This book presents translations of three dialogues Xenophon devoted to the life and thought of his teacher, Socrates. Each is accompanied by notes and an interpretative essay that will introduce new readers to Xenophon and foster further reflection in those familiar with his writing. "Apology of Socrates to the Jury" shows how Socrates conducted himself when he was tried on the capital charge of not believing in the city's gods and corrupting the young. Although Socrates did not secure his own acquittal, he profoundly impressed some listeners who then helped to shape the public perception of philosophy as a noble, if highly idiosyncratic, way of life. In "Oeconomicus," Xenophon relates the conversation Socrates had on the day he turned from the study of natural philosophy to that of moral and political matters. "Oeconomicus" is concerned most directly with the character and purpose of Socrates' political philosophy. Xenophon provides entertaining portraits of Socrates' circle of friends in the "Symposium." In the process, he conveys the source of every individual's pride in himself, thus defining for each a conception of human excellence or virtue. The dialogue concludes with Socrates' beautiful speech on love (eros) and its proper place in the good or happy life.

The oeuvre of the Greek historian Xenophon, whose works stand with those of Plato as essential accounts of the teachings of Socrates, has seen a new surge of attention after decades in the shadows. And no one has done more in recent years to spearhead the revival than Thomas L. Pangle. Here, Pangle provides a sequel to his study of Xenophon’s longest account of Socrates, the Memorabilia, expanding the scope of inquiry through an incisive treatment of Xenophon’s shorter Socratic dialogues, the Economist, the Symposium, and the Apology of Socrates to the Jury. What Pangle reveals is that these three depictions of Socrates complement and, in fact, serve to complete the Memorabilia in meaningful ways. Unlike the Socrates of Plato, Xenophon’s Socrates is more complicated and human, an individual working out the problem of what it means to live well and virtuously. While the Memorabilia defends Socrates by stressing his likeness to conventionally respectable gentlemen, Xenophon’s remaining Socratic texts offer a more nuanced characterization by highlighting how Socrates also diverges from conventions of gentlemanliness in his virtues, behaviors, and peculiar views of quotidian life and governmental rule. One question threads through the three writings: Which way of life best promotes human existence, politics, and economics—that of the Socratic political philosopher with his philosophic virtues or that of the gentleman with his familial, civic, and moral virtues? In uncovering the nuances of Xenophon’s approach to the issue in the Economist, Symposium, and Apology, Pangle’s book cements the significance of these writings for the field and their value for shaping a fuller conception of just who Socrates was and what he taught.

Socrates and the Socratic Dialogue assembles the most complete range of studies on Socrates and the Socratic dialogue. It focuses on portrayals of Socrates, whether as historical figure or protagonist of ‘Socratic dialogues’, in extant and fragmentary texts from Classical Athens through Late Antiquity. Special attention is paid to the evolving power and texture of the Socratic icon as it adopted old and new uses in philosophy, biography, oratory, and literature. Chapters in this volume focus on Old Comedy, Sophistry, the first-generation Socratics including Plato and Xenophon, Aristotle and Aristoxenus, Epicurus and Stoicism, Cicero and Persius, Plutarch, Apuleius and Maximus, Diogenes Laertius, Libanius, Themistius, Julian, and Proclus.

Xenophon’s Socratic Works demonstrates that Xenophon, a student of Socrates, military man, and man of letters, is an indispensable source for our understanding of the life and philosophy of Socrates. David M. Johnson restores Xenophon’s most ambitious Socratic work, the Memorabilia (Socratic Recollections), to its original literary context, enabling readers to experience it as Xenophon’s original audience would have, rather than as a pale imitation of Platonic dialogue. He shows that the Memorabilia, together with Xenophon’s Apology, provides us with our best evidence for the trial of Socrates, and a comprehensive and convincing refutation of the historical charges against Socrates. Johnson’s account of Socrates’ moral psychology shows how Xenophon’s emphasis on control of the passions can be reconciled with the intellectualism normally attributed to Socrates. Chapters on Xenophon’s Symposium and Oeconomicus (Estate Manager) reveal how Xenophon used all the literary tools of Socratic dialogue to defend Socratic sexual morality (Symposium) and debate the merits and limits of conventional elite values (Oeconomicus). Throughout the book, Johnson argues that Xenophon’s portrait of Socrates is rich and coherent, and largely compatible with the better-known portrait of Socrates in Plato. Xenophon aimed not to provide a rival portrait of Socrates, Johnson shows, but to supplement and clarify what others had said about Socrates. Xenophon’s Socratic Works, thus, provides readers with a far firmer basis for reconstruction of the trial of Socrates, a key moment in the history of Athenian democracy, and for our understanding of Socrates’ seminal impact on Greek philosophy. This volume introduces Xenophon’s Socratic works to a wide range of readers, from undergraduate students encountering Socrates or ancient philosophy for the first time to scholars with interests in Socrates or ancient philosophy more broadly. It is also an important resource for readers interested in Socratic dialogue as a literary form, the trial of Socrates, Greek sexual morality (the central topic of Xenophon’s Symposium), or Greek social history (for which the Oeconomicus is a key text).

In one of the most charming works to survive from classical antiquity, Xenophon’s Symposium depicts an amiable evening of wine, entertainment, and conversation shared by Socrates, and a few of his associates, with certain Athenian gentlemen who are gathered to honor a young man for his recent victory in the Panathenaic games. The subtle playfulness which characterizes the animated discussions conceals a light-hearted, yet surprisingly philosophical inquiry regarding the rival claims of virtue, articulated and defended by the Socratics and gentlemen to establish the praiseworthiness and excellence of their competing ways of life. Gentlemanliness, taken as an admired political virtue, and philosophy, as pursuit of wisdom and self-sufficiency, emerge as contested ideas about what constitutes the path to human happiness, especially in response to the beautiful and its compelling arousal of erotic desire in the body and soul. Offering a comprehensive account and interpretation of the Symposium, this book follows the speeches and action of the dialogue through its many twists and turns, from beginning to end, with particular attention to the place of rhetoric in the argument of the work as a whole. Thus, Xenophon's Socratic Rhetoric examines foundational aspects of the philosophic life manifest in the words as well as deeds of Socrates in this dialogue--starting from an original reading of the opening scene as a harbinger of the competition in wisdom that occurs over the course of the symposium, and concluding with a provocative consideration of conjugal erotics as the continuation and completion of the Socratic logos about the role of love in guiding human beings toward virtue and happiness.

In the field of classical studies, the psychoanalytic construction of the unconscious is rarely regarded as a fruitful methodological concept. Commonly understood as a modern conceptual invention rather than the discovery of a psychic reality, the notion of the unconscious is often criticized as an anachronistic lens, one that ineluctably subjects ancient experience to modern patterns of thought. The Ancient Unconscious seeks to challenge this ambivalent theoretical disposition toward the psychoanalytic concept and reclaim the value of the unconscious as a methodological tool for the study of ancient texts by transforming our understanding of what the unconscious means, the way it operates, and how it relates to textual hermeneutics. It considers the debate over whether the ancients had an unconscious as an invitation to rethink the relationship between antiquity and modernity, investigating the meaning of textuality through contact between historical moments that have no priority under the law of chronology: associations and connections between the past and its future - including the present - belong to the sphere of the unconscious, which is primarily employed here in order to study the inherent, often hidden, links that bind modernity to classical antiquity and modern to ancient experiences. Drawing on an incisive examination of the complicated, often conflicted, relationship between classical studies and psychoanalytic theory, the volume aims to explain why the concept of the unconscious is in fact inseparable from, and crucial for, the study of the ancient text and, more generally, the methodology of classical philology.