Now is the time to remember who you truly are. The shift in consciousness that you are feeling – during this time of unprecedented change – is a bridge into an exciting and magical new way of being on planet Earth. Journey Through an Open Door provides a mirror reflecting a step-by-step progression into a wider view that is inside us all and is accessed through a heart-directed journey of expansion including: essential balancing of the intuitive with the rational, the feminine with the masculine, the inner landscape with the outer one. Rooted in the beauty of nature’s year along the Maine coastline, Tritia Hamilton’s narrative for Journey is the background for doorway-opening commentary from beneficent guides who playfully call themselves Mirin. It is they who suggested and inspired the writing of this unique and multi-layered book. Among the twenty Mirin commentaries are: Remembering, Playfulness, All Mirrors are Magic Mirrors, Power Places, Guidance, Relationships, Where is the Future?, The Land of Enchantment, The Dawning. The annotated journal pages that follow each Mirin commentary invite your participation. Fifty-six keys to expansion encourage and inform your process of opening into the wide view. Can you feel the magic of the new dawn breaking and know that it is you? – Mirin

An argument that as we engage with social media on our digital devices we receive, modify, intensify, and transmit moods. We are active with our mobile devices; we play games, watch films, listen to music, check social media, and tap screens and keyboards while we are on the move. In Mood and Mobility, Richard Coyne argues that not only do we communicate, process information, and entertain ourselves through devices and social media; we also receive, modify, intensify, and transmit moods. Designers, practitioners, educators, researchers, and users should pay more attention to the moods created around our smartphones, tablets, and laptops. Drawing on research from a range of disciplines, including experimental psychology, phenomenology, cultural theory, and architecture, Coyne shows that users of social media are not simply passive receivers of moods; they are complicit in making moods. Devoting each chapter to a particular mood—from curiosity and pleasure to anxiety and melancholy—Coyne shows that devices and technologies do affect people's moods, although not always directly. He shows that mood effects are transitional; different moods suit different occasions, and derive character from emotional shifts. Furthermore, moods are active; we enlist all the resources of human sociability to create moods. And finally, the discourse about mood is deeply reflexive; in a kind of meta-moodiness, we talk about our moods and have feelings about them. Mood, in Coyne's distinctive telling, provides a new way to look at the ever-changing world of ubiquitous digital technologies.

When reincarnating, do we have a short spell in a disembodied phase? Hypnosis reveals what goes on.

The winner of the John Ben Snow Prize delves into the life of a 19th-century Adirondack millwright and arrives at a greater awareness of his own reality. Despite having developed patents for a type of sawmill, Israel Johnson was no one in particular, an everyman who died penniless.

'One day there is life . . . and then, suddenly, it happens there is death.' So begins Paul Auster's moving and personal meditation on fatherhood. The first section, 'Portrait of an Invisible Man', reveals Auster's memories and feelings after the death of his father. In 'The Book of Memory' the perspective shifts to Auster's role as a father. The narrator, 'A', contemplates his separation from his son, his dying grandfather and the solitary nature of writing and story-telling.