Reveals how the art of memory is the origin of the Masonic method • Explains the classical techniques of the art of memory, how they were reworked by hermetic thinkers during the Renaissance, and how they contributed to the transformation of operative Freemasonry into speculative Freemasonry • Traces the creation of speculative Freemasonry to 1637, one hundred years earlier than previously thought • Explores how the “memory palaces” created with the art of memory enabled access to universal knowledge as well as represented the Masonic temple in its imaginary state In Antiquity, the art of memory was a mnemonic device that allowed an orator, such as Cicero, to recall all the points he wished to make by associating each of them with an image or architectural element in the site he was speaking. When this art was rediscovered in the Renaissance, hermetic thinkers like Giordano Bruno reworked it into a method that allowed them to acquire knowledge with the creation of “memory palaces.” The elements of these memory palaces were not intended to trigger the memory but would actually transform into talismanic objects with knowledge entirely new to the seeker. In this book, Charles B. Jameux shows that this hermetic reworking of the classical art of memory was no mystery to operative Masons, who grafted it onto their own rituals, catalyzing the transformation of operative Masonry into speculative Masonry. He shows how the hieroglyphic writing used during the Renaissance in the art of memory provided the groundwork for one of the most esoteric elements of masonic practice: the grasp of the realm of image by the letter, where symbols were “buried” within words. Using archival evidence from 17th-century Scotland and earlier, combined with the research of modern scholars such as Frances Yates and David Stevenson, Jameux argues that the creation of speculative Freemasonry can be traced back 100 years earlier than conventional history records--to 1637, when the first recorded use of the Mason’s Word appeared and with it, the first known appearance of the symbolic Temple of Solomon. He follows Giordano Bruno’s visit to the British Isles in the late 16th century and the subsequent activities of the men he met there, showing that Masonic symbolism owes much of its current form to early memory palaces, which represented the Masonic lodge and temple in their fully imaginary states. Revealing the pivotal role of the memory palace and hermetic traditions in early Masonic symbolism, Jameux sheds new light on the Masonic questions asked of each initiate and the spiritual importance of the Temple of Jerusalem to Freemasonry.

Note: This is the Large Print Edition of Solomon's Memory Palace. "Test every fellow of the craft and every apprentice on the art of memory and science thereof." The Second William Schaw Statutes (1599) Freemasons have unique memorization needs. Long passages must be remembered verbatim, yet there are strict restrictions on writing, recording, or even speaking certain esoteric portions outside of the lodge, making unsuitable many of the memorization techniques used by the general public. Fortunately, the craft is not without its working tools. Solomon's Memory Palace provides step-by-step instructions on how to construct the rare memoria verborum memory palace and discusses the curious ties between the art of memory and Speculative Freemasonry.

This book uncovers the early Jewish, Scottish, and Stuart sources of "ancient" Cabalistic Freemasonry. Drawing on architectural, technological, political, and religious documents, it provides the historical context for Masonic traditions of visionary Temple building and mystical fraternity.

This collaboration between two distinguished architects is a joyous celebration of admired places and a thoughtful consideration of the role that design has played in giving these places their memorable qualities. Discussed are the Taj Mahal, Beverly Hills Civic Center, the Seagram building, and others. 182 illustrations.

This book is a new edition of David Stevenson's classic account of the origins of Freemasonry, a brotherhood of men bound together by secret initiatives, rituals and modes of identification with ideals of fraternity, equality, toleration and reason. Beginning in Britain, Freemasonry swept across Europe in the mid-eighteenth century in astonishing fashion--yet its origins are still hotly debated today. The prevailing assumption has been that it emerged in England around 1700, but David Stevenson demonstrates that the real origins of modern Freemasonry lie in Scotland around 1600, when the system of lodges was created by stonemasons with rituals and secrets blending medieval mythology with Renaissance and seventeenth-century history. This fascinating work of historical detection will be essential reading for anyone interested in Renaissance and seventeenth-century history, for freemasons themselves, and for those readers captivated by the secret societies at the heart of the bestselling The Da Vinci Code. David Stevenson is Emeritus Professor of Scottish History at the University of St. Andrews. His many previous publications include The Scottish Revolution, 1637-1644; Revolution and Counter-Revolution in Scotland, 1644-1651; and The First Freemasons; Scotland, Early Lodges and their Members. His most recent book is the The Hunt for Rob Roy (2004). Previous edition Hb (1988) 0-521-35326-2 Previous edition Pb (1990) 0-521-39654-9