With a new introduction by Nick Rhodes The talent. The charisma. The videos. From their 1981 hit "Planet Earth" to their latest number-one album, All You Need Is Now, John Taylor and Duran Duran have enchanted audiences around the world. It's been a wild ride, and—for John in particular—dangerous. John recounts the story of the band's formation, their massive success, and his journey to the brink of self-destruction. Told with humor, honesty—and packed with exclusive pictures—In the Pleasure Groove is an irresistible rock-and-roll portrait of a band whose popularity has never been stronger.

John Taylor Wood, the grandson of President Zachary Taylor and a nephew of Jefferson Davis, was one of the most daring and remarkable participants of the Civil War and among the few people to hold dual rank in the Confederate military as a captain in the Confederate States Navy (CSN) and a colonel in the cavalry. Wood was widely known for his wartime activities, but at the time of his death in 1904, he had been largely forgotten. This work combines a thorough biography of John Taylor Wood and three of his memoirs that were published in Century magazine between 1885 and 1898. The biography gives special attention to Wood's childhood and youth, such as his harrowing experiences in Florida during the Seminole Wars, his service in the United States Navy during and after the Mexican War, his experiences in California during the Gold Rush and his leading role among the members of the little-known postwar Confederate naval colony in Halifax, Nova Scotia, organized to fight the Fenian forces for the British in 1866. His writings about the war and other literary activities, and his friendship with William Hall, the first African American to win the Victoria Cross are covered. The memoirs in this book cover his service on the CSS Virginia, the cruise of the CSS Tallahassee (of which he was the commander), and his gutsy escape from the South as the Confederacy collapsed.

The first member of Duran Duran to write his memoirs tells the full story of the excesses, glamour and excitement they lived through in the 1980s. When 19-year-old Andy Taylor returned from his band's tour of military bases in Germany and saw an advert in Melody Maker in April 1980 asking for a 'live wire guitarist' to audition in Birmingham, he saw his chance. Even he could not have predicted what happened next. The group, Duran Duran, released their first single, 'Planet Earth', ten months later and soon became the biggest band since the Beatles. Emerging in the post-punk era, Duran headed the New Romantic movement and with their stunning videos and style consciousness, they set the trend for the consumerist 1980s. Popular with everyone from rockers to Princess Diana, they had a string of massive worldwide hits such as 'Rio', 'The Reflex' and 'A View to a Kill'. They won Grammys and an Ivor Novello award among many other things. By Live Aid, in 1985, they were at their very pinnacle of success - and then the band began to fall apart. At the centre of it all, giving the group its musical pulse, was lead guitarist Andy Taylor. In this revealing and raw memoir, Taylor recalls the highs and lows of an unbelievable period where the squeaky clean facade hid the truth of wild partying as five young men took just about every opportunity that was offered to them. Andy Taylor's story is of an era when MTV was new, the media allowed superstars to get away with lots and rock stars knew how to party like there was no tomorrow. Wild Boy is a book that millions of fans of Duran Duran around the world will want to read to know the full story of what really happened.

A BRILLIANTLY WRITTEN ACCOUNT OF THE NBA’S GLORY DAYS, AND THE RIVALRY THAT DOMINATED THE ERA In the mid-1950s, the NBA was a mere barnstorming circuit, with outposts in such cities as Rochester, New York, and Fort Wayne, Indiana. Most of the best players were white; the set shot and layup were the sport’s chief offensive weapons. But by the 1970s, the league ruled America’s biggest media markets; contests attracted capacity crowds and national prime-time television audiences. The game was played “above the rim”–and the most marketable of its high-flying stars were black. The credit for this remarkable transformation largely goes to two giants: Bill Russell and Wilt Chamberlain. In The Rivalry, award-winning journalist John Taylor projects the stories of Russell, Chamberlain, and other stars from the NBA’s golden age onto a backdrop of racial tensions and cultural change. Taylor’s electrifying account of two complex men–as well as of a game and a country at a crossroads–is an epic narrative of sports in America during the 1960s. It’s hard to imagine two characters better suited to leading roles in the NBA saga: Chamberlain was cast as the athletically gifted yet mercurial titan, while Russell played the role of the stalwart centerpiece of the Boston Celtics dynasty. Taylor delves beneath these stereotypes, detailing how the two opposed and complemented each other and how they revolutionized the way the game was played and perceived by fans. Competing with and against such heroes as Jerry West, Tom Heinsohn, Bob Cousy, John Havlicek, and Elgin Baylor, and playing for the two greatest coaches of the era, Alex Hannum and the fiery Red Auerbach, Chamberlain and Russell propelled the NBA into the spotlight. But their off-court visibility and success–to say nothing of their candor–also inflamed passions along America’s racial and generational fault lines. In many ways, Russell and Chamberlain helped make the NBA and, to some extent, America what they are today. Filled with dramatic conflicts and some of the great moments in sports history, and building to a thrilling climax–the 1969 final series, the last showdown between Russell and Chamberlain–The Rivalry has at its core a philosophical question: Can determination and a team ethos, embodied by the ultimate team player, Bill Russell, trump sheer talent, embodied by Wilt Chamberlain? Gripping, insightful, and utterly compelling, the story of Bill Russell and Wilt Chamberlain is the stuff of sporting legend. Written with a reporter’s unerring command of events and a storyteller’s flair, The Rivalry will take its place as one of the classic works of sports history.

The transformation of schooling from a twelve-year jail sentence to freedom to learn. John Taylor Gatto's Weapons of Mass Instruction , now available in paperback, focuses on mechanisms of traditional education which cripple imagination, discourage critical thinking, and create a false view of learning as a byproduct of rote-memorization drills. Gatto's earlier book, Dumbing Us Down , introduced the now-famous expression of the title into the common vernacular. Weapons of Mass Instruction adds another chilling metaphor to the brief against conventional schooling. Gatto demonstrates that the harm school inflicts is rational and deliberate. The real function of pedagogy, he argues, is to render the common population manageable. To that end, young people must be conditioned to rely upon experts, to remain divided from natural alliances and to accept disconnections from their own lived experiences. They must at all costs be discouraged from developing self-reliance and independence. Escaping this trap requires a strategy Gatto calls "open source learning" which imposes no artificial divisions between learning and life. Through this alternative approach our children can avoid being indoctrinated-only then can they achieve self-knowledge, good judgment, and courage.