When MEMORY BABE first appeared from Grove Press in 1983, LIBRARY JOURNAL wrote: "To call this book the definitive Kerouac biography is an understatement ... [it is] all-inclusive and richly detailed. The reader's immersion in Kerouac's thoughts, moves, and mess-ups is so total that one cannot but feel a great empathy for him ...." USA TODAY wrote: "MEMORY BABE is the most relentlessly and thoroughly researched of the Kerouac biographies ... There is a day-to-day tracing of Kerouac's thoughts and movements astonishing in its exactitude." In the new, revised and updated version, Gerald Nicosia builds on his landmark text, using a wide range of sources that have only become available in the past quarter century, since the book was last published by University of California Press in 1994. The new edition contains hundreds of changes from the last edition. Some of these are merely corrections, a name or date changed, but there are also extensive new passages based on material that has come to light since 1994. As just some examples, the book contains new material on Kerouac's ancestry; on his relationship with his mother and his last wife Stella Sampas; on some of his dark sides, such as his anti-Semitism; on the ways Kerouac was influenced by Neal Cassady's infamous "Joan Anderson Letter"; on what Kerouac wished for and saw as his legacy; and on the details of his death. Nicosia also tries to define more precisely Kerouac's role in pioneering the postmodern novel. MEMORY BABE is still the only critical biography of Kerouac--still the only book that examines in detail his literary output and attempts to analyze just what his literary innovations and achievements were. This new, revised and updated version is an even more accurate and comprehensive look at the Father of the Beat Generation, his life, his oeuvre, and his legacy.

Discusses how Lu Anne Henderson fostered the friendship between the writer Jack Kerouac and her husband Neal Cassady, and became one of the inspirations for Kerouac's most famous work, "On the Road."

This remarkable gathering of previously unpublished writings shines new light on the On the Road author’s life, from his French Canadian childhood to his meteoric rise to literary fame Edited and published with unprecedented access to the Kerouac archives, The Unknown Kerouac presents two lost novels, The Night Is My Woman and Old Bull in the Bowery, which Kerouac wrote in French during the especially fruitful years of 1951 and 1952. Discovered among his papers in the mid-nineties, they have been translated into English for the first time by Jean-Christophe Cloutier, who incorporates Kerouac’s own partial translations. Also included are two journals from the heart of this same crucial period. In Private Philologies, Riddles, and a Ten-Day Writing Log, Kerouac recounts a brief stay in Denver—where he works on an early version of On the Road, reads dime novels, and even rides in a rodeo—and shows him contemplating writers like Chaucer and Joyce and playing with riddles and etymologies. Journal 1951, begun during a stay in a Bronx VA hospital, charts, in ecstatic, moving, and self-revealing pages, the wave of insights and breakthroughs that led Kerouac to the most singular transformation of American prose style since Hemingway. This landmark volume is rounded out with the memoir Memory Babe, a poignant evocation of childhood play and reverie in a robust immigrant community, in which Kerouac uncannily retrieves and distills the subtlest sense impressions. And finally, in an interview with his longtime friend and fellow Beat John Clellon Holmes and in the late fragment Beat Spotlight Kerouac reflects on his meteoric career and unlooked for celebrity. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

A history of Jack Kerouac's growing recognition and literary appreciation, as well as a narrative of the writer's stormy legacy, over the past 25 years (1993-2018). It contains detailed descriptions of the Kerouac Estate lawsuit, the death of Kerouac's daughter Jan, and the massive sell-off of material from Kerouac's archive.

When a little girl has doubts about the color of her skin, her mother shows her all the wonderful, beautiful things brown can be! This message of self-love and acceptance uses rich, dreamy illustrations to celebrate the color using all the senses: sight, smell, touch, taste, and hearing. "I don't want to be brown!" says a little girl about her skin. But so many beautiful things in the world are brown -- calming beaches, cute animals, elegant violins, and more. Brown is musical. Brown is athletic. Brown is poetic. Brown is powerful! Through lyrical words and stunning illustrations, it soon becomes clear that this brown sugar babe should be proud of the skin she's in.

A playful and play-filled ode to strong women, BOSS BABES is a coloring and activity book filled with fun facts and whimsical black-and-white line drawings celebrating female powerhouses from Beyonce to Ruth Bader Ginsburg, Dolly Parton to Malala, Tina Fey to Serena Williams. On every page is a portrait to color or an activity to complete: Connect the dots to conjure J.K. Rowling’s patronus. Complete the Beyonce crossword (12-DOWN: Who run the world?). Decorate Flo-Jo’s nails, decode Cher’s most recent tweet, design a new jabot for RBG, color in Frida Kahlo’s flowers, and more!

The legendary achievements of Babe Ruth and Lou Gehrig are undeniable hallmarks of baseball history. Much has been written about the two men as teammates, but Ruth and Gehrig's relationship away from the field is rarely, if ever, explored. In Gehrig and the Babe, Tony Castro portrays Ruth and Gehrig for what they were: American icons who were remarkably different men. For the first time, readers will learn about a friendship driven apart, an enduring feud which wove its way in and out of their Yankees glory years and chilled their interactions until July 4, 1939—Lou Gehrig Day at Yankee Stadium—when Gehrig's famous farewell address thawed out their stone silence.