Spencer Ellsworth's Starfire space opera trilogy, a gritty, adult science-fiction adventure, concludes with Starfire: Memory's Blade At the heart of the Dark Zone, a duel for the universe rages. In an ancient Jorian temple, Jaqi faces John Starfire, the new ruler of the Empire. He has set all the worlds aflame in his quest to destroy humankind. Jaqi has sworn to stop him. Problem is, Jaqi isn't much of a fighter. Meanwhile, the sun-eating cosmic spiders, the Shir, have moved out of the Dark Zone and are consuming the galaxy. Araskar knows that he must hold them back, but to do that, he has to give himself over to the Resistance, under the command of John Starfire's wife. And she wants him dead more than she wants the stars to live. If Jaqi and Araskar can fight their way out, they can use a secret at the heart of the Dark Zone to free the galaxy, and end John Starfire's new tyranny. They lose, and every star in the sky will go dark. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Ridge, Sardelle, and their comrades may have rescued Tolemek’s sister and freed the dragon, but trouble awaits at home. The king is missing, a secret organization is hunting sorcerers, and the capital is more vulnerable than ever to enemy attack. Worst of all, at least from Ridge's point of view, someone put that jackass Colonel Therrik in charge of the flier battalion. Ridge and his allies have a lot of problems to fix, but they can’t show their faces in the capital without being arrested or shot. This time, it’s going to take a lot more than magic to save the country. The Blade’s Memory is the fifth installment in the Dragon Blood series.

A provocative, exuberant novel about time, memory, desire, and the imagination from the internationally bestselling and prizewinning author of The Blazing World. A young woman, S.H., moves to New York City in 1978 to look for adventure and write her first novel, but finds herself distracted by her mysterious neighbor, Lucy Brite. As S.H. listens to Lucy through the thin walls of her dilapidated building, she carefully transcribes the woman’s bizarre monologues about her daughter’s violent death and her need to punish the killer. Forty years later, S.H. stumbles upon the journal she kept that year and writes a memoir, Memories of the Future, in which she juxtaposes the notebook’s texts, drafts from her unfinished comic novel, and her commentaries on them to create a dialogue among selves over the decades. She remembers. She misremembers. She forgets. Events of the past take on new meanings. She works to reframe her traumatic memory of a sexual assault. She celebrates the legacy of the wild and rebellious Dada artist-poet, the Baroness Elsa von Freytag-Loringhoven. As the book unfolds, you witness S.H. write her way through vengeance and into freedom. Smart, funny, angry, and poignant, Hustvedt’s seventh novel brings together the themes that have made her one of the most celebrated novelists working today: the strangeness of time, the brutality of patriarchy, and the power of the imagination to remake the past.

Prosthetic Memory argues that mass cultural forms such as cinema and television in fact contain the still-unrealized potential for a progressive politics based on empathy for the historical experiences of others. The technologies of mass culture make it possible for anyone, regardless of race, ethnicity, or gender, to share collective memories--to assimilate as deeply felt personal experiences historical events through which they themselves did not live.

Well I’ve always liked to write since high school. Back then I read a lot of Clive Cussler. Yes Dirk Pitt is one of my favorite hero’s. It’s probably his collection of fine automobiles. When I to write adventure, even horror I found them to constricting. Fantasy on the other hand, you can say anything. It is very freeing.