Often described as a "gothic novel," this is a classic American tale of mystery and murder with exciting and dramatic plot twists. Charles Brockden Brown is the most frequently studied and republished practitioner of the "early American novel," or the US novel between 1789 and roughly 1820. This volume contains a critical edition of Charles Brockden Brown's Edgar Huntly, the third of his novels to be published in 1799 and the first to deal with the American wilderness. The basis of the text is the first edition, printed and published by Hugh Maxwell in Philadelphia late in the year, but the "Fragment" printed independently in Brown's Monthly Magazine earlier in 1799 supplies some readings in Chapters 17-20. The Historical Essay, which follows the text, covers matters of composition, publication, historical background, and literary evaluation, and the Textual Essay discusses the transmission of the text, choice of copy-text, and editorial policy. A general textual statement for the entire edition appears in Volume I of the series.

One of the earliest American novels, Wieland (1798) is a thrilling tale of suspense and intrigue set in rural Pennyslvania in the 1760s. Based on an actual case of a New York farmer who murdered his family, the novel employs Gothic devices and sensational elements such as spontaneous combustion, ventriloquism, and religious fanaticism. The plot turns on the charming but diabolical intruder Carwin, who exercises his power over the narrator, Clara Wieland, and her family, destroying the order and authority of the small community in which they live. Underlying the mystery and horror, however, is a profound examination of the human mind's capacity for rational judgement. The text also explores some of the most important issues vital to the survival of democracy in the new American republic. Brown further considers power and manipulation in his unfinished sequel, Memoirs of Carwin the Biloquist, which traces Carwin's career as a disciple of the utopist Ludloe. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Charles Brockden Brown (1771-1810), America's first professional man of letters, is remembered in literary history primarily for his novels. He wrote Gothic romances set in America, and they constitute the beginning of a tradition later taken up by such well-known American authors as Edgar Allan Poe and Nathaniel Hawthorne. It is curious that one of Brown's novels, the «Memoirs of Stephen Calvert», has consistently been neglected as part of his novelistic oeuvre, both by the editors of his writings and by the critics. This edition represents the first modern as well as the first separate publication of the «Memoirs of Stephen Calvert». It is a novel typical of Brown's literary preoccupations, and therefore deserves attention within the framework of current Brown criticism. By supplying a text closest to Brown's intentions, an introductory essay, and textual notes, this new edition is meant to lay the groundwork for a fresh evaluation of the «Memoirs of Stephen Calvert».

Originally published in 1994. The Romance of Real Life aims to reconstruct historically the life and writings of Charles Brockden Brown in terms of their cultural connection. Watts examines in detail Brown's early and later writings. By looking at these often-neglected works more closely, he offers a new perspective on the well-known novels from the late 1790s. Watts's synthetic look at genre as well as chronology reveals broader connections between Brown's literature and American society and culture in the decades of the early republic. Furthermore, Watts situates Brown's writings in terms of the interplay of text, context, and the self, with each factor recognized as mutually shaping the others. The Romance of Real Life incorporates sensitivity to the "social history of ideas," in which both the form and content of language remain rooted in the material experience of real life.

Voicing America should find an appreciative audience, not only among those interested in the study of language in America, but also among early Americanists in general, literary critics and historians, and political scientists and philosophers interested in theories of nationalism.