Los Angeles is a city which has long thrived on the continual re-creation of own myth. In this extraordinary and original work, Norman Klein examines the process of memory erasure in LA. Using a provocative mixture of fact and fiction, the book takes us on an 'anti-tour' of downtown LA, examines life for Vietnamese immigrants in the City of Dreams, imagines Walter Benjamin as a Los Angeleno, and finally looks at the way information technology has recreated the city, turning cyberspace into the last suburb. In this new edition, Norman Klein examines new models for erasure in LA. He explores the evolution of the Latino majority, how the Pacific economy is changing the structure of urban life, the impact of collapsing infrastructure in the city, and the restructuring of those very districts that had been 'forgotten'.

This important collection of essays expands the geographic, demographic, and analytic scope of the term genocide to encompass the effects of colonialism and settler colonialism in North America. Colonists made multiple and interconnected attempts to destroy Indigenous peoples as groups. The contributors examine these efforts through the lens of genocide. Considering some of the most destructive aspects of the colonization and subsequent settlement of North America, several essays address Indigenous boarding school systems imposed by both the Canadian and U.S. governments in attempts to "civilize" or "assimilate" Indigenous children. Contributors examine some of the most egregious assaults on Indigenous peoples and the natural environment, including massacres, land appropriation, the spread of disease, the near-extinction of the buffalo, and forced political restructuring of Indigenous communities. Assessing the record of these appalling events, the contributors maintain that North Americans must reckon with colonial and settler colonial attempts to annihilate Indigenous peoples. Contributors. Jeff Benvenuto, Robbie Ethridge, Theodore Fontaine, Joseph P. Gone, Alexander Laban Hinton, Tasha Hubbard, Margaret D. Jabobs, Kiera L. Ladner, Tricia E. Logan, David B. MacDonald, Benjamin Madley, Jeremy Patzer, Julia Peristerakis, Christopher Powell, Colin Samson, Gray H. Whaley, Andrew Woolford

The heart-pounding first installment of the MacNeice Mysteries, featuring a sophisticated detective solving the horrific murder of a beautiful young violinist — perfect for fans of Peter Robinson’s Alan Banks series. Detective Superintendent MacNeice is returning from a pilgrimage to his wife’s grave when he’s called to a crime scene of singular and disturbing beauty. A young woman in evening dress lies gracefully posed on the floor of a pristine summer cottage so that the finger of one hand regularly interrupts the needle arm of a phonograph playing Schubert’s Piano Trio. The only visible mark on her is the bruise under her chin, which MacNeice recognizes: it is the mark that distinguishes dedicated violinists, the same mark that once graced his wife. The murder is both ingenious and horrific, and soon entangles MacNeice and his team in Eastern Europe’s ancient grievances...

Memory and Erasure is part of a growing body of academic literature to properly document and narrate the Gukurahundi genocide which, hopefully, may contribute to survivors and victims families quest for justice and closure. Deployed in January 1983, the Fifth Brigades legacy has continued to cast a dark shadow not just over Matabeleland and Midlands, but over the entire country. As the title of the book and also the chapters forcefully underline, a culture of violence led by the state and those who control its levers pervades the whole of Zimbabwe and continues to do so partly because of the failure to address the Gukurahundi genocide and its aftermaths, which marked the height of Zimbabwean authorities tendency to use violence to crush dissent and opposition. Collectively, these essays explore different aspects of the Gukurahundi in order (1) to challenge the silencing of the genocide as a mainstream public issue in Zimbabwe, (2) to demonstrate how, deliberately and systematically, Zimbabwes rulers have refused to allow this issue to be resolved and have, in the process, completely disregarded the views, demands, feelings and sensitivities of affected individuals and communities, (3) to explore and critique the institutional, legal/ constitutional and political frameworks that have sustained the failure to find a solution, (4) to demonstrate how Zimbabwe, as a state, bears collective responsibility for Gukurahundi crimes and should therefore hold itself accountable and institute a clear and honest programme to provide a lasting solution that does not lead to further division, and (5) this collection emphasises, in various ways, that the solution to the political culture that has engulfed Zimbabwe and prevented it from attaining its independence goals lies in resolving the aftermath of Gukurahundi and addressing the culture of violence, repression and impunity in Zimbabwean politics.

Misconceptions about memory phenomena often go hand-in-hand with popular misrepresentations of its function in media. In Popular Myths about Memory, Brian H. Bornstein examines how the representation of memory in novels, movies, and television shows often clashes with scientific research. Bornstein discusses the consequences of these myths on the popular understanding of memory and its functions. Depictions of amnesia, eyewitness accounts, and superior memory are just a few of the processes explored and debunked. This book is recommended for scholars interested in psychology, media and film studies, literary studies, and communication studies.

"Erasure: The Spectre of Cultural Memory explores key issues around the increasing aesthetic and cultural erasure occurring in our society. It moves from the seminal act of the American Pop artist Robert Rauschenberg erasing a drawing by the painter Willem de Kooning in 1953, perhaps signalling that an echo or trace would be all that is valued in the future, to the impact that the new technologies - such as Twitter, Facebook, email, smartphones, snapchat and Instagram - are having on family, class, sex, time, speed and space. This erasure is driven by new media technology, globalisation, and new structures of education, work, home and consumption. Erasure: The Spectre of Cultural Memory is the first book that brings together artists, curators, scholars and thinkers who are, in their respective contexts, at the forefront of these compelling questions"--Publisher's website.