This book explores the construction of male sexuality in nineteenth-century American literature and comes up with some startling findings. Far from desiring heterosexual sex and wishing to bond with other men through fraternity, the male protagonists of classic American literature mainly want to be left alone. Greven makes the claim that American men, eschewing both marriage and male friendship, strive to remain emotionally and sexually inviolate. Examining the work of traditional authors - Hawthorne, Poe, Melville, Cooper, Irving, Stowe - Greven discovers highly untraditional and transgressive representations of desire and sexuality. Objects of desire from both women and other men, the inviolate males discussed in this study overturn established gendered and sexual categories, just as this study overturns archetypal assumptions about American manhood and American literature.

Together for the first time in a special single trade volume-two complete erotic historical romance novels from Emma Holly, the USA Today bestselling author hailed by Susan Johnson as "one of the best writers of erotic fiction around." In Beyond Innocence a naive young woman in Victorian London goes from nubile bride to gorgeous pawn in a devious scheme-one with a passionately unexpected twist-between two brothers. And in Beyond Seduction a scandalously clever Victorian beauty agrees to pose nude for a notorious artist in order to discourage her overly- respectable suitor from a proposal of marriage.

Polly Young-Eisendrath´s Women and Desire: Beyond Wanting to Be Wanted was first published by Harmony Books in 1999. Since then, it has become a classic read for those readers– to use a cinematographic expression – who want to use analytical psychology to shed light on what women want. This book, when first published, was described (and still is) as “provocative and vital.” More than 20 years after its publication, this book still shows effectively “how to break out of this double bind so that” women “can encounter the challenges of choice and responsibility for our own desires.” The author “wisely uses mythological and personal stories to help us take control of our sexual, relational, material, and spiritual lives.” Therefore, “If you feel confused, resentful, or trapped in a life that does not seem to be fully yours, then you can find a clear path to your true self, once and for all, with the help of Women and Desire.” This book is the second of the series titled Jungianeum: Re-Covered Classics in Analytical Psychology curated by Stefano Carpani.

The past few decades have seen remarkable technological growth in the delivery of modern medicine. Pharmaceutical, diagnostic, and surgical interventions have transformed the way in which health is perceived and medicine is practiced. The modern patient has become so dependent upon these therapies and interventions that they take a passive interest in their health. For author Dr. Mark W. Hatcher, this is a symptom of a culture in crisisdoctors treat disease instead of fostering health. Using real-life examples from a busy emergency room, he investigates this health-care crisis and reevaluates what it means to be healthy. In Beyond Desire: Rediscovering Health and Wellness, Hatcher examines the assumptions upon which the modern medical world is founded, explores the healing methods that have been practiced for centuries by healers around the world, and proposes a strategy for health that focuses on the importance of the mind and spirit in achieving and maintaining health. Beyond Desire shows how the practices of meditation, yoga, tai chi, acupuncture, proper eating, and selfless service are the true pathways to healing and rediscovering health and wellness.

Amanda Ross is thrilled when she is appointed junior high school principal in Caution Point, N.C. But her promotion will only be a pipe dream if the board of education discovers that she's pregnant—and single. She never expected her baby's father to desert her, but explanations won't satisfy a small town's rumor mill. A husband is what she needs, and handsome music engineer Marcus Hickson looks like the answer to her problem. Embittered by his ex-wife's selfish and cruel behavior, Marcus told himself he'd never marry again. That is, until doctors inform him that his injured daughter needs immediate surgery, and Amanda—financially independent because of her inheritance—offers to pay the medical bills if he'll be her husband. Desperate, Marcus agrees, as long as their "arrangement" is strictly business. But days and nights under the same roof soon ignite mutual desire. Now Marcus and Amanda's marriage of convenience has become an affair of the heart…and a deception that endangers everything they hold dear.

This book explores the construction of male sexuality in nineteenth-century American literature and comes up with some startling findings. Far from desiring heterosexual sex and wishing to bond with other men through fraternity, the male protagonists of classic American literature mainly want to be left alone. Greven makes the claim that American men, eschewing both marriage and male friendship, strive to remain emotionally and sexually inviolate. Examining the work of traditional authors - Hawthorne, Poe, Melville, Cooper, Irving, Stowe - Greven discovers highly untraditional and transgressive representations of desire and sexuality. Objects of desire from both women and other men, the inviolate males discussed in this study overturn established gendered and sexual categories, just as this study overturns archetypal assumptions about American manhood and American literature.

A struggle between narcissistic and masochistic modes of manhood defined Hollywood masculinity in the period between the presidencies of George H. W. Bush and George W. Bush. David Greven's contention is that a profound shift in representation occurred during the early 1990s when Hollywood was transformed by an explosion of films that foregrounded non-normative gendered identity and sexualities. In the years that have followed, popular cinema has either emulated or evaded the representational strategies of this era, especially in terms of gender and sexuality. One major focus of this study is that, in a great deal of the criticism in both the fields of film theory and queer theory, masochism has been positively cast as a form of male sexuality that resists the structures of normative power, while narcissism has been negatively cast as either a regressive sexuality or the bastion of white male privilege. Greven argues that narcissism is a potentially radical mode of male sexuality that can defy normative codes and categories of gender, whereas masochism, far from being radical, has emerged as the default mode of a traditional normative masculinity. This study combines approaches from a variety of disciplines—psychoanalysis, queer theory, American studies, men's studies, and film theory—as it offers fresh readings of several important films of the past twenty years, including Casualties of War, The Silence of the Lambs, Fight Club, The Passion of the Christ, Auto Focus, and Brokeback Mountain.