Most students lack any form of discipline or restraint in the classroom. Parents condone their childrens behavior. School administrators exhibit a god complex, and school police officers are caught in between the web of school politics that often interferes in enforcing the law equally to all. Today, students adverse behavior in the classroom no longer constitutes a delinquent conduct as per classroom discipline management rules, but rather, an act that has manifests itself into a criminal offense. Students are empowered to act bad when their own parents themselves refuse to correct their childrens maladaptive behavior by blaming others for their short comings. And this problem is further exasperated by school administrators who either use a strong arm tactic to curtail the problem or a too soft a hand to make an impression to get a child to exhibit positive behavior in the classroom. School administrators have a God complex where they walk around their campus expecting everyone, including school police officers, to do their biting. School administrators try to instill their own brand of justice by picking and choosing which students are to be charged with a criminal offense while others are allowed to continue their maladaptive behaviors. School police officers find themselves in a very precarious situation where they must wear different hats to address different issues that arise in the classroom. School police officers are like band-aides that are place on a wound, it is a cure all fix all approach to making problems go away, unfortunately, when dealing with the school community school police officers, and law enforcement in general, cannot use a band-aide to make things better as police work in a school setting is a web of complex issues that fosters misunderstanding among members of the school and law enforcement communities.

This book is equal parts self-help and hilarious reality written by a funny lunatic the last Guru you will ever need folks right in this book. Adrian yup that’s me writing in the third person like well… a crazy person, (calm down its ok for you to laugh at my crazy) he has written an inspiring tale of survival and not becoming just another victim or statistic, this book details serious childhood and adulthood trauma from physical, verbal and sexual abuse to bullying in school and growing up poor with a tyrant of a father in the hot streets of Miami, Florida and into adulthood in Denver, Colorado.

Some Dance to Remember has been reviewed as ¿the gay Gone with the Wind.¿ But such popular praise does not do literary justice to this eyewitness classic of that ¿first golden decade after Stonewall.¿ This best-selling epic of San Francisco¿s Castro seethes with sex, drugs, panic, and passionate characters: a gay writer, a drop-dead gorgeous bodybuilder, a cabaret singer, a Vietnam vet, a Hollywood bitch, and a rough-trade porn mogul. Narrator Magnus Bishop channels Ryan O¿Hara, a writer pioneering a tell-all voice in the emerging subculture of gay magazines. When Ryan meets Quentin Crisp¿s ¿perfect man¿ in Kick Sorenson, lust and politics collide. Steroids rule Castro Street. Gender fascism divides queens versus clones into gay civil war over correct queer identity. White assassinates Milk. Gay rioters burn City Hall. Ryan, romancing the morphing trickster Kick, cruises through nightclubs, ecstatic sex, and leather rituals in legendary bathhouses. Sprung from Isherwood¿s Cabaret, 1970s San Francisco mirrored 1930s Berlin: decadent, dazzling, diverse, doomed. It¿s all here. A city. A murder. A plague. A lost civilization. A love story. Some Dance to Remember is dedicated to Jack Fritscher¿s 1970s bicoastal lover, Robert Mapplethorpe.¿My God, what a book! It¿s all there, done with Fritscher¿s usual élan and verve. I wouldn¿t be surprised if he has written what will be looked on as that period¿s Great American Gay Novel. What lovely stuff! ¿Sam Steward (Phil Andros)¿Jack Fritscher didn¿t invent the Castro. He just made it mythical. HEADY, EROTIC, COMIC....A comprehensive fictional chronicle of the best of times....If one can learn American history via the novels of Gore Vidal, one can learn gay American history through Some Dance.¿ ¿ The Advocate, David Perry¿Cinematic intensity....A brilliant record of gay life before AIDS....An astonishing spectrum of queer lives....This sprawling saga...has not lost a whit of its muscular passion, punchy immediacy, or transformative literary impact.¿ ¿ Books to Watch Out For, Richard Labonté¿STAGGERINGLY ORIGINAL and completely absorbing....Here is San Francisco¿s gay male scene in the 1970s and ¿80s as never told, or documented, before.¿ ¿ Michael Bronski, Author of Culture Clash: The Making of Gay Sensibility

