If all sports are really about war, then rugby is a heart-thumping epic of bayonet charges and hand-to-hand fighting. In Memoirs of a Rugby-Playing Man, bestselling author Jay Atkinson describes his thirty-five year odyssey in the sport-from his rough and rowdy days at the University of Florida, through the intrigue of various foreign tours, club championships, and all star selections, up to his current stint with the freewheeling Vandals Rugby Club out of Los Angeles. Jay has played in more than 500 matches, for which he's suffered three broken ribs, a detached retina, a fractured cheekbone and orbital bone, four deadened teeth, and a dislocated ankle. Written in the style of Siegried Sassoon's Memoirs of a Fox-Hunting Man, Atkinson's book explains why it was all worth it--the sum total of his violent adventures, and the valuable insights he has gained from them.

‘What a story and what an inspirational human. Ed is a total legend.’ Joe Wicks ‘A life-affirming story . . . inspirational’ Tim Peake As seen in the Daily Mail From tragedy to triumph, one step at a time – an inspirational story of triumph over adversity against the odds

Stuart Barnes has spent over forty years of his life immersed in rugby union, remembered as one of the most controversial playing names during the dying days of the English amateur era and now regarded as a controversial observers in the media – on both television and in print – with over two decades of broadcasting and journalistic experience to draw upon. Sketches from Memory combines autobiography with an objective and off-beat study of the sport from the author's childhood in the 1970s, through the revolution of the transition to professionalism in the 1980s and 1990s, right up until the present day. Eschewing the more traditional form of the sports book, Barnes abandons chronology to allow past and present to mingle, presenting his memoirs as an alphabetical soup with the letters of the alphabet and not the numbers, dates and years of his life leading the narrative. It is a refreshing, beguiling and absorbing approach that allows the dedicated reader to complete the book in sequence, or the bed-side reader to flick from one letter to the next without losing the thread. Honest, insightful, funny and wise, Sketches from Memory is a fascinating study of the game of rugby union, exploring its myriad enchantments, controversies and world-famous characters like no other book has done before.

SHORTLISTED FOR THE TELEGRAPH RUGBY BOOK OF THE YEAR The truth about being a rugby player from the horsey's mouth. This book is not just about how a psychiatrist called Humphrey helped me get back on my horse and clippity-clop all the way to the World Cup semi-final in Japan. It's the story of how a fat kid who had to live up to the nickname Psycho grew up to play and party for over a decade with rugby's greatest pros and live weird and wonderful moments both in and out of the scrum. That's why I'm letting you read my diary on my weirdest days. You never know what you're going to get with me. From being locked in a police cell to singing Adele on Jonathan Ross (I'll let you decide which is worse), being kissed by a murderer on the number 51 bus to drug tests where clipboard-wielding men hover inches away from my naked genitalia, melting opponents in rucks, winning tackles, and generally losing blood, sweat and ears in the name of the great sport of rugby. This is how (not) to be a rugby player.

From the myth of William Webb Ellis to the glory of the 2003 World Cup win, this book explores the social history of rugby union in England. Ever since Tom Brown’s Schooldays the sport has seen itself as the guardian of traditional English middle-class values. In this fascinating new history, leading rugby historian Tony Collins demonstrates how these values have shaped the English game, from the public schools to mass spectator sport, from strict amateurism to global professionalism. Based on unprecedented access to the official archives of the Rugby Football Union, and drawing on an impressive array of sources from club minutes to personal memoirs and contemporary literature, the book explores in vivid detail the key events, personalities and players that have made English rugby. From an era of rapid growth at the end of the nineteenth century, through the terrible losses suffered during the First World War and the subsequent ‘rush to rugby’ in the public and grammar schools, and into the periods of disorientation and commercialisation in the 1960s through to the present day, the story of English rugby union is also the story of the making of modern England. Like all the very best writers on sport, Tony Collins uses sport as a prism through which to better understand both culture and society. A ground-breaking work of both social history and sport history, A Social History of English Rugby Union tells a fascinating story of sporting endeavour, masculine identity, imperial ideology, social consciousness and the nature of Englishness.

Nearly 30 years ago, James wrote a refreshingly candid book that made no claims to be accurate, precise, or entirely truthful, only to entertain. Long unavailable in the U.S., "Unreliable Memoirs" is being made available to American readers.

'It was never my dream to become a Springbok rugby player. I wanted to become a designer of Formula 1 racing cars.' In Just a Moment, Schalk Burger Snr, one of the greats of South African rugby, shares the many layers of his colourful and eventful life. Rugby legend and businessman, wine farmer, cultural custodian, musician, father and grandfather, Schalk Burger takes us on an intensely personal and honest journey through the triumphs and hardships that have shaped the life of this much-loved South African. Burger is a storyteller extraordinaire and will have you snorting into your beer as you read about run-ins with officialdom, fisticuffs on the field, how he became the first white Springbok selected from a coloured team, and the day Cheeky Watson asked to wash his feet. This is a glimpse into the life and times of one of the country's most recognised figures, told through the stories of the many lives that have intersected with his. 'Who am I, and how do I live? That is something this story will bring out of me.'