Published in 1833, this two-volume biography explores the lively personal, theatrical and literary life of an eighteenth-century actress and author.

Published in 1833, this two-volume biography explores the lively personal, theatrical and literary life of an eighteenth-century actress and author.

Through an examination of her complete works and public response to them, Robertson gauges the extent of Inchbald's reputation as the dignified Mrs Inchbald, as well as providing a clear sense of what it meant to be a female Romantic writer.

How playwrights, actors, and theater managers vied for control over the performance of popular plays after the passage of England's first copyright law

This is the first biography of Thomas Harris: confidant of George III, ‘spin doctor’, philanthropist, sexual suspect, brothel owner, and the man who controlled Covent Garden theatre for nearly five decades.

Elizabeth Simpson Inchbald (1753–1821) was one of the leading literary figures of the late eighteenth century—an actress, a successful playwright and editor of several collections of plays, a popular novelist, and a drama critic. Considered a beautiful, independent woman, Inchbald was much involved in the theatrical, literary, and publishing life of London. Elizabeth Simpson ran away from home at age eighteen to seek fame as an actress in London and quickly married Joseph Inchbald, an actor twice her age. They toured the stage together until his sudden death in 1779. She made her London stage debut a year later, and her writing debut came in 1784 with the play The Mogul Tale; Or, The Descent of the Balloon. Over the next two decades she wrote or adapted twenty-one plays: comedies, farces, and works from French and German, including the version of Kotzebue's Lovers' Vows, later used in Jane Austen's Mansfield Park. Inchbald's acclaimed first novel, A Simple Story, prefigured the work of later women writers such as Austen. Using material from Inchbald's own pocket books detailing her daily life (she destroyed most of her letters and journals late in her life at the advice of her Catholic confessor) as well as a wealth of other sources, Annibel Jenkins tells for the first time not only the full story of Mrs. Inchbald's life but also provides a fascinating look at the society and politics, both public and private, of London in the late eighteenth and early nineteenth centuries.