This stark and unsentimental recollection of childhood and coming of age in the back alleys and bustling streets of San Francisco Chinatown reveals the sinister and pervasive influences of organized crime. "Chinese Playground: A Memoir" traces author Bill Lee's maturation from innocent child in a troubled family to a street punk, gang member, and college graduate struggling to break free of his involvement in escalating violence. Lee's personal accounts of two high-profile murder incidents are engrossing. The 1977 Golden Dragon Massacre in San Francisco that left five dead and eleven wounded, was carried out by his blood-brothers who were engaged in the most violent Asian gang war in U.S. history. A decade later, a mad gunman killed seven and injured four at ESL, a high tech firm in Sunnyvale, California where Lee was employed. An unlikely hero emerges as he accepts his fate, employing his street instincts to save coworkers during the murderous rampage. Startling details on both crimes are revealed for the first time. This true story is a provocative read providing valuable insight into Chinese American culture, organized crime, distressed families, at-risk youths, personal recovery, Bay Area history, and Silicon Valley.

9 square miles. 10,000 criminals. 130 cops. A riveting memoir by Baker, California's most-decorated police officer Compton: the most violent and crime-ridden city in America. What had been a semi-rural suburb of Los Angeles in the 1950s became a battleground for the Black Panthers and Malcolm X Foundation, the home of the Crips and Bloods and the first Hispanic gangs, and the cradle of gangster rap. At the center of it, trying to maintain order was the Compton Police Department, never more than 130-strong, and facing an army of criminals that numbered over 10,000. At any given time, fully one-tenth of Compton's population was in prison, yet this tidal wave of crime was held back by the thinnest line of the law—the Compton Police. John R. Baker was raised in Compton, eventually becoming the city's most decorated officer involved in some of its most notorious, horrifying and scandalous criminal cases. Baker's account of Compton from 1950 to 2001 is one of the most powerful and compelling cop memoirs ever written—an intensely human account of sacrifice and public service, and the price the men and women of the Compton Police Department paid to preserve their city.

In 1974, Rick Telander intended to spend a few days doing a magazine piece on the court wizards of Brooklyn's Bedford-Stuyvesant. He ended up staying the entire summer, becoming part of the players' lives and eventually the coach of a loose aggregation known as the Subway Stars. Telander tells of everything he saw: the on-court flash, the off-court jargon, the late-night graffiti raids, the tireless efforts of one promoter-hustler-benefactor to get these kids a chance at a college education. He lets the kids speak for themselves, revealing their grand dreams and ambitions. But he never flinches from showing us how far their dreams are from reality. The roots of today's inner-city basketball can be traced to the world Telander presents in "Heaven is a Playground," the first book of its kind. Rick Telander is a senior writer for "Sports Illustrated" and the winner of the 1987 Notre Dame Club Award for Excellence in Sports Journalism.

Written by an author brought up in working-class Liverpool in the 1960s and 1970s, Liverpool: A Memoir of Words is a work of creative non-fiction that combines the study of language in Liverpool with social history, the history of the English language and personal memoir. A beautifully written book, based on a lifetime’s academic research, it explores the relationship between language and memory, and demonstrates the ways in which words are enmeshed in history and history in words. Starting with ‘Ace’ and weaving its way alphabetically to ‘Z-Cars’, the work illustrates the deep relationship that has been forged in the past two hundred years or so between a form of language, a place and a social identity. The account is funny, sad, full of surprises and always illuminating. It tells the real history of ‘Scouse’, details the multicultural complexity of Liverpool English, examines the common use of ‘plazzymorphs’, and shows how Liverpudlian words exemplify standard processes of change and development. Neither a memoir, dictionary or history book, this work crosses different fields of knowledge in order to weave an engaging and fascinating story. It is a book that will educate and delight Liverpudlians, students of language and social historians alike.