Memory Fragments from the Armenian Genocide: A Mosaic of a Shared Heritage brings together thirty profiles of North Americans of Armenian descent. All exemplify the philosophy that “doing well is doing good,” a credo handed down to them by family members who lost everything when they fled from the Turkish massacres. Family stories of how survivors escaped, survived, and made new lives are filtered through the memories of succeeding generations. The profiles reflect how the actions of the survivors shaped the lives of succeeding generations. Armenian immigrants feared their heritage might be lost in North America. Their fears proved to be unfounded. Children and grandchildren retain the culture passed on to them. At the same time, they hold dear the values of the New World that enabled their families to live free of political repression. While details of their daily lives differ, most of those profiled share a reverence for education. In the New World, they flourish as intellectuals, artists, teachers, entertainers, and entrepreneurs, thereby filling leadership roles decimated by Turks early in their campaign to wipe out the Armenians. By making the most of their talents, they do homage to those who sacrificed so much.

A groundbreaking and profoundly moving exploration of the Armenian genocide, told through the traces left in the memories and on the bodies of its women survivors. Foremost among the images of the Armenian Genocide is the specter of tattooed Islamized Armenian women. Blue tribal tattoos that covered face and body signified assimilation into Muslim Bedouin and Kurdish households. Among Armenians, the tattooed survivor was seen as a living ethnomartyr or, alternatively, a national stain, and the bodies of women and children figured centrally within the Armenian communal memory and humanitarian imaginary. In Remnants, these tattooed and scar-bearing bodies reveal a larger history, as the lived trauma of genocide is understood through bodies, skin, and—in what remains of those lives a century afterward—bones. With this book, Elyse Semerdjian offers a feminist reading of the Armenian Genocide. She explores how the Ottoman Armenian communal body was dis-membered, disfigured, and later re-membered by the survivor community. Gathering individual memories and archival fragments, she writes a deeply personal history, and issues a call to break open the archival record in order to embrace affect and memory. Traces of women and children rescued during and after the war are reconstructed to center the quietest voices in the historical record. This daring work embraces physical and archival remnants, the imprinted negatives of once living bodies, as a space of radical possibility within Armenian prosthetic memory and a necessary way to recognize the absence that remains.

Memory of Trees is a dark and startling reminder of an all too often forgotten genocide committed against Armenians in the early 1900s by the once powerful Ottoman Empire. Since 2007, Kathryn Cook travelled between Turkey and Armenia and on to Syria, Lebanon and Israel unearthing the shameful truth whilst giving a voice to its survivors and legacy. The resulting collection of images emphasise the emotional tonality of the story rather than documenting specific events, and ensure this overlooked genocide finally finds a voice and some sense of closure.

“[A] gripping, and at times unsettling, history of . . . the Zeytun Gospels, a lavishly illuminated Armenian book that miraculously survived centuries of war.” —The Wall Street Journal In 2010, the world’s wealthiest art institution, the J. Paul Getty Museum, found itself confronted by a century-old genocide. The Armenian Church was suing for the return of eight pages from the Zeytun Gospels, a manuscript illuminated by the greatest medieval Armenian artist, Toros Roslin. Protected for centuries in a remote church, the holy manuscript had followed the waves of displaced people exterminated during the Armenian genocide. Passed from hand to hand, caught in the confusion and brutality of the First World War, it was cleaved in two. Decades later, the manuscript found its way to the Republic of Armenia, while its missing eight pages came to the Getty. This is the biography of a manuscript that is at once art, sacred object, and cultural heritage. Its tale mirrors the story of its scattered community as Armenians have struggled to redefine themselves after genocide and in the absence of a homeland. Heghnar Zeitlian Watenpaugh follows in the manuscript’s footsteps through seven centuries, from medieval Armenia to the killing fields of 1915 Anatolia, the refugee camps of Aleppo, Ellis Island, and Soviet Armenia, and ultimately to a Los Angeles courtroom. Reconstructing the path of the pages, Watenpaugh uncovers the rich tapestry of an extraordinary artwork and the people touched by it. At once a story of genocide and survival, of unimaginable loss and resilience, The Missing Pages captures the human costs of war and persuasively makes the case for a human right to art. “A well-told tale of the history of the Armenian people [and] a wondrous and terrifically engrossing journey of this sacred religious object and priceless work of art.”—Michael Bazyler, author of Holocaust Justice: The Battle for Restitution in America’s Courts

The plight and fate of female victims during the course of genocide is radically and profoundly different from their male counterparts. Like males, female victims suffer demonization, ostracism, discrimination, and deprivation of their basic human rights. They are often rounded up, deported, and killed. But, unlike most men, women are subjected to rape, gang rape, and mass rape. Such assaults and degradation can, and often do, result in horrible injuries to their reproductive systems and unwanted pregnancies. This volume takes one stride towards assessing these grievances, and argues against policies calculated to continue such indifference to great human suffering. The horror and pain suffered by females does not end with the act of rape. There is always the fear, and reality, of being infected with HIV/AIDS. Concomitantly, there is the possibility of becoming pregnant.Then, there is the birth of the babies. For some, the very sight of the babies and children reminds mothers of the horrific violations they suffered. When mothers harbor deep-seated hatred or distain for such children, it results in more misery. The hatred may be so great that children born of rape leave home early in order to fend for themselves on the street. This seventh volume in the Genocide series will provoke debate, discussion, reflection and, ultimately, action. The issues presented include ongoing mass rape of girls and women during periods of war and genocide, ostracism of female victims, terrible psychological and physical wounds, the plight of offspring resulting from rapes, and the critical need for medical and psychological services.