The genre of political memoir has a long history, from its origins in classical times through its popularity in the age of courts and cabinets to its ubiquity in modern mass cultures where retired politicians increasingly attract large and eager readerships for their revelations. Yet there is virtually no scholarly criticism which treats this complex form of literature as a distinct genre, fusing autobiographical, historical and political elements. The essays in this book draw together the collaborative findings of a team of British, European, American and Canadian scholars to present a pioneering historical and critical study of the genre of political memoir, analysing the development of its distinct functions and assessing leading memoirists in European, American, Canadian, Indian and Japanese societies. The editor, George Egerton, introduces the volume and surveys the principal features of the genre over its long history. Otto Pflanze analyses the memoirs of Bismarck; Robert Young, Milton Israel, Joshua Mostow and Robert Bothwell study the memoir literature of France, India, Japan and Canada respectively. Barry Gough and Tim Travers look at naval and military memoirists, while Zara Steiner, B.J.C. McKercher and Valerie Cromwell assess the memoirs of diplomats and their families. Leonidas Hill examines the memoirs of leading Nazis. John Munro, Francis Heller and Robert Ferrell convey inside information on the making of memoirs - notably by the Canadian Prime Ministers Diefenbaker and Pearson and the American President Truman. Stephen Ambrose assays Nixon as memoirist, while Janos Bak portrays the status of memoirists under totalitarian regimes. Wesley Wark and John Naylor analyse theproliferation of intelligence memoirs and government efforts to protect official secrets from the revelations of the candid memoirist. The principal findings reached by the contributors in their study of this problematic but influential genre are set out by the editor in the concluding chapter.

First Published in 2005. This book constitutes the continuation and complement of a work, The Chatham House Version and Other Middle-Eastern Studies, published in 1970. Both works are concerned with certain themes prominent in recent middle-eastern history, namely the influence of great-power, and particularly British policies in the region; the character of middle-eastern, and particularly Arab, politics and political thought during the last hundred years or so; and the fate of so-called minorities, and particularly the Jews of the Arab world, caught as they were in the cross-fire of antagonistic ideologies and of international conflicts.

Through the examination of political autobiographies and memoirs, some preserved in their entirety, others known only from fragments, this book offers a fascinating picture of the way characters who stand out in history saw and represented themselves and their own political actions.

A New York Review Books Original Victor Serge is one of the great men of the 20th century —and one of its great writers too. He was an anarchist, an agitator, a revolutionary, an exile, a historian of his times, as well as a brilliant novelist, and in Memoirs of a Revolutionary he devotes all his passion and genius to describing this extraordinary—and exemplary—career. Serge tells of his upbringing among exiles and conspirators, of his involvement with the notorious Bonnot Gang and his years in prison, of his role in the Russian Revolution, and of the Revolution’s collapse into despotism and terror. Expelled from the Soviet Union, Serge went to Paris, where he evaded the KGB and the Nazis before fleeing to Mexico. Memoirs of a Revolutionary recounts a thrilling life on the front lines of history and includes vivid portraits not only of Trotsky, Lenin, and Stalin but of countless other figures who struggled to remake the world. Peter Sedgwick’s fine translation of Memoirs of a Revolutionary was abridged when first published in 1963. This is the first edition in English to present the entirety of Serge’s book.

Now available for the first time in a paperback edition, "The Swordof Imagination represents the capstone on the career of one ofAmerica's most influential conservative thinkers, Russell Kirk. This highly praised memoir, written dispassionately in thethird person, vividly portrays Kirk's intellectual life. Characterizedby verve, insight, and wit, the book ranges fully over the last halfof the twentieth century, pausing on such themes as Kirk's mentorsand opponents, the day's political figures, and those aspects of themodern world that he loved or despised. Throughout, readers find-- and are challenged by -- the conservative values, the "permanentthings, " for which Kirk became America's ardent champion.