019 National Book Award for Fiction “A lyrical work of self-discovery that’s shockingly intimate and insistently universal…Not so much briefly gorgeous as permanently stunning.” —Ron Charles, The Washington Post Ocean Vuong’s debut novel is a shattering portrait of a family, a first love, and the redemptive power of storytelling On Earth We’re Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late twenties, the letter unearths a family’s history that began before he was born — a history whose epicenter is rooted in Vietnam — and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class, and masculinity. Asking questions central to our American moment, immersed as we are in addiction, violence, and trauma, but undergirded by compassion and tenderness, On Earth We’re Briefly Gorgeous is as much about the power of telling one’s own story as it is about the obliterating silence of not being heard. With stunning urgency and grace, Ocean Vuong writes of people caught between disparate worlds, and asks how we heal and rescue one another without forsaking who we are. The question of how to survive, and how to make of it a kind of joy, powers the most important debut novel of many years. Named a Best Book of the Year by: GQ, Kirkus Reviews, Booklist, Library Journal, TIME, Esquire, The Washington Post, Apple, Good Housekeeping, The New Yorker, The New York Public Library, Elle.com, The Guardian, The A.V. Club, NPR, Lithub, Entertainment Weekly, Vogue.com, The San Francisco Chronicle, Mother Jones, Vanity Fair, The Wall Street Journal Magazine and more!

Holocaust survivor Eddie Jaku made a vow to smile every day and believed he was the 'happiest man on earth'. In his inspirational memoir, he paid tribute to those who were lost by telling his story and sharing his wisdom. 'Eddie looked evil in the eye and met it with joy and kindness . . . [his] philosophy is life-affirming' - Daily Express Life can be beautiful if you make it beautiful. It is up to you. Eddie Jaku always considered himself a German first, a Jew second. He was proud of his country. But all of that changed in November 1938, when he was beaten, arrested and taken to a concentration camp. Over the next seven years, Eddie faced unimaginable horrors every day, first in Buchenwald, then in Auschwitz, then on a Nazi death march. He lost family, friends, his country. The Happiest Man on Earth is a powerful, heartbreaking and ultimately hopeful memoir of how happiness can be found even in the darkest of times. 'Australia's answer to Captain Tom . . . a memoir that extols the power of hope, love and mutual support' - The Times