The youth of Bedros Haroian prepared him for the life of a soldier. He grew up an orphan in a cold and half-destroyed house in a village of the Ottoman Empire at the dawn of the 20th century. He grew up in a despised and impoverished Christian community in the Ottoman Empire, which was the Caliphate and operating under Shari'a law. Those beginnings made Haroian a revolutionary. When W.W. I breaks out, Haroian will find himself serving in four armies. The Ottoman Army conscripts him, and he joins with zeal to gain martial skills, and he provides one of the only descriptions of a survivor of the defeat at the Battle of Sarikamish. He later escapes to join the Imperial Russian Army to help fight for the Armenians surviving the Genocide. He ends up serving in the British Army in Batum (a Black Sea port), At the end, Bedros Haroian joins the French Foreign Legion's auxiliary unit of Armenian Legionnaires to defend the Armenian survivors in Cilicia (bordering the Mediterranean Sea). History and horror--those two words describe Haroian's experience as a soldier. His memoirs provide on-the-ground details and insights into historical battles, ones that increase our understanding beyond the limits of official reports on these battles.--Publisher.

When Canadian soldier Fred Doucette went to Bosnia-Herzegovina as a peacekeeper in 1995, he had a premonition that this tour of duty would be different from anything he had previously experienced. And it was. Doucette's tour quickly became an impossible task that took a huge toll on both the residents and his fellow peacekeepers. Trapped in thier beloved city, thousands of Sarajevans, perished, and yet, Doucette found a home in the midst of this hell. Billeted with a Bosnian family, he was offered a window into a Sarajevo that few outsiders saw. When the war ended, Doucette returned to Canada to face another battle, this one characterized by nightmares and brutal flashbacks. Traumatized, he had to face himself, his family, and his army once again, but now there was no turning away, no diversion in another foreign posting. Empty Casing is the riveting story of the making and unmaking of a soldier, and the growth of a man.

They Fought for Each Other presents a searing chronicle of the soldiers of Battalion 1-26 who confronted the worst neighborhood in Baghdad and lost more men than any battalion since the Vietnam War. Based on "Blood Brothers," the award-nominated series that ran in Army Times, this is the remarkable story of a courageous military unit that sacrificed their lives to change Adhamiya, Iraq from a lawless town where insurgents roamed freely, to a safe and secure neighborhood. Army Times writer Kelly Kennedy was embedded with Charlie Company in 2007, went on patrol with the soldiers and spent hours in combat support hospitals, leading to this riveting chronicle of an Army battalion that lost 31 soldiers in Iraq. During that period, one soldier threw himself on a grenade to save his friends, a well-liked first sergeant shot himself to death in front of his troops, and a platoon staged a mutiny. The men of Charlie 1-26 would earn at least 95 combat awards, including one soldier who would go home with three Purple Hearts and a lost dream. This is a timeless story of men at war and a heartbreaking account of American sacrifice in Iraq.

A rediscovered World War I masterpiece—one of the few memoirs about the Italian front—for fans of military history and All Quiet on the Western Front An infantryman’s “harrowing, moving, [and] occasionally comic” account of trench warfare on the alpine front seen in A Farewell to Arms (Times Literary Supplement). Taking its place alongside works by Ernst JŸnger, Robert Graves, and Erich Maria Remarque, Emilio Lussu’s memoir as an infantryman is one of the most affecting accounts to come out of the First World War. A classic in Italy but virtually unknown in the English-speaking world, it reveals in spare and detached prose the almost farcical side of the war as seen by a Sardinian officer fighting the Austrian army on the Asiago plateau in northeastern Italy—the alpine front so poignantly evoked by Ernest Hemingway in A Farewell to Arms. For Lussu, June 1916 to July 1917 was a year of continuous assaults on impregnable trenches, absurd missions concocted by commanders full of patriotic rhetoric and vanity but lacking in tactical skill, and episodes often tragic and sometimes grotesque, where the incompetence of his own side was as dangerous as the attacks waged by the enemy. A rare firsthand account of the Italian front, Lussu’s memoir succeeds in staging a fierce indictment of the futility of war in a dry, often ironic style that sets his tale wholly apart from the Western Front of Remarque and adds an astonishingly modern voice to the literature of the Great War.

The moving memoir of one of the most senior-ranking combat physicians to have served on the battlefields of the second Iraq war.

Sometimes you can't choose your own battles. A memoir of coming of age in Rhodesia explores the author's experiences as a young conscript caught up in the bush war of the late 1970s.

The story of a German boy drafted into military service during WWII is vividly recounted in this memoir of combat and survival. On January 7, 1943, the German Government ordered that boys as young as fifteen be drafted into anti-aircraft service, the Reich Labor Service, and the armed forces. Throughout the war, about 200,000 boys became Flakhelfer and served in batteries of light and heavy flak. Drafted at fifteen, Karl Heinz Schlesier served in regions that suffered some of the heaviest air raids of the war. His memoir is a coming of age story in a world gone mad, where working beside Russian POWs, protecting industries with slave labor, courting a girl among bombed-out ruins was unremarkable. As the war approached its bitter end, Schlesier was thrown into a disintegrating frontline only fifty kilometers from his childhood home. Basing his memoir solely on his diary notes and memories of that period, Schlesier has consciously avoided including what he learned after the war. Flakhelfer to Grenadier gives a voice to the silent generation of boys born in Germany in 1926 and 1927. This generation has been silent because the horror it knew pales in comparison to the horror of the war machine it was conscripted into.