A Perfect 10, Book 3, is a collection of piano solos designed to promote musical excellence for the early intermediate-level pianist. Melody has chosen a favorite teaching piece from the four stylistic periods---Baroque, Classical, Romantic, and Contemporary---and written six original pieces in Jazz, Blues, Ragtime, Latin, Ballad, and Showstopper styles. These 10 solos provide students with technical challenges as well as expressive opportunities for musical growth in mood, rhythm, melody, harmony, form, articulation, and dynamics. Students do not have to be an Olympic hopeful to achieve a perfect "10," but they might feel like one as they practice and perform these selections! Titles: * Arabesque * Blue Sky Rag * Cool Cats * Minuet in D Minor * Sassy Samba * Snake Charmer Blues * Sonatina in C Major * Spring Storm * The Village Maidens

It's December and Amy can't help but remember the last Christmas she spent with her mother, when she was training Sundance, a diffiult pony. But when Sundance suddenly falls ill, Amy watches over him, and is finally able to bond with the vulnerable pony - and understand the healing gift she shares with her mother.

This is an oral history of the Latin American baseball leagues of the mid-20th century. Interviews with dozens of former major league players, who participated in the winter leagues of Cuba, the Dominican Republic, Mexico, Nicaragua, Panama, Puerto Rico and Venezuela, provide a fascinating view of life in all of these countries during the most nostalgic era of baseball. For the majority of the players, it was the first time in their lives living in a foreign country; some of the more fortunate made trips to the Caribbean Series. The players' recollections range from their experiences on and off the field, to where they lived, what they ate, the ballparks, other players and irrepressible fans. The stories are often juxtaposed against the backdrop of Latin American political history, adding to the unique international flavor.

This is a masterful volume on remembrance and war in the twentieth century. Jay Winter locates the fascination with the subject of memory within a long-term trajectory that focuses on the Great War. Images, languages, and practices that appeared during and after the two world wars focused on the need to acknowledge the victims of war and shaped the ways in which future conflicts were imagined and remembered. At the core of the “memory boom” is an array of collective meditations on war and the victims of war, Winter says. The book begins by tracing the origins of contemporary interest in memory, then describes practices of remembrance that have linked history and memory, particularly in the first half of the twentieth century. The author also considers “theaters of memory”—film, television, museums, and war crimes trials in which the past is seen through public representations of memories. The book concludes with reflections on the significance of these practices for the cultural history of the twentieth century as a whole.

Picture your 21st birthday. Did you have a party? If so, do you remember who was there? How clear are these memories? Should we trust them? Such questions have fascinated scientists for hundreds of years, and, as Alison Winter shows in this book, the answers have changed dramatically in just the past century.

The first snowfall of winter, that magical time of the year when the world turns white, and winter memories are made from morning until night. From the author of "The Cow Who Mooed Boo".

Remembering the Cold War examines how, more than two decades since the collapse of the Soviet Union, Cold War legacies continue to play crucial roles in defining national identities and shaping international relations around the globe. Given the Cold War’s blurred definition – it has neither a widely accepted commencement date nor unanimous conclusion - what is to be remembered? This book illustrates that there is, in fact, a huge body of ‘remembrance,’ and that it is more pertinent to ask: what should be included and what can be overlooked? Over five sections, this richly illustrated volume considers case studies of Cold War remembering from different parts of the world, and engages with growing theorisation in the field of memory studies, specifically in relation to war. David Lowe and Tony Joel afford careful consideration to agencies that identify with being ‘victims’ of the Cold War. In addition, the concept of arenas of articulation, which envelops the myriad spaces in which the remembering, commemorating, memorialising, and even revising of Cold War history takes place, is given prominence.