Memphis gave birth to music that changed the world — Memphis Mayhem is a fascinating history of how music and culture collided to change the state of music forever “David Less has captured the essence of the Memphis music experience on these pages in no uncertain terms. There's truly no place like Memphis and this is the story of why that is. HAVE MERCY!” — Billy F Gibbons, ZZ Top Memphis Mayhem weaves the tale of the racial collision that led to a cultural, sociological, and musical revolution. David Less constructs a fascinating narrative of the city that has produced a startling array of talent, including Elvis Presley, B.B. King, Al Green, Otis Redding, Sister Rosetta Tharpe, Justin Timberlake, and so many more. Beginning with the 1870s yellow fever epidemics that created racial imbalance as wealthy whites fled the city, David Less moves from W.C. Handy’s codification of blues in 1909 to the mid-century advent of interracial musical acts like Booker T. & the M.G.’s, the birth of punk, and finally to the growth of a music tourism industry. Memphis Mayhem explores the city’s entire musical ecosystem, which includes studios, high school band instructors, clubs, record companies, family bands, pressing plants, instrument factories, and retail record outlets. Lively and comprehensive, this is a provocative story of finding common ground through music and creating a sound that would change the world.

A journey through Memphis’ troubled past: the shocking crimes and the brutal killings that led to it being dubbed the “Murder Capital of the World.” With its alluring hospitality, legendary cuisine and transcendent music, Memphis is truly a quintessential Southern city. But lurking behind the barbeque and blue suede shoes is a dark history checkered with violence and disarray. Revisit the mass murder of 1866 that took more than fifty lives, the infamous Alice Mitchell case of the 1890s and a string of unthinkable twentieth-century sins. Author and lifelong Memphian Teresa Simpson explores some of the River City’s most menacing crimes and notorious characters in this riveting ride back through the centuries. Includes photos!

Recounts the events surrounding the 1993 murders of three boys in West Memphis, Arkansas, and the trials of the three teens who were convicted of the crime.

Gordon's critically acclaimed and richly entertaining exploration of the birthplace of rock and roll is peopled with Delta bluesmen, manic deejays, matinee cowboys and Elvis.

The award-winning investigative journalist takes readers deep inside the 1993 slayings of three boys in West Memphis, Arkansas, revealing the overzealous prosecution that may have improperly convicted three teenagers.

Main Street Mayhem: Crime, Murder & Justice in Downtown Paragould, 1888 - 1932 explores some of the forgotten episodes of explosive violence in an Arkansas railroad town. Through extensive investigations by award-winning historian Erik Wright, numerous stories are uncovered from the escape of Arkansas murder suspect James Trammell to Australia to the fumbled highway robbery and murder of young Lewis Reynolds. 2018 revised second edition includes a 20-page chapter on outlaw Frank "Jelly" Nash. Illustrated with sources and a foreword by Dan Stidham, Main Street Mayhem is sure to please the scholar and the casual reader.

Red, Black, White is the first narrative history of the American communist movement in the South since Robin D. G. Kelley's groundbreaking Hammer and Hoe and the first to explore its key figures and actions beyond the 1930s. Written from the perspective of the district 17 (CPUSA) Reds who worked primarily in Alabama, it acquaints a new generation with the impact of the Great Depression on postwar black and white, young and old, urban and rural Americans. After the Scottsboro story broke on March 25, 1931, it was open season for old-fashioned lynchings, legal (courtroom) lynchings, and mob murder. In Alabama alone, twenty black men were known to have been murdered, and countless others, women included, were beaten, disabled, jailed, “disappeared,” or had their lives otherwise ruined between March 1931 and September 1935. In this collective biography, Mary Stanton—a noted chronicler of the left and of social justice movements in the South—explores the resources available to Depression-era Reds before the advent of the New Deal or the modern civil rights movement. What emerges from this narrative is a meaningful criterion by which to evaluate the Reds’ accomplishments. Through seven cases of the CPUSA (district 17) activity in the South, Stanton covers tortured notions of loyalty and betrayal, the cult of white southern womanhood, Christianity in all its iterations, and the scapegoating of African Americans, Jews, and communists. Yet this still is a story of how these groups fought back, and fought together, for social justice and change in a fractured region.