Hey, Name's Sid Wanna hear my story? Grab me a drink Meet Sid, A man self-made on the fortunes of the modern era but troubled by the habits of old. He's the perfect man in the eyes of society, But behind the tailored shirts and polished shoes lies a past life which haunts his existence. Meet Akshara, A woman looking to be made in the ever growing world but not knowing where to start. While meeting Sid for a position at his company, she senses a spark not kindled within him and he senses a fire ever burning within her. Follow their lives as they walk through their days slowly unfolding the secrets of the past that made them Will they finally find a purpose worth living for, or will life always be "on the rocks?"

Unlike many traditional books on Shakespeares play Hamlet, this book explores themes and issues which have received very little or no critical attention but they are crucial in understanding the play as a whole. Though in every literary period great philosophers and critics inevitably commented on the play, a host of other issues remained unexplored. During the last four centuries, theories have surely enhanced the artistic taste of the play but taken the readers away from the text of the play. Hence book strikes a balance between the central character of Hamlet and the important technical aspects of the play. These themes include art, diplomacy and international relation, natural and unnatural, evolution of conflict, contrast and parallelism, quest for certain knowledge and Marxism. Though psychoanalysis figures time and again in this book, it offers new dimensions of characters and events. The ideas contained in this book are original and the insightful. The language is simple and lucid and hence the book is pretty useful to students, teachers, research scholars and amateurs and common readers who wish to appreciate the play in a new light. Its strength lies in that it helps students and researchers write coherent critical essays on a divergent themes and issues that repeatedly figure up in the play. It beckons the readers to reinterpret the great tragedy by reading it through contexts.

No literary figure has proved so elusive as Shakespeare. How, Courtney Lehmann asks, can the controversies surrounding the Bard's authorship be resolved when his works precede the historical birth of that modern concept? And how is it that Shakespeare remains such a powerful presence today, years after poststructuralists hailed the "death of the author"? In her cogent book, Lehmann reexamines these issues through a new lens: film theory.An alternative to literary models that either minimize or exalt the writer's creative role, film theory, in Lehmann's view, perceives authorship as a site of constitutive conflict, generating in the process the notion of the auteur. From this perspective, she offers close readings of Romeo and Juliet, A Midsummer Night's Dream, and Hamlet, of film adaptations by Kenneth Branagh, Baz Luhrmann, and Michael Almereyda, and of John Madden's Shakespeare in Love. In their respective historical contexts, these plays and films emerge as allegories of authorship, exploiting such strategies as appropriation, adaptation, projection, and montage. Lehmann explores the significance of this struggle for agency, both in Shakespeare's time and in the present day, in the cultures of early and late capitalism.By projecting film theory from the postmodern to the early modern and back again, Lehmann demonstrates the ways in which Shakespeare emerges as a special effect—indeed, as an auteur—in two cultures wherein authors fear to tread.

The first full-length study of Shakespeare's influence on Victorian women writers, actresses and readers.

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