Gretchen brought her car to a screeching halt in the middle of the highway, terrified she had just killed someone. The body lying on the road appeared so suddenly, she barely had time to hit the brakes. Luckily, she stopped short of him. Unluckily, someone else hadn’t. Her call for help may have saved his life, but the damage done may be impossible to repair. Waking with no memory of who he is or how he ended up a broken mess in the hospital, he has no choice but to rely on his rescuer for help. “John Doe” is his only identity until fragmented memories begin cropping back up. They are only fleeting images of a woman, but John hides even that from Gretchen, afraid it will lead him back home and away from the woman he is quickly falling in love with.

How should Germany commemorate the mass murder of Jews once committed in its name? In 1997, James E. Young was invited to join a German commission appointed to find an appropriate design for a national memorial in Berlin to the European Jews killed in World War II. As the only foreigner and only Jew on the panel, Young gained a unique perspective on Germany's fraught efforts to memorialize the Holocaust. In this book, he tells for the first time the inside story of Germany's national Holocaust memorial and his own role in it. In exploring Germany's memorial crisis, Young also asks the more general question of how a generation of contemporary artists can remember an event like the Holocaust, which it never knew directly. Young examines the works of a number of vanguard artists in America and Europe--including Art Spiegelman, Shimon Attie, David Levinthal, and Rachel Whiteread--all born after the Holocaust but indelibly shaped by its memory as passed down through memoirs, film, photographs, and museums. In the context of the moral and aesthetic questions raised by these avant-garde projects, Young offers fascinating insights into the controversy surrounding Berlin's newly opened Jewish museum, designed by Daniel Libeskind, as well as Germany's soon-to-be-built national Holocaust memorial, designed by Peter Eisenman. Illustrated with striking images in color and black-and-white, At Memory's Edge is the first book in any language to chronicle these projects and to show how we remember the Holocaust in the after-images of its history.

Most people only have one life-changing experience, but John and Gretchen are on round two of having their lives sent into utter chaos. After a year of living with Gretchen after being attacked and left for dead with no memory of his former life, John’s memory returns when his wife and children find him. Leaving Gretchen weeks before their planned wedding breaks both their hearts. Being reunited with his family is a balm to that loss, but John quickly realizes the old adage that you can never go home again is even truer when you still don’t remember huge sections of your former life. A spotty memory compounds family infighting, a risk of financial ruin, and having no idea how to step back into a marriage that is complicated by his lingering love for Gretchen. Even though Gretchen was the one to release John and step aside, going home to her friends and family and the curiosity and pity of an entire community quickly overwhelms her. Friend and neighbor Carl has been in love with Gretchen nearly since the day they met. She knows he would be more than willing to help her forget the pain of losing John, but diving into a new relationship is the last thing Gretchen needs. Feeling lost, broken, and confused leaves Gretchen floundering to figure out how to move on. As they both face starting over, again, the pull to fall back into the familiarity of each other’s arms weighs heavily against facing the struggle to move forward.

How much of the folk tales of our ancestors is rooted in fact, and what can they tell us about the future? In today's society it is the written word that holds the authority. We are more likely to trust the words found in a history textbook over the version of history retold by a friend – after all, human memory is unreliable, and how can you be sure your friend hasn't embellished the facts? But before humans were writing down their knowledge, they were passing it on in the form of stories. The Edge of Memory celebrates the predecessor of written information – the spoken word, tales from our ancestors that have been passed down, transmitting knowledge from one generation to the next. Among the most extensive and best-analysed of these stories are from native Australian cultures. These stories conveyed both practical information and recorded history, describing a lost landscape, often featuring tales of flooding and submergence. Folk traditions such as these are increasingly supported by hard science. Geologists are starting to corroborate the tales through study of climatic data, sediments and land forms; the evidence was there in the stories, but until recently, nobody was listening. In this book, Patrick Nunn unravels the importance of these tales, exploring the science behind folk history from around the world – including northwest Europe and India – and what it can tell us about environmental phenomena, from coastal drowning to volcanic eruptions. These stories of real events were handed down the generations over thousands of years, and they have broad implications for our understanding of how human societies have developed through the millennia, and ultimately how we respond collectively to changes in climate, our surroundings and the environment we live in.

Everyone thinks Echo Simmons is crazy, but being The Ghost Host isn’t just a YouTube hoax like people think. It’s the only way to control the ghosts haunting her…at least until the FBI shows up asking questions. The first eighteen years of Echo Simmons’ life have been less than ideal. On more than one occasion her parents have considered committing her. They don’t believe she sees ghosts or that they harass her on a daily basis. So when a rogue ghost begins tormenting her, they’re the last people she’s going to tell. Her best friends Holden and Zara are doing their best to help, but ghost attacks are only the beginning of Echo’s problems. Handling the ghosts by giving them a voice on YouTube through her webshow has been her saving grace—even if her parents think it’s all a hoax—but that gets a little complicated when the ghost of Madeline Crew reveals a little too much about her previous life and the FBI shows up at her door wanting to know how she gained access to long-buried government secrets. It just keeps getting worse from there. Madeline’s message to her great grandson sparks a strange connection between Echo and Malachi, which leads to Georgia, secrets, mistakes, love, lies, and life changing revelations.

The controversial English-language debut of celebrated Israeli novelist Yishai Sarid is a harrowing, ironic parable of how we reckon with human horror, in which a young, present-day historian becomes consumed by the memory of the Holocaust. Written as a report to the chairman of Yad Vashem, Israel’s memorial to the victims of the Holocaust, our unnamed narrator recounts his own undoing. Hired as a promising young historian, he soon becomes a leading expert on Nazi methods of extermination at concentration camps in Poland during World War II and guides tours through the sites for students and visiting dignitaries. He hungrily devours every detail of life and death in the camps and takes pride in being able to recreate for his audience the excruciating last moments of the victims’ lives. The job becomes a mission, and then an obsession. Spending so much time immersed in death, his connections with the living begin to deteriorate. He resents the students lost in their iPhones, singing sentimental songs, not expressing sufficient outrage at the genocide committed by the Nazis. In fact, he even begins to detect, in the students as well as himself, a hint of admiration for the murderers—their efficiency, audacity, and determination. Force is the only way to resist force, he comes to think, and one must be prepared to kill. With the perspicuity of Kafka’s The Trial and the obsessions of Delillo’s White Noise, The Memory Monster confronts difficult questions that are all too relevant to Israel and the world today: How do we process human brutality? What makes us choose sides in conflict? And how do we honor the memory of horror without becoming consumed by it? Praise for The Memory Monster: “Award-winning Israeli novelist Sarid’s latest work is a slim but powerful novel, rendered beautifully in English by translator Greenspan…. Propelled by the narrator’s distinctive voice, the novel is an original variation on one of the most essential themes of post-Holocaust literature: While countless writers have asked the question of where, or if, humanity can be found within the profoundly inhumane, Sarid incisively shows how preoccupation and obsession with the inhumane can take a toll on one’s own humanity…. it is, if not an indictment of Holocaust memorialization, a nuanced and trenchant consideration of its layered politics. Ultimately, Sarid both refuses to apologize for Jewish rage and condemns the nefarious forms it sometimes takes. A bold, masterful exploration of the banality of evil and the nature of revenge, controversial no matter how it is read.” —Kirkus Reviews, Starred Review “[A] record of a breakdown, an impassioned consideration of memory and its risks, and a critique of Israel’s use of the Holocaust to shape national identity…. Sarid’s unrelenting examination of how narratives of the Holocaust are shaped makes for much more than the average confessional tale.” —Publishers Weekly “Reading The Memory Monster, which is written as a report to the director of Yad Vashem, felt like both an extremely intimate experience and an eerily clinical Holocaust history lesson. Perfectly treading the fine line between these two approaches, Sarid creates a haunting exploration of collective memory and an important commentary on humanity. How do we remember the Holocaust? What tolls do we pay to carry on memory? This book hit me viscerally, emotionally, and personally. The Memory Monster is brief, but in its short account Sarid manages to lay bare the tensions between memory and morals, history and nationalism, humanity and victimhood. An absolute must-read.” —Julia DeVarti, Literati Bookstore (Ann Arbor, MI) “In Yishai Sarid’s dark, thoughtful novel The Memory Monster, a Holocaust historian struggles with the weight of his profession…. The Memory Monster is a novel that pulls no punches in its exploration of the responsibility—and the cost—of holding vigil over the past.” —Eileen Gonzalez, Foreword Reviews

It’s bad enough that Echo already has ghosts haunting her 24/7, now her past mistakes want to join the fun and come back to haunt her, too? Moving to Georgia was supposed to be a fresh start. So far, it’s turned out to be a fresh start at more chaos. After battling Devourers for the soul of her childhood friend, Echo learns the depth of what her abilities might cost her. She’s always been pretty good at failure, which is concerning when the fate of the spiritual world is suddenly in your hands. If that isn’t enough pressure already, Echo’s personal life is a mess. She and Malachi are both freaked out by her ability to control him and have no idea whether their relationship was ever based on more than their bond as Medium and Keeper. Kyran is keeping his distance from both of them to keep from doing something stupid, things are still tense with her parents, college is proving more than she bargained for, Agent Morton is doubting her stability and brings in his son Griffin to help keep her grounded-which only causes more problems between her and pretty much everyone, and Echo gets pulled into her first case: a young boy whose mysterious injuries and claims of monsters in his dreams has everyone baffled and terrified of what it might mean if he isn’t lying. Oh yeah, and a past mistake Echo thought had already been dealt with is back to settle a score. It can’t get much worse than that, right? Except, for Echo, things can always get worse